Items on a Page
Note: Information on this page was obtained from Ted Ross’ book, Teach Yourself the Art of Music Engraving, Gardner Read’s book Music Notation, A Manual of Modern Practice, and tips from Kallisti Music Press.
Element | Placement | Font/Type style |
---|---|---|
Title | Centered between the edges of the printing area. | Title page: Times 42 Caption title: Times 24 or TimesBold 24 |
Subtitle | Centered below the title, and put in parentheses. | Times 32/18 respectively. Or use a fancy display font, especially for new music. |
Composer (and/or Arranger) Name | Equal distance from the bottom of the title and the top of the first staff, flush with the right side of the printing area. | Sometimes different typefaces are used for the composer and arranger names to distinguish them from each other. May appear in one of several forms. (examples) |
Lyricist Name (in sheet music) | Left of the page, flush wih the margin of the printing area. | Sometimes set in italic type, while the composer’s name is in roman type. |
Staff Names | – | MetTimes 12 |
Tempo Marking | Slightly above the top staff. The left side of the first letter is flush with the left side of the time signature. | Main tempo heading– TimesBold 14. Tempo modifications (such as pi`u mosso): TimesItalic 14 |
Procedural Markings (divisi, etc. | – | Times 12 |
Expression Markings/Articulations | As close to the notes as possible. Keyboard music: in between staves. Vocal and instrumental music: attached to individual staves. | TimesItalic 12 |
Instrument Name | Centered between the bