Home
- About IRT
- Ceremony Reflections
- A Fragmented Approach to Ceremony
- A Native American Church Birthday Ceremony: Critical Analysis of Spiritual Coincidences
- An Exploration of Turner’s Ceremonial Framework
- Coincidence in Ritual
- Combining Academic and Personal Interpretation
- Comparative Ceremony Reflections
- Finding a Balance
- Frame, Flow, and Focus
- From Logic to Chaos
- Importance of Experience
- Meaning in Nothing
- More than just Science
- Our Culture Cures Us…
- Performance and Ceremony
- Pieces to the Puzzle
- Pilgrimage to Bear Butte.
- Practical and Spiritual Understanding
- Raising Prayer Through Voices
- Reflection and Analysis of My First Sweat Lodge
- Religion: The Idea of Control and Unity
- Religious Performance and Plural Reflection
- Sacred Star Beings in Yuwipi: How Cultural Values Manifest in Ceremony and Living Beyond Analysis and Individuality
- Scholarly Lens vs. Experience
- Sensory Performance and Collaborative Liminal Space
- SMITH’S ACCIDENTS IN RITUAL: And A Case Study of the Lakota Tribe
- Strong Emotions in the Lakota Sweat Lodge
- Sweat and Place
- Sweat Lodge Reflection
- Sweat Lodge Tension: The Ritualized Perfection
- The Academic Approach to Understanding Sacred Ceremony
- The Beauty of Coincidence
- The Lakota Sweat Lodge: Integrating Theory and Experience
- The Outside Perspective Against the Inside
- The Power of Ritual
- Third Eye Molting
- Truth in Ritual: Imagining Reality
- Universal Ritual?
- Wisdom, Experience, and Bear Butte as a Sacred Model
- Yuwipe
- “Get Up From the Armchair”: Applying Smith’s Academic Analysis of Ritual in Conjunction with Personal Experience
- Independent Projects
- Dance as Ritual
- Devil’s Tower: Contested Sacred Land
- Elders
- Facebook Activism and Native American Religious Freedom in Prison
- Ghost Dance and Sun Dance
- Indigenous People and Globalization
- Lakota Language: Art, Oral Tradition, and Language Structure
- Leslie Marmon Silko-Ceremony
- Mad Tea Party
- Manifesting Stories – Reflecting on the Web
- Maps: An Exploration of Indigenous North American Cartography
- Musica & Words
- Native American Cuisine!
- Native American Poems
- Native Americans in Cinema
- Native Americans in Comedy
- Native Identity, Oppression, and Resistance
- Native View of the Cause of Illness
- Native Visionary Experience
- Paula Gunn Allen and the Feminine in Indigenous Traditions
- Peyote in Native American Traditions
- Poetry Inspired by Pine Ridge
- Sacred and Medicinal Plants of Native America
- Spiritual Coincidence
- Sweat Lodge Art Project
- The Sacred Hoop as inspiration for the feminist movement and myself
- The Web of Life
- Traditional Lakota Games and Toys
- Virtual Scrapbook and Mike Littleboy Sr.’s Story
- Vision Quest Traditions
- Youtube It!
- Introducing Ourselves
- *Bruce
- Anela Minuth
- Caitlyn
- Courtney Blackmer-Raynolds
- Ellen Smith
- Em Naranjo
- Emily
- Evie Aaron
- Haley Montgomery
- Hannah Freyer
- Harrison Rosenfeld
- Heather Ezell
- jac attack
- Justine
- Kate Vukovich
- Kir like the drink
- Kristin
- Laura E Sullivan
- Lauren Schneider
- Lucy!
- Mark Riley
- Mr. David Huston Scott
- Rachel Macdonald
- Reed Snyderman
- Robert Prior
- Sam Seiniger
- Zoe Kian Santos
- Sacred Lands Project
- A Spiritual Battle in Michigan’s U.P
- Achuar and the Amazon Basin
- Achuar Fight for Survival
- Arctic National Wildlife Refuge
- Badger-Two Medicine
- Bear Island
- Bighorn Medicine Wheel, Wyoming
- Bijagós Archipelagos
- Black Hills – Stories of the Sacred
- Black Mesa
- Black Mesa and the Navajo Aquifer
- Blue Lake and Rio Pueblo de Taos
- Cave Rock
- Chickaloon Village
- Chimney Rock, CA
- Chimney Rock- A Loss of the Holy
- Desert People
- Devils Tower–Climbing on Sacred Land
- Duluwat Island.
- Emeryville Shellmound
- Haskell-Baker Wetlands
- Hawaiian Land in Hawaiian Hands: Restoring Kaho’olawe
- Hidden Valleys
- Indigenous People of Arctic Russia
- Machu Picchu
- Mauna Kea
- Medicine Lake Highlands
- Morro Rock, CA
- Mount Kailash
- Mount Kailash
- Mount Tenabo, Nevada
- Ocmulgee Old Fields
- Rainbow Bridge
- Rainbow Bridge: Is It Still Sacred?
- Sacred Land
- Sagarmatha National Park
- Salmon as a Sacred Resource in the Klamath River
- San Bruno Mountain Shellmound
- Seminole Tribal Land
- Snoqualmie Falls, WA
- Sutter Buttes: The Middle Mountain Controvery
- Taos Blue Lake
- The Battle Over Fish Lake
- The confluence of the Colorado River and the Little Colorado River: Escalade Development
- The Controversy of Uluru
- The Heights of Machu Picchu
- The Hill of Tara
- The Hill of Tara, Wholly Endangered
- The Oka Crisis
- The Old Salt Woman: Zuni Salt Lake, New Mexico
- The Sacred Headwaters
- The Sami Reindeer Herders of Sweden
- Tosodilo Hills
- Tsodilo Hills: The Invisible San Experience
- Uluru from All Angles: The Modern Controversy of Climbing the Sacred
- Uluru/Ayers Rock
- Upper Skagit Tribe
- Vatican Observatory VS San Carlos Apache Sacred Land
- Ward Valley and the Sacred Desert Tortoise
- Weatherman Draw
- Wirikuta: The Point of No Return
- Woodruff Butte, Arizona
- Xingu Tribes and the Belo Monte Dam
- Zuni Salt Lake
- •Lakota Stories
Categories
In their own words
Gallery
Links
- *IRT Course Guide-Tutt Library
- American Indian Law Center
- Foster Care Scandal for Lakota Children: NPR Reports
- Lakota Pine Ridge Reservation: A TED talk by Aaron Huey
- Native American Rights Fund
- Pine Ridge Children-ABC News
- Pine Ridge-Littleboy Family History
- Sacred Land Film Project
- White Horse Circle
Meta
We wanted to incorporate the photos Dom and Erin took from our trip at Pine Ridge to create a visual representation of our experiences. As we began constructing our project our ideas continued to change. Originally we planned on creating a box shaped structure with socially constructed images of Native Americans around the outside and what we experienced contemporary native life to be like along the inside. The idea was that in order to better understand what Native life is like it requires effort and engagement. Getting down on ones knees to see the inside of our project is a symbol for how we all struggled in our trip as we began to understand this culture.
The following afternoon we saw Bently’s project and felt like our idea was perhaps too similar to his. From here we decided to take a more personal approach. We thought of using the shape of a sweat lodge to display our images. On the outside we could chronologically represent out interpretations of Native American life, from our early years to the days just before this class started. On the inside we thought we could show the photos we took at Pine Ridge to demonstrate how we currently perceive the Lakota tribe.
However, once Dom and Erin started gathering their favorite photos we realized there were so many that we wanted to include that we would again have to change our plans. There were enough photos from the Church ceremony inside the tipi to use to cover the entire inside. Also we incorporated orange lights to our structure and these went well with the mood of this series of photos. The outside now comprises of sequences of events, like the time we spent at Bear Bute, the feast for the kids, and parts of our first day at Mike Senior’s house.
We formed the dome shape out of dangerous chicken wire and used piping for the base. Next we wove lights into this wire structure. We used paper mache to cover the top. We then strung over 100 photos from the trip and assembled them along the dome with yarn, tape, and glue. Over all it was a surprisingly labor intensive project, but it has been really fulfilling.