May Stevens, Confluence of Two Rivers, 2002-03. Acrylic on unstretched Canvas, 80 x 130 inches. Courtesy Mary Ryan Gallery, New York.
September 7 – October 26, 2010
Edith Kinney Gaylord Cornerstone Arts Center
Featuring twenty-three works from the 1960s to present, this small-scale retrospective exhibition presents works from significant junctures in May Stevens’ career. Stevens has been involved in the benchmark social justice movements of the 20th and 21st centuries and has created art that protests wars, stands up for civil rights, promotes feminism, and decries child abuse. Now in her eighties, Stevens continues to defy expectations by creating monumental landscape paintings that subtly, yet powerfully, connect her personal experience of loss to larger social and philosophical questions. By bringing together artworks from throughout the artist’s historic career, Crossing Time acknowledges Stevens’ position as an artist of enduring social and aesthetic relevance.
May Stevens, Big Daddy and George Jackson, 1972, Collage on paper, 22 x 27.5
May Stevens, Forming the Fifth International, 1985, Acrylic on Canvas, 78 x 120
To celebrate the opening of JoAnn Verburg’s exhibition Interruptions, this IDEA Cabaret event will feature a lively discussion on how a sense of place is communicated in the visual and literary arts. Participants include Scott Johnson, Assistant Professor of Art and Steven Hayward, Assistant Professor of English, moderated by IDEA Curator Jessica Hunter-Larsen. Audience participation in the discussion is encouraged!
October 8-November 19, 2010, Coburn Gallery
Friday, October 8, 4:30 pm: Reception and Artist’s Talk with Brian Molanphy
Homecoming Hours: Friday, Oct. 8-Sunday, Oct. 10, 12:30-6 pm
This solo exhibition featuring 36 ceramics by Brian Molanphy ’90 illustrates “an ambivalence between the reconciliation & the incompatibilities of perfection(s), in this case the circle & the square.”
Brian Molanphy, 2009
November 5-December 15, 2010, IDEA Space
The two projects that comprise Exchange Economies uncover the ideologies and practices that support local and global systems of circulation of goods and services, prompting an examination of covert systems of exchange and the implications of the increasing globalization of markets.
Platforms Sandals, Mixed Media, Technology.
The Aphrodite Project: Platforms
The link between sex work and technology extends back to classical Greece, where all prostitution fell under the domain of the goddess Aphrodite. The pornai walked the dusty streets of Athens wearing sandals modified to leave footprints with the words “Follow Me” written in the earth. This history inspired a team comprising an artist, technical experts, and a former sex worker to create the Platforms Sandals: an integrated technology to improve the working conditions of sex workers. As social sculptures these practical wearable devices stimulate public dialogue. Visitors, male and female will be invited to try the shoes, displayed within a faux retail setting.
Harrell Fletcher & Wendy Red Star, Video Still from Made in India, 2009.
Made in India: In 2007 artists Harrell Fletcher and Wendy Red Star accidentally received two commercially produced rugs through a shipping mishap. This innocuous event inspired them to try to find the workers who made the rug and “redistribute the wealth” to a factory worker who might have made it. All they had to go on was a tag that said, “Made in India”. The three channel video installation documents their quest.
Exchange Economies Events
Friday, November 5, 2010, 4:30 pm, IDEA Space
IDEA Cabaret: In Her Shoes Redux
At this interactive artist talk, the Platforms team of Norene Leddy, Andrew Milmoe, and Melissa Grant will address the larger issues surrounding sex work and technology. Who gets new technology and when? What is the true value of sexual service? What are the ethics of surveillance and tracking?
Wednesday, November 17, 4:30 pm, Film Screening Room & IDEA Space
Artist Talk and Reception by Harrell Fletcher and Wendy Red Star
Professor of Art and Social Practice at Portland State University in Portland, Oregon, Harrell Fletcher has worked collaboratively and individually on socially engaged, interdisciplinary art and performance projects for over fifteen years. Focusing on selected projects, Fletcher’s talk will trace the evolution of his practice and philosophy. The audience will then be invited to IDEA Space for a discussion of Made in India with artists Harrell Fletcher and Red Star.
Tuesday, December 7, 4:30 pm
IDEA Cabaret: Fairly Made
This interactive event explores the politics and poetics of the global free market. Participants include Colorado College faculty, experts on rug manufacture, Indian Music, and fair-trade food products.
Emma Goldman, 1901, Arrest mug shot (Library of Congress)
September 7-29, 2010, Coburn Gallery
A major figure in the history of American radicalism and feminism, Emma Goldman (1869-1940) was an influential anarchist of her day and an early advocate of free speech, birth control, women’s equality, and union organization. Deported in 1919, she participated in the social and political movements of her age, including the Russian Revolution and the Spanish Civil War.
Lecture by Dr. Candace Falk: September 23, 4:00PM, Packard Hall. A gallery tour and reception in Coburn Gallery will follow the lecture.
May Stevens, Big Daddy and George Jackson, Collage on paper, 22×27.5", 1972.
October 14 & 15, 2010
This two-day event explores the continuing legacy of Feminism in the arts. All events are open to the public.
Sponsored by the NEH Distinguished Professorship and the Colorado College Art Department.
Thursday, October 14, 4:30 pm
Feminism & Co.: Art, Sex, Politics Presents “Gen-Y” CAC South Theater, Free.
Challenging, irreverent, and always entertaining, Feminism & Co. explores the complicated relationship of gender to art, politics and sexuality through creative practice. This program’s theme focuses on Gen-Y feminist activism and features Girls Rock! and the crocheted street art of The Ladies Fancywork Society. Feminism & Co. is a program of the MCA Denver.
Friday, October 15, 2010
11:45 am-1:30 pm: Lunch & Conversation, Gaylord Hall, $15
Take a seat at the table for a fascinating lunch conversation between artist May Stevens; writer and curator Lucy Lippard; filmmaker Joan Braderman; and the architects of Feminism & Co., Elissa Auther and Gillian Silverman. Lunch is provided. Reservations Required.
2:30-4:30 pm: Screening of THE HERETICS with introduction by
Joan Braderman, Film Screening Room (CAC), free.
Focusing on the Heresies Collective as a microcosm as a microcosm of the Women’s Movement, THE HERETICS describes how small groups of women met to consider their situation and devise strategies to unlock their potential.
4:30-6 pm: Reception with May Stevens, IDEA Space, free.
Join featured artist May Stevens for an informal talk about her life and artistic career.
7:30 pm: Keynote Lecture: “Bad Girls, Good Times: Feminist Art and May Stevens”, by Lucy R. Lippard, CAC South Theatre. Free.
Known for her refusal to separate aesthetics from politics, Lucy R. Lippard is a leading feminist, curator, writer, and activist. She is the author of 20 books on contemporary art and cultural criticism and has curated 50 exhibitions in the United States, Europe, and Latin America.
Tuesday, September 14, 4:30pm
IDEA Cabaret Presents Hair-esies
…an interactive discussion on the passions, politics, and poetry of hair…
Edith Kinney Gaylord Cornerstone Arts Center Film Screening Room
The first in a series of multi-disciplinary events, Hair-esies explores the connection between hair, personal and cultural identity, and feminism. A panel of faculty, students, community members, and artists will discuss the convoluted relationships we have with our hair.
Rebecca Beren; Elizabeth Clements Mosley; Ashley Crockett; Kathy Giuffre; Kate Holbrook, Alix Hudson; Rashida Nambaziira; Ella Maria Ray; Tomi-Ann
Roberts; Adrienne Seward.
Body hair, hair & intellect, hair loss, hair & spirituality, hair & sexuality,
hair & identity.
The audience is invited to bring photographs of best or worst hair moment to the event for inclusion on the
Hair Heresies Wall of Fame.
THE I.D.E.A. SPACE presents A PROJECT BY PATRIZIA HERMINJARD
The (R)EVOLUTION Experiment
How does a digital work evolve through successive generations of collaboration
by a community of participants? (R)evolution is an experiment in which an
original film work is mashed-up creating a new generation of work from which
successive generation can be created. The experiment will culminate with an
installation of selected works exhibited at the Colorado College Edith Kinney
Gaylord Cornerstone Arts Center.
Participants may mash-up the original work by adding or subtracting digital
media using open-source or original film/audio material they have created.
Mashed-up videos can reference any theme. Copyrighted materials should not
The dance for films for (r)evolution were created as part of the DA 325 Dance
and Digital Technology class taught by Patrizia Herminjard during block 8 of 2009.
