IDEA Cabaret: The World is Our Canvas The Post-Studio Practice of Harrell Fletcher, Kirsten Gerdes Stoltz & Richard Saxton
Wednesday, February 23, 4:30pm, Cornerstone Arts Center Film Screening Room
Loosely defined, post-studio practice examines what happens when you take art out of the studio and into an unpredictable world. Through arts projects that are embedded within specific social, physical, or natural spaces, these artists explore the question of where, exactly, we locate the experience of creating and understanding art.
Chinese Calligraphy Exhibition
February 24 – March 11, 2011, Coburn Gallery
Thursday, February 24, 4:30pm: Reception & Talk by Tamara Bentley
This exhibition features traditional Chinese calligraphy created by students in the United States and China.
January 28-March 5, 2011
Edith Kinney Gaylord Cornerstone Arts Center
Note: Closing reception and artist talk March 3, 4:30pm at IDEA Space.
In this new series of photographs, JoAnn Verburg investigates how the intersections of memory and perspective contribute to a sense of place. Focusing on specific human and architectural subjects, Interruptions creates a visual and psychological “portrait” of Spoleto, Italy, an ancient Umbrian city where Verburg and her husband, poet Jim Moore, live part-time. Verburg has exhibited her work extensively in the United States and abroad and was the subject of a mid-career retrospective at The Museum of Modern Art in 2007.
Over the course of many years, Verburg has explored and photographed her adopted home of Spoleto, carefully selecting and frames specific views of the city, such as its steeply angled buildings, hidden courtyards, and narrow passageways. By subtly manipulating elements of focus and perspective, Verburg emphasizes the subjective nature of perception. In an essay on her recent work, Walter Liedtke, Curator of European Paintings at The Metropolitan Museum of Art, New York has observed, “Verburg has learned that all observation, including the seemingly most objective, is always subjective, selective, slanted, focused, blurred, disconnected, or somehow interrupted.”
JoAnn Verburg received a BA in sociology from Ohio Wesleyan University and an MFA in Photography from the Rochester Institute of Technology. She has held teaching positions at Yale University and the Minneapolis College of Art and Design and is the recipient of numerous honors including: a Guggenheim Fellowship (1986); multiple artist fellowships from the Bush Foundation (1983, 1993) and the McKnight Foundation (1994, 2004); and a Rockefeller Foundation Residency at the Bellagio Conference and Study Center, Bellagio, Italy (1998). She has exhibited her work extensively in the United States and internationally. In 2007, The Museum of Modern Art mounted “Present Tense,” a mid-career retrospective that traveled to the Walker Art Center. The series that comprises Interruptions has been exhibited at the Gibbes Museum of Art in Charleston, South Carolina (2010) and at Pace/Magill Gallery, New York (2009).
Verburg’s work has also been featured in numerous group exhibitions and can be found in permanent collections including the Los Angeles County Museum of Art; the Museum of Fine Arts, Houston; The Museum of Modern Art, New York; the National Portrait Gallery, Washington, D.C.; the San Francisco Museum of Modern Art; and the Whitney Museum of American Art, New York. Her photographs have been published in “Second View: The Rephotographic Survey Project” (1984), “Picturing Eden” (2006), and “Present Tense: Photographs by JoAnn Verburg” (2007).
On Thursday, March 3 beginning at 4:30pm, the public is invited to revisit the exhibition for an IDEA Cabaret event, A Conversation through Space & Time. To mark the closing of the exhibition, JoAnn Verburg and Colorado College professors Peggy Berg (Dance) and Jonathan Lee (Philosophy) will engage in a lively discussion of the themes raised by the exhibition Interruptions.
In an era of Photoshop and digital mash-ups, the casual viewer might be forgiven for thinking that David Armstrong’s surreal images are computer-generated. Armstrong’s seamless collages are created the old-fashioned way – with scissors, a steady hand, and infinite patience. The exhibition features images and text from Armstrong’s publication, The Burden of the Beholder, created at the CC Press, and featuring poetry from nineteen nationally-recognized writers. On Wednesday, January 26, 4:30pm Coburn Gallery will host an opening reception featuring a gallery talk by David Armstrong and poetry readings by authors featured in the publication. The reception is free and open to the public.
Harrell Fletcher: Corentine's Turtle
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IDEA Cabaret: A Conversation through Space & Time
Thursday, March 3, 4:30pm, IDEA Space
Featured artist JoAnn Verburg and Colorado College professors Peggy Berg
(Dance) and Jonathan Lee (Philosophy) will engage in a lively, public discussion of
the themes raised by the exhibition Interruptions. How do we truly come to know a
place? How does physical awareness of a place affect our perceptions?
April 28 – May 13, Coburn Gallery
Thursday, April 28, 4:30pm: Artists Reception
This annual favorite showcases a selection of works by Colorado College’s
Studio Art majors.
