The (R)evolution Experiment

THE I.D.E.A. SPACE presents A PROJECT BY PATRIZIA HERMINJARD

The (R)EVOLUTION Experiment

How does a digital work evolve through successive generations of collaboration

by a community of participants? (R)evolution is an experiment in which an

original film work is mashed-up creating a new generation of work from which

successive generation can be created. The experiment will culminate with an

installation of selected works exhibited at the Colorado College Edith Kinney

Gaylord Cornerstone Arts Center.

Participants may mash-up the original work by adding or subtracting digital

media using open-source or original film/audio material they have created.

Mashed-up videos can reference any theme. Copyrighted materials should not

be used.

The dance for films for (r)evolution were created as part of the DA 325 Dance

and Digital Technology class taught by Patrizia Herminjard during block 8 of 2009.

HOW TO PARTICIPATE

 

1. View movie(s) below.

2. Download movie(s) you want to mash-up by clicking on their respective links.

3. Once your mash-up is created upload it at http://www.youtube.com/watch?v=84zWArVHN0Q

by clicking on “Post A Video Response” and then select “Upload a Video”.

In order to post a Video Response, you must have a YouTube account.

The deadline for all video uploads is March 22, 2010 (the first day of Block 7).

Deadline has been extended to Fall, 2010.  Check back for more details.

4. Check back here to see your film under the first generation films

section entitled Second Generation Films.

5. Selected films will be presented in the Cornerstone Screening Room on

April 30th at 7:30pm. Visit the final Installation during Block 8, April 19th-

May 17th, 2010 in the Cornerstone Arts Center (main space) featuring selected

mashed-up films.
Films will be presented in the Fall of 2010.  Check back for more details.

 

 

Notification of acceptance into the Installation will be sent to your YouTube account inbox.

 

 

 

 

 

(R)EVOLUTION

 


Badlands by Hilary Kennedy

Download: Badland(Hilary)


I Loved You First by Breann Gingrich

Download: breannsfinal


Cracked by Jordan Brooks

cracked(jordan)


exactly do they do by Dolo McComb

Download: exactlydotheydobydolo


Grey Wakeup by Alana Yurkanin

Download: GreyWakeUp(Alana)

Subordinate to Time by Madison Moross

 

Download: subordinatetotime(madison)

Lament by Patrizia Herminjard

Download: lament(Patrizia)

The Lullaby by Rosey Puloka

Download: TheLullaby(Rosey)

The Patrol by Kate Rafter

Download: ThePatrol(Rafter)

 

 

Idris Khan: Last 3 Piano Sonatas . . . after Franz Schubert

Idris Khan: Last 3 Piano Sonatas…after Franz Schubert
April 20 – June 26, I.D.E.A. Space

  • Saturday, June 26: Reception and Artist Talk by Idris Khan, Film Screening Room, 4 pm
  • Live performance of Schubert’s Piano Sonatas by Susan Grace & John Novacek,
    IDEA Space, 5 pm
  • Reception to follow performance in IDEA Space

“It is important for me to understand the disciplines of contemporary art without boundaries or constraints.” Idris Khan

Multi-media artist Idris Khan creates photographic and video works that blur the boundaries between appropriation and re-creation to challenge the viewer’s assumptions about how different art forms are received and understood. His three-channel video installation, Last 3 Piano Sonatas…after Franz Schubert, engages elements of video, recorded music, and live performance to deconstruct and re-frame the sensory experience of musical performance.

Known for his works based on historical figures such as Caravaggio, Bach, and Freud, many of Khan’s projects involve layering images, texts, or sounds produced by an iconic historical figure to create a composite “portrait”. Last 3 Piano Sonatas…after Franz Schubert was inspired by the music Schubert wrote on his deathbed.  To create the video, Khan wove together moments from numerous performances of the Sonatas. Each fragment of film focuses on a different aspect of a performance.  Through the careful editing of images of hands at the keyboards, hammers hitting strings, and the performer’s gestures, Khan creates a visual rhythm that reinforces the power of the composer’s vision while simultaneously uncovering the subtle artistic choices made within different performance contexts. Khan’s video also invites a layered engagement with time: by choosing sonatas that comprise Schubert’s last artistic gesture, Khan conjures a specific and unrepeatable historical event; by blurring the distinctions between different contemporary performances of the sonatas, Khan collapses time into one, persistent moment.

