Patron Saint of Discarded Things with Michael deMeng

Gods & Monsters Workshop with Michael deMeng
Saturday, November 16, 2013
10:00a-4:00p
Edith Kinney Gaylord Cornerstone Arts Center

 

deMeng Sculpture

Michael deMeng

Make your own personal god or monster using found objects under the guidance of Michael deMeng. Let your imagination run wild!

This is a one-day workshop where you can create a shrine using found objects to a patron, saint, or deity. This shrine will be filled with unusual elements as adornment. This project leaves opportunity to expand on the shrine you create for years to come.

Pre-Registration is a must!
FEE: $25 General Public | $10 with a Colorado College ID, plus materials

Reserve your spot today: idea@coloradocollege.edu

TIE: Alternative Measures: an investigation of artist-run film labs

 

TIE – Alternative Measures: an investigation of artist-run film labs 

Alternative Measures Film Festival

Alternative Measures Film FestivalWednesday, November 20, 2013-Sunday, November 24, 2013

Wednesday, November 20, 2013  -   Sunday, November 24, 2013

 

Edith Kinney Gaylord Cornerstone Arts Center
825 North Cascade Ave.
Colorado Springs, Colorado
United States


TIE, The International Experimental Cinema Exposition presents five-days of film screenings, lectures, receptions, panel discussions, a photo exhibit, installations and workshops. Fostering the transmission of knowledge and experience cross-culturally, Alternative Measures is a meeting place for scholars, film lovers, artist-run film labs, filmmakers, artists, curators and other creative minds. This internationally groundbreaking festival/conference is open to the public.

TO REGISTER CLICK ON THE FOLLOWING LINK http://goo.gl/gFK81M
There are deals for Colorado College Students and Faculty. Please contact the IDEA department for more information: idea@coloradocollege.edu

A special thanks to the Colorado College French Department.

 

Seeding

Saturday, September 21, 2013

1:30pm in IDEA Space

LabEquipment

Seeding: is the follow-up to the Sound to Shape performance, Nurit Bar-Shai will seed and “intellectual bacteria: into the sound-generated agar plates created during the performance, to create a new site-specific installation for IDEA. Bar-Shai, an advocate of citizen science practices, is sharing the process, often done in closed lab doors, with the public at the gallery space. The bacteria will grow during the remainder of the exhibition, with unique patter-growth based on the sounds applied during the performance. The public is invited to watch the procedure and talk to the artist.

Sound to Shape Performance with Nurit Bar-Shai and Ofer Ben-Amots

Thursday, September 19, 2013

4:30pm in Packard Hall

Nurit Bar-Shai: Objectivity (Detail)

Nurit Bar-Shai: Objectivity (Detail)

In a live performance setting, BioArtist Nurit Bar-Shai and Colorado College Professor of Music Ofer Ben-Amots will collaborate with musicians to creat sound-generated topography for bacteria. During the performance, audio waves are transmitted through liquid agar medium as it solidifies. The shapes created through the sound experiments will affect the bacteria, creating different patterns that will emerge as they grow during the remainder of the Systems and Subversions exhibition.

This event is free and open to the public.

Slime Mold Workshop with Nurit Bar-Shai

Network and Communication Systems in Nature

Friday September 20, 2013

2:00-3:30pm

Experimental Classroom 308, Cornerstone Arts Building

BioArtSmall

Nurit Bar-Shai

Following the artist’s talk about communication and network systems in nature, participants will experiment, growing mazes and slime mold habitats to test the slime mold’s sophisticated communication system and collective memory.

Reistration is required. $10.00 materials fee.
REGISTER AND RESERVE YOUR SPOT TODAY
email idea@coloradocollege.edu

 

Lunch and Lecture with Nurit Bar-Shai

BioArt Day

Friday September 20, 2013

12:30-1:30 in Slocum Lounge in the Slocum Residence Hall

BioArtSmall

Nurit Bar-Shai

Enjoy a lunch catered by Bon Apetit and learn about network systems in BioArt.