May Stevens, Confluence of Two Rivers, 2002-03. Acrylic on unstretched Canvas, 80 x 130 inches. Courtesy Mary Ryan Gallery, New York.
September 7 – October 26, 2010
Edith Kinney Gaylord Cornerstone Arts Center
Featuring twenty-three works from the 1960s to present, this small-scale retrospective exhibition presents works from significant junctures in May Stevens’ career. Stevens has been involved in the benchmark social justice movements of the 20th and 21st centuries and has created art that protests wars, stands up for civil rights, promotes feminism, and decries child abuse. Now in her eighties, Stevens continues to defy expectations by creating monumental landscape paintings that subtly, yet powerfully, connect her personal experience of loss to larger social and philosophical questions. By bringing together artworks from throughout the artist’s historic career, Crossing Time acknowledges Stevens’ position as an artist of enduring social and aesthetic relevance.
May Stevens, Big Daddy and George Jackson, 1972, Collage on paper, 22 x 27.5
May Stevens, Forming the Fifth International, 1985, Acrylic on Canvas, 78 x 120
To celebrate the opening of JoAnn Verburg’s exhibition Interruptions, this IDEA Cabaret event will feature a lively discussion on how a sense of place is communicated in the visual and literary arts. Participants include Scott Johnson, Assistant Professor of Art and Steven Hayward, Assistant Professor of English, moderated by IDEA Curator Jessica Hunter-Larsen. Audience participation in the discussion is encouraged!
October 8-November 19, 2010, Coburn Gallery
Friday, October 8, 4:30 pm: Reception and Artist’s Talk with Brian Molanphy
Homecoming Hours: Friday, Oct. 8-Sunday, Oct. 10, 12:30-6 pm
This solo exhibition featuring 36 ceramics by Brian Molanphy ’90 illustrates “an ambivalence between the reconciliation & the incompatibilities of perfection(s), in this case the circle & the square.”
Brian Molanphy, 2009
November 5-December 15, 2010, IDEA Space
The two projects that comprise Exchange Economies uncover the ideologies and practices that support local and global systems of circulation of goods and services, prompting an examination of covert systems of exchange and the implications of the increasing globalization of markets.
Platforms Sandals, Mixed Media, Technology.
The Aphrodite Project: Platforms
The link between sex work and technology extends back to classical Greece, where all prostitution fell under the domain of the goddess Aphrodite. The pornai walked the dusty streets of Athens wearing sandals modified to leave footprints with the words “Follow Me” written in the earth. This history inspired a team comprising an artist, technical experts, and a former sex worker to create the Platforms Sandals: an integrated technology to improve the working conditions of sex workers. As social sculptures these practical wearable devices stimulate public dialogue. Visitors, male and female will be invited to try the shoes, displayed within a faux retail setting.
Harrell Fletcher & Wendy Red Star, Video Still from Made in India, 2009.
Made in India: In 2007 artists Harrell Fletcher and Wendy Red Star accidentally received two commercially produced rugs through a shipping mishap. This innocuous event inspired them to try to find the workers who made the rug and “redistribute the wealth” to a factory worker who might have made it. All they had to go on was a tag that said, “Made in India”. The three channel video installation documents their quest.
Exchange Economies Events
Friday, November 5, 2010, 4:30 pm, IDEA Space
IDEA Cabaret: In Her Shoes Redux
At this interactive artist talk, the Platforms team of Norene Leddy, Andrew Milmoe, and Melissa Grant will address the larger issues surrounding sex work and technology. Who gets new technology and when? What is the true value of sexual service? What are the ethics of surveillance and tracking?
Wednesday, November 17, 4:30 pm, Film Screening Room & IDEA Space
Artist Talk and Reception by Harrell Fletcher and Wendy Red Star
Professor of Art and Social Practice at Portland State University in Portland, Oregon, Harrell Fletcher has worked collaboratively and individually on socially engaged, interdisciplinary art and performance projects for over fifteen years. Focusing on selected projects, Fletcher’s talk will trace the evolution of his practice and philosophy. The audience will then be invited to IDEA Space for a discussion of Made in India with artists Harrell Fletcher and Red Star.
Tuesday, December 7, 4:30 pm
IDEA Cabaret: Fairly Made
This interactive event explores the politics and poetics of the global free market. Participants include Colorado College faculty, experts on rug manufacture, Indian Music, and fair-trade food products.
Emma Goldman, 1901, Arrest mug shot (Library of Congress)
September 7-29, 2010, Coburn Gallery
A major figure in the history of American radicalism and feminism, Emma Goldman (1869-1940) was an influential anarchist of her day and an early advocate of free speech, birth control, women’s equality, and union organization. Deported in 1919, she participated in the social and political movements of her age, including the Russian Revolution and the Spanish Civil War.
Lecture by Dr. Candace Falk: September 23, 4:00PM, Packard Hall. A gallery tour and reception in Coburn Gallery will follow the lecture.