Idris Khan was born in Birmingham, England in 1978 and now lives and works in London. He received his MA in Fine Art at the Royal College of Art in 2004 and has since exhibited internationally in a number of major group exhbitions including The Collection, Victoria Miro Gallery, London (2009); Silent Writings, Espace Culturel Louis Vuitton, Paris (2009); Natural Wonders: New Art from London Baibakov Art Projects, Moscow (2009); A Memory After Bach’s Cello Suites, Kunst Film Biennale, Cologne (2008); these valued landscapes, Bury St Edmunds Art Gallery, England (2008); P2P, Casino Luxembourg, Forum d’art contemporain, Luxembourg (2008). Recent solo exhibitions of Khan’s works have been held at Victoria Miro Gallery, London (2010); Elementa, Dubai (2009); Thomas Schulte Gallery, Berlin (2009); K20, Dusseldorf (2008); Yvon Lambert, New York (2007); Fraenkel Gallery, San Francisco (2006). His films have been presented at “Tate Britain” and “Kunst Film Biennale in Koln, Germany. Major public art commissions are in London, England and Dublin, Ireland.

Senior Studio Art Majors Group Exhibit: 2010

Opening Reception:  Thursday, April 22, 4:30 pm
Coburn Gallery

Exhibit on display through May 7, 2010

This annual exhibition features selected works in a variety of media by Colorado College’s graduating Art Studio majors.

Seeing Stories

Henry Darger, Child-Headed Whiplash-Tail Blengins, Watercolor on paper, Collection of the American Folk Art Museum

Henry Darger, Child-Headed Whiplash-Tail Blengins, Watercolor on paper, Collection of the American Folk Art Museum

February 2 – March 31, 2010, I.D.E.A. Space

This exhibition addresses strategies of visual storytelling from multiple cultural perspectives, with particular emphasis on self-taught artists. The exhibition features Australian Aboriginal Dreamtime paintings, works by American Self-Taught artists Henry Darger and Mose Tolliver, linocut prints by Namibian artist John Muafangejo, and 19th Century ledger drawings by Northern Cheyenne artists.

Opening Reception and Story Salon #1: Compelling Stories
Tuesday, February 2, 4:30 pm, I.D.E.A. Space

This installment of the Salon Conversation series features a lively public conversation between Adrienne Seward, Colorado College English Professor and folklorist, and Brooke Davis Anderson, Curator of the American Folk Art Museum.

Lunch and Lecture: Henry Darger & Mose Tolliver by Brooke Davis Anderson
Tuesday February 2, 12:30 PM, Slocum Commons
(This event is FULL, no more reservations being taken, 2/1/2010)

Brooke Davis Anderson is the Director and Curator of the Contemporary Center of the American Folk Art Museum.  She has written and lectured extensively in the fields of folk art and African-American art.
Free, reservations required. Contact Jessica Hunter-Larsen at jessica.larsen@coloradocollege.edu to reserve your spot.

Story Salon #2: Collecting Stories
Tuesday, February 16, 4:30pm

The first portion of this exciting double-header Salon features a conversation about Plains Native American ledger art with artist and curator Bently Spang and Colorado College Professor of History Anne Hyde.  In the second portion of the event, collectors Mary Allen-Meilinger and Harold Burch tell the stories of how they built their collections of Self-Taught American art and Australian art, respectively.

Story Salon #3: Seeing Truths
Tuesday, February 23, 4:30 pm

Film Screening Room, Edith Kinney Gaylord
Cornerstone Arts Center
In conjunction with the exhibition The House is Small But the Welcome is Big, this Salon features a presentation of Mozambican teenager Alcides Soares’ documentary about being orphaned by AIDS. The award-winning short film tells the story of Alcides and his friends as they come to terms with the loss of their parents and seek to create new family bonds. Neal Baer, the film’s Executive Producer and Lynn Warshafsky, Executive Director of Venice Arts will present the film and speak about the creation of The House is Small project.

Sponsored by the Robert & Ruby Priddy Charitable Trust, the Colorado College NEH Distinguished Professorship, and the Colorado College Cultural Attractions Fund.

Charlie Tarawa Tjungurrayi, Tale of Two Women, Acrylic on Linen, 1980.

Charlie Tarawa Tjungurrayi, Tale of Two Women, Acrylic on Linen, 1980.

Reproduced from the Cheyenne Dog Soldiers Ledger Book, courtesy of the Colorado Historical Society.

Reproduced from Little Finger Nail’s Ledger Book, courtesy of the American Museum of Natural History.
Reproduced from Little Finger Nail's Ledger Book, courtesy of the American Museum of Natural History

Reproduced from the Cheyenne Dog Soldiers Ledger Book, courtesy of the Colorado Historical Society.

Mose Tolliver, Three Blue Men (detail).

Mose Tolliver, Three Blue Men (detail).

The House is Small But the Welcome is Big

The House Is Small But the Welcome Is Big
Photography By and About African Women and Children Affected by HIV/AIDS

January 19-March 26, 2010, Coburn Gallery (Worner Center)

Exhibit will be closed for CC Spring Break:  March 10th-19th, except by appointment.

Joaquim Varalito, "Hands". Photograph.