Nurit Bar-Shai will talk about network systems in nature, including her art practices using “intelligent bacteria” with abilities of self organization and collective decision making, social insects, and slim molds.
Registration Required. $15.00

Reistration is required for BioArt Day events.
REGISTER AND RESERVE YOUR SPOT TODAY
email idea@coloradocollege.edu

Systems & Subversions IDEA Cabaret: Pharma-Water

Friday, September 13, 4:30 PM, IDEA Space

 

Jon Cohrs, Alviso's Medicinal Salt Project

Jon Cohrs, Alviso’s Medicinal Salt Project

Featured artist Jon Cohrs and Marion Hourdequin, Associate Professor of Philosophy, consider the practices and ethics of industrial pollution and reclamation efforts.

 

Darkly humorous and provocative, Jon Cohrs’ Alviso’s Medicinal All-Salt project simultaneously examines wastewater treatment systems and the consumer demand cycle created by the pharmaceutical industry. Most of the reclaimed water in the United States contains pharmaceutical residues from humans and livestock. Working in collaboration with Morgan Levy, a water researcher from UC Berkeley, Cohrs distills water samples and bottles the residual chemicals to create a perfect aggregate of what America is taking to heal itself. Presented through “advertisements” that evoke modern drug ads as well as 19th century “snake oil” miracle remedies, the project presents a satiric examination of the medical industrial complex, consumer behaviors, and wastewater treatment methodologies.

Jon Cohrs is a visual artist based in Brooklyn, NY. Often employing humor and absurdity, his work uses public engagement and site-specific interventions to address global issues.

 

Tension and Transformation

Tension & Transformation:

in the work of Richard Mello

OPENING RECEPTION

Thursday, September 12, 2013 @ 4:30 pm in Coburn Gallery

Night Flight by Richard Mello

Night Flight
by Richard Mello
1997, Watercolor, gouache, pen and ink, 11X15″
Collection of Richard Mello


 

 

Over the course of his rich and productive career, acclaimed printmaker and painter Richard Mello (born 1928) has worked in a variety of media. While actively stretching his boundaries as and artist through continual exploration. Mello retained a distinct artistic vision the remains consistant throughout his body of work. Drawing from his archives from over fifty years artistic production, the exhibition celebrates the creative life of a master craftsman.

Curated by Interdisciplinary Arts Interns Grace Gahagan and Claire Lukeman

PRINTS WILL BE FOR SALE AT THE OPENING.

Sponsored by the Colorado College Cultural Attractions Fund and the Colorado College Art Department Stillman Fund for Exhibitions

Coburn Gallery
902 N. Cascade Ave.
Colorado Springs, CO
80903

Systems & Subversions

September 5 — November 5, 2013

IDEA Space

 Systems & Subversions features several projects that create, examine, and/or disrupt natural and artificial systems.  Featuring both high-tech, digital artworks and low-tech “DIY” inspired projects, the exhibition engages issues of audience co-creation of content, participation, and interactivity. Each piece in the exhibition either creates a system in which the audience may participate, uncovers hidden systems, or actively unravels (or hacks) pre-established systems to achieve other aims. Associated programming and events addressing issues of bio-hacking and bio-ethics and the “fair use” of DNA.

Systems & Subversions
is part of Cross-Creations: Gods & Monsters, a community-wide series of arts events that explore the Gods & Monsters theme from a variety of perspectives. Visit http://www.crosscreationscollab.com for a full list of exhibitions and events.

Featured Artists:

Nurit Bar-Shai is the co-founder and Arts and Culture Program Director of Genspace NYC, a citizens-science community bio-tech laboratory in Brooklyn, NY. As an artist working with biological systems, she addresses the ethics the emerging practice of DIY biology and soft-genetic manipulation.http://www.nuritbarshai.com

 

Nurit Bar-Shai, Sound to Shape

Nurit Bar-Shai, Sound to Shape

Part of her larger body of work Objectivity [tentative], that explores the intersection of art science and technology, Nurit Bar-Shai’s Sound to Shape, Soundscapes installation sets up parameters wherein live microorganisms “grow images” through interaction with variable sound frequencies. The project explores the social life of bacteria by using sound waves to visualize the “chemical tweets” of microorganisms as exceptionally beautiful and rare image patterns. Sound to Shape examines biological systems of self-organization, the immense complexity within seemingly simple structures, and the process of achieving dramatically varied results with slight alterations in initial settings.

 

Jon Cohrs is a visual artist based in Brooklyn, NY. Often employing humor and absurdity, his work uses public engagement and site-specific interventions to address global issues. http://www.splnlss.com

Jon Cohrs, Alviso's Medicinal Salt Project

Jon Cohrs, Alviso’s Medicinal Salt Project

 

Cohrs will present a new version of Alviso’s Medicinal All-Salt, a site-specific project originally created as part of the 01SJ Biennial. Alviso’s Medicinal All-Salt is a unique low-dosage cocktail of our most commonly used drugs, all brought together in one simple salty remedy. Most of the U.S. water supply contains various pharmaceuticals from both humans and livestock. Working in collaboration with Morgan Levy, a water researcher from UC Berkeley, Cohrs distills and bottles the chemicals found in reclaimed water and bottles them to create a perfect aggregate of what America is taking to heal itself. Presented through “advertisements” that evoke modern drug ads as well as 19th century “snake oil” miracle remedies, the project presents a darkly humorous examination of the medical industrial complex, consumer behaviors, and wastewater treatment methodologies.

 

 

 

 

Scott Johnson is a sculptor, photographer and installation artist interested in the relationship between perceptual experience and the ways we map and understand space. Johnson is Associate Professor of Art at Colorado College. http://www.scjworks.com

Scott Johnson, Fairfax Falls

Scott Johnson, Fairfax Falls

 

Johnson’s Systems & Subversions project examines the interaction between human behaviors/systems of belief and natural systems such as weather patterns and hive ecologies.

 

 

 

Graham Wakefield & Haru Ji are the creators of Artificial Nature, a trans-disciplinary research project drawing upon bio-inspired system theories and the aesthetics of computational world-making. Currently teaching Media Arts in Seoul, Korea, Wakefield and Ji are both graduates of the doctoral program in Media Arts and Technology at UC Santa Barbara. http://www.artificialnature.mat.ucsb.edu/home.html

Graham Wakefield and Haru Ji, Infinate Game

Graham Wakefield and Haru Ji, Infinate Game

 

The artists will create a new iteration of Artificial Nature project for the exhibition. Artificial Nature is a programmed, self-sustaining, digital ecosystem that functions as an immersive environment.  In each version of the project, the artists create design parameters in which virtual organisms consume, grow, metabolize, reproduce and respond to activities within an endless fluid environment. For Systems and Subversions, Ji and Wakefield will design an interactive digital island environment that allows audience members to alter how a virtual ecosystem “grows.”

 

 

 

 

Marina Zurkow crosses multiple disciplines with her practice, building animations and participatory environments that are centered on humans and their relationship to animals, plants and the weather. Zurkow is on faculty at NYU’s Interactive Technology Program (ITP), and lives in Brooklyn, New York. http://www.o-matic.com

 

Marina Zurkow, Mesocosm: Northumbria UK, courtesy of bitforms nyc

Marina Zurkow, Mesocosm: Northumbria UK, courtesy of bitforms nyc

 

Zurkow’s Mesocosm Northumberland and Mesocosm Wink, Texas are part of an ongoing series of animated landscapes that develop and change over time in response to software-driven data inputs. The title is drawn from the field of environmental science and refers to experimental, simulated ecosystems, which allow for manipulation of the physical environment and are used for biological, community, and ecological research. Each of the works in Mesocosm is long in duration and recombines perpetually as inputs determine order, density, and interrelationships. They are looped, and have no beginning or end: every time a viewer encounters the pieces, he or she will have a different experience.

 

 

Systems And Subversions

 
 
 
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