Posts from January, 2014
An interdepartmental Colorado College annual giving campaign featuring CC students and faculty has received the Gold level award for fundraising programs from the CASE District VI. And that, as the college community would say, “Is so CC.”
In fact, “Giving Back:That’s so CC,” was the title of the campaign, which consisted of print materials, videos, and emails.
Created between the summer and fall of 2012 by Naomi Trujillo, advancement design manager; Arielle Mari ’12, video and digital media specialist; Andrea Pacheco, former director of annual giving; and Ash Mercer ’08, former associate director of annual giving; the campaign was aimed at developing a culture of philanthropy. The four-part series consisted of:
- Service: That’s so CC, featuring drama major Kasi Carter ’11
- Student Support: That’s so CC, featuring French and Francophone Studies major Johnny Reed ’13
- Interdisciplinarity: That’s so CC, featuring psychology major Nora Alami ’13
- Study Abroad: That’s so CC, featuring English Professor Barry Sarchett, Adjunct Associate Comparative Literature Professor Lisa B. Hughes, and economics major Jesse Marble ’08
What made the project particularly fun to work on was the fact that there was so much collaboration, Trujillo said. “I loved the way the pieces came together – the print, emails, and video. Each told a great story and there was awesome video to support the project. I loved seeing the faces of the people we featured, and the video really captured their character, who they are,” she said.
The video was provided by Mari, who said she enjoyed working on the fairly long-term project. “It gives you time to develop a look, a feel. There is a sense of continuity about it. I imagined the people receiving the materials, and I felt I could establish a rapport with them. The project builds on itself and offers a new sense of unity,” she said.
Working with students was a highlight for Trujillo. “It reminded me what I’m at CC for. It’s an amazing place with amazing people,” she said.
Andy Tirado, the 3D arts supervisor for the Colorado College art department, has sculptured a series of massive hands using a very appropriate CC material – reclaimed redwood from the deck outside the studios at Packard Hall, which houses the art department.
Tirado provides tech support for the art department, supervises the sculpture shop, and teaches a spring woodworking adjunct class. He also will be teaching sculpture at the Anderson Ranch in Snowmass this summer.
The four sculptures, all of which depict right hands (Tirado is left-handed; he uses his right hand as a model) are enormous – one is 13 feet long and weighs more than 300 pounds – and take up nearly all the space in Coburn Gallery, where they have been on exhibit. However, the huge hands, constructed from redwood, alder, and steel, all materials Tirado scrounged for, will soon be moved to make way for a new exhibit.
A Palmer High School graduate and an art major at University of Colorado—Colorado Springs, he started out building wood strip canoes. Later, he designed and built custom marketing-related props for clients such as Burton and Frito-Lay, before joining Colorado College in October 2005. The move allowed him to transition from building custom pieces and to enjoying the freedom that comes with making one’s own art. Taking the job at CC, he says, “was like walking into the perfect position. Like it was handcrafted – no pun intended.”
When Tirado embarked on the first piece in the hand series two years ago, he envisioned a large hand contoured as a chair. However, it evolved into something else entirely. “It’s fun not knowing where it will end up. With client work, you know exactly how it will end up. There’s not the same creativity and sense of freedom I have now,” he says.
Sections of the hands are little paintings and abstractions in themselves, coming together to form the much bigger piece. Each finger is individually carved from a larger piece of wood with various sizes of forstner bits, he says. One satisfying element of his work: “Responding to how the work is responding to your touch,” he says. Occasionally a piece will fall or a part will break off. “I don’t try to put it back; I leave some clues rather than hide all the evidence of a break – I think it’s important to allow the work to talk back to you rather than be dictated to.”
His two-car garage has been turned into a studio, and is where he will store the hands for the time being, while also working on another series of hands crafted from steel bands. See more photos of Tirado’s work.