Over a period of two years an unlikely group of amateur photographers documented the life and death struggle of HIV/AIDS in sub–Saharan Africa. Eighteen children from Maputo, Mozambique, orphaned by AIDS, and 15 HIV-positive women in Cape Town, South Africa, pointed cameras at images in their communities to tell the uncensored story of their lives. The result is a stirring exhibit of 38 photographs premiering in Colorado Springs at CC’s Coburn Gallery.  The photos are tragic and hopeful, lively and compelling. Some are difficult to look at. All of them are hard to dismiss.

Denver native, CC alumnus, and Emmy-nominated writer/executive producer of Law & Order: Special Victims Unit, Neal Baer, M.D., is co-founder of the project.  “These children, as young as 10 and no older than 18, have a lot to say through these images about living on their own and raising younger siblings by themselves,” says Baer. “That’s the harsh truth about AIDS in Africa. Millions of children are growing up alone, a generation without the guidance or love of parents.”

One of the most beautiful photographs is titled, “My Memories” and is a pair of hands gently touching old black and white photographs.  “Photographs of my parents are displayed, which show their past. I show everyone my parents [when they were] alive through these photos, which is a joy for me,” says Joaquim Macamo, the 16 year-old photographer. Macamo lost both of his parents to AIDS in 2001 and lives with his 20 year-old sister.

Tuesday, February 23, 4:30 pm
Film Screening Room
Edith Kinney Gaylord Cornerstone Arts Center

A presentation of Mozambican teenager Alcides Soares’ documentary about being orphaned by AIDS will be screened in conjunction with the exhibit. The award-winning short film tells the story of Alcides and his friends as they come to terms with the loss of their parents and seek to create new family bonds. Neal Baer, the film’s Executive Producer and Lynn Warshafsky, Executive Director of Venice Arts will present the film and speak about the creation of The House is Small project.

For more information about the project, visit www.thehouseissmall.org

For more information about Venice Arts, visit www.venice-arts.org

Tour Tuesdays!

Join us every Tuesday at 12:45 pm for a 15-minute tour with a Colorado College student docent.  Tours are informal, free, and no reservations are required.  A perfect way to sneak in some art on your lunch break, we hope to see you in the IDEA Space.

Karen Kunc.  Elements, Etching & Woodcut Print.  2007.  10x20".

Karen Kunc. Elements, Etching & Woodcut Print. 2007. 10×20

Sugar, Sugar

Exhibition: Sugar, Sugar

November 24, 2009 – January 21, 2010, I.D.E.A. Space

Virtually unknown in Europe until the Middle Ages sugar quickly became ubiquitous in western diets. Influencing agricultural practices, global economies, dietary habits, and language, sugar holds a central place in Western culture. (Just try to imagine a world without it!) Including historical photographs, microscopic enlargements, and literary and artistic responses in a variety of media, this exhibition examines the power of the sweet stuff.  The exhibition features sugar-inspired artworks by Gypsy Ames, Christina Marsh, Karen Kunc, Kate Leonard, Tracy Linder, Meredith Nickie and poetry by Jessy Randall and Dave Mason.

On three Tuesdays during the exhibition, I.D.E.A. will host a series of Sugar Salons featuring sugar-related activities, lectures, and performances.  The final Sugar Salon will close the exhibit on Thursday, January 21, 2010.

Tuesday, November 24, 2009, 4:30  Sugar Salon #1: Performing Sugar
Chemistry experiments with sugar & performance of Rare Sugar at 6 PM in the South Theater
The first Sugar Salon will feature chemistry experiments with sugar “performed” for the audience and gallery talks by featured artists, who will speak about how the structure and properties of sugar inspired them.  At 6 pm, I.D.E.A. and the C.C. Music Department will present a performance of Rare Sugar.  Australian composer Nigel Westlake was inspired to create the piece after watching a television program about a chemist who works on unusual forms of sugar.

Tuesday, December 1, 2009, 4:30  Sugar Salon #2: Producing Sugar
The second Sugar Salon focuses on the historical and contemporary impact of the sugar industry, both regionally and internationally.  Featured artist and former sugar beet farmer Tracy Linder and Colorado College faculty will use the exhibition as a springboard for an informal discussion of the local and international economic, social, and political impact of producing sugar.

Tuesday, December 8, 2009, 4:30  Sugar Salon #3: Sugar Inspirations
The third Sugar Salon celebrates sugar-inspired art and literature.  Featured artists will discuss sugar-related works, artists will discuss sugar inspiration in their works, and authors will read sugar-inspired poetry and prose.  To acknowledge the importance of sugar to the holiday season, the event will also feature a sugarplum tasting and possibly an appearance from the Sugar Plum Fairy.

Tuesday, January 21, 2010, 4:30 Sugar Salon #4: Sugar Rush
The final Sugar Salon will feature sugar sculptures and a demonstration of sculpting techniques by James Gallo, Executive Pastry Chef at the Brown Palace Hotel in Denver, Colorado, with commentary on the history of sugar sculpting and chemistry behind Gallo’s manipulation of sugar as raw material by Sally Meyer, Professor of Chemistry at Colorado College.  At the conclusion of the event, participants will help artist Julia M. Becker ritually destroy the sugar mandala created for the exhibition.

Karen Kunc, Formulae. 2009. 17×56"

Karen Kunc.  Elements, Etching & Woodcut Print.  2007.  10x20".

Karen Kunc. Elements, Etching & Woodcut Print. 2007. 10×20

Tracy Linder.  Sugar Beets.  Animal collagen, artificial sinew, polyester.

Tracy Linder, Sugar Beets. Animal collagen, artificial sinew, polyester.

Women’s Work: Contemporary Women Printmakers

Barbara Krueger, We Will No Longer Be Seen and Not Heard Lithograph, 1985

Exhibition: Women’s Work: Contemporary Women Printmakers
From the Collections of Jordan D. Schnitzer and his family foundation

October 6 – November 12, 2009, I.D.E.A. Space

Wednesday, October 7, 4:30 pm:
Opening Reception and Salon Conversation with Tomi-Ann Roberts, Professor of Psychology and Director of Feminist & Gender Studies at Colorado College, and Elissa Auther, Associate Professor of Art History at UCCS

Featuring a broad range of prints by some of the foremost contemporary women printmakers at work in the United States, Africa, Europe, and Asia, this comprehensive exhibition calls attention to the innovative breadth of themes and variety of printmaking approaches taken by women artists since the early 1970′s.

Artists featured include Anni Albers, Louise Bourgeois, Squeak Carnwaith, Helen Frankenthaler, Fay Jones, Barbara Krueger, Wangechi Mutu, Kiki Smith, and Kara Walker.  A number of themes are explored in the exhibition, including the overlapping issues of gender, the body, and personal fantasies, as well as recent themes of identity, politics, and the environment.  Often laced with humor and a sense of playfulness, the works in the exhibition share a personal vision deeply integrated with references to larger historical themes and conceptual motifs.  At the same time, the works demonstrate a wide variety of traditional as well as contemporary printmaking techniques, from woodcut to etching to offset lithography and digital prints.

Julie Mehretu

Wangechi Mutu

This exhibition was organized by John Olbrantz, the Maribeth Collins Director of the Hallie Ford Museum of Art at Willamette University, and Terri Hopkins, Director and Curator at the Art Gym at Marylhurst University.  Support for the exhibition and related outreach programs is made possible by a grant from the Jordan Schnitzer Family Foundation.  The exhibition at Colorado College is supported by the Robert & Ruby Priddy Charitable Trust and the Colorado College Art Department.

Future Self Stop-Motion Class in Collaboration with I.D.E.A.

FutureSelf

FutureSelf

In collaboration with I.D.E.A., Future Self students participated in a two-week stop motion animation class taught by C.C. grad and I.D.E.A. assistant Danielle Dubler.  Students produced multiple short videos using software such as iMovie and Final Cut Pro in the media labs at the Cornerstone Arts Center.  View some of the videos produced here: http://www.youtube.com/user/FutureSelfStopMotion

About Future Self:

FutureSelf’s goal is to offer arts-based classes, workshops, peer mentoring, opportunities to use skills developed, and public and private recognition of achievements.  Despite mounting evidence that immersion in the arts is the most effective means of reaching at-risk youth, FutureSelf is the only program of its kind in the Pikes Peak Region.
Visit their website to learn more: www.futureself.org

Patrick Dougherty: Creature Comforts

Patrick Dougherty:  Creature Comforts

Site Specific Sculpture
In front of Armstrong Hall, intersection of Cache La Poudre & Cascade

From October 27 to November 14, 2008, internationally renowned sculptor Patrick Dougherty will create a site-specific, temporary sculpture on the Colorado College campus. The sculpture will remain for two years.

In the last twenty years, Patrick Dougherty has created over 150 sculptures in the United States, Europe, and Asia. Comprised of hundreds of woven tree saplings and twigs, Dougherty’s unique, site-specific sculptures integrate natural and man-made environments. Simultaneously intricate and effortless, the sculptures seem almost to have been made through a force of nature, swirled together by prairie winds, or constructed by birds.

Here is the future site of the sculpture:

Patrick Dougherty Sculpture Site

Patrick Dougherty Sculpture Site

**UPDATE**

The sculpture is in progress on the west side of Armstrong Hall (NE corner of Cascade Ave and Cache La Poudre St).  Here are some pictures from the first week of the project, which involved gathering the willow and saplings for the structure and beginning construction.  Note that all materials involved are sustainably harvested, ie they all grow back very quickly as the plants are not killed but rather trimmed.  These sticks came from an area that must be maintained regularly per mandates by the Army Corps of Engineers.

 
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