HOW TO PARTICIPATE
1. View movie(s) below.
2. Download movie(s) you want to mash-up by clicking on their respective links.
3. Once your mash-up is created upload it at http://www.youtube.com/watch?v=84zWArVHN0Q
by clicking on “Post A Video Response” and then select “Upload a Video”.
In order to post a Video Response, you must have a YouTube account.
The deadline for all video uploads is March 22, 2010 (the first day of Block 7).
Deadline has been extended to Fall, 2010. Check back for more details.
4. Check back here to see your film under the first generation films
section entitled Second Generation Films.
5. Selected films will be presented in the Cornerstone Screening Room on
April 30th at 7:30pm. Visit the final Installation during Block 8, April 19th-
May 17th, 2010 in the Cornerstone Arts Center (main space) featuring selected
Films will be presented in the Fall of 2010. Check back for more details.
Notification of acceptance into the Installation will be sent to your YouTube account inbox.
Badlands by Hilary Kennedy
I Loved You First by Breann Gingrich
Cracked by Jordan Brooks
exactly do they do by Dolo McComb
Grey Wakeup by Alana Yurkanin
Subordinate to Time by Madison Moross
Lament by Patrizia Herminjard
The Lullaby by Rosey Puloka
The Patrol by Kate Rafter
Idris Khan: Last 3 Piano Sonatas…after Franz Schubert
April 20 – June 26, I.D.E.A. Space
- Saturday, June 26: Reception and Artist Talk by Idris Khan, Film Screening Room, 4 pm
- Live performance of Schubert’s Piano Sonatas by Susan Grace & John Novacek,
IDEA Space, 5 pm
- Reception to follow performance in IDEA Space
“It is important for me to understand the disciplines of contemporary art without boundaries or constraints.” Idris Khan
Multi-media artist Idris Khan creates photographic and video works that blur the boundaries between appropriation and re-creation to challenge the viewer’s assumptions about how different art forms are received and understood. His three-channel video installation, Last 3 Piano Sonatas…after Franz Schubert, engages elements of video, recorded music, and live performance to deconstruct and re-frame the sensory experience of musical performance.
Known for his works based on historical figures such as Caravaggio, Bach, and Freud, many of Khan’s projects involve layering images, texts, or sounds produced by an iconic historical figure to create a composite “portrait”. Last 3 Piano Sonatas…after Franz Schubert was inspired by the music Schubert wrote on his deathbed. To create the video, Khan wove together moments from numerous performances of the Sonatas. Each fragment of film focuses on a different aspect of a performance. Through the careful editing of images of hands at the keyboards, hammers hitting strings, and the performer’s gestures, Khan creates a visual rhythm that reinforces the power of the composer’s vision while simultaneously uncovering the subtle artistic choices made within different performance contexts. Khan’s video also invites a layered engagement with time: by choosing sonatas that comprise Schubert’s last artistic gesture, Khan conjures a specific and unrepeatable historical event; by blurring the distinctions between different contemporary performances of the sonatas, Khan collapses time into one, persistent moment.
Idris Khan was born in Birmingham, England in 1978 and now lives and works in London. He received his MA in Fine Art at the Royal College of Art in 2004 and has since exhibited internationally in a number of major group exhbitions including The Collection, Victoria Miro Gallery, London (2009); Silent Writings, Espace Culturel Louis Vuitton, Paris (2009); Natural Wonders: New Art from London Baibakov Art Projects, Moscow (2009); A Memory After Bach’s Cello Suites, Kunst Film Biennale, Cologne (2008); these valued landscapes, Bury St Edmunds Art Gallery, England (2008); P2P, Casino Luxembourg, Forum d’art contemporain, Luxembourg (2008). Recent solo exhibitions of Khan’s works have been held at Victoria Miro Gallery, London (2010); Elementa, Dubai (2009); Thomas Schulte Gallery, Berlin (2009); K20, Dusseldorf (2008); Yvon Lambert, New York (2007); Fraenkel Gallery, San Francisco (2006). His films have been presented at “Tate Britain” and “Kunst Film Biennale in Koln, Germany. Major public art commissions are in London, England and Dublin, Ireland.
Opening Reception: Thursday, April 22, 4:30 pm
Exhibit on display through May 7, 2010
This annual exhibition features selected works in a variety of media by Colorado College’s graduating Art Studio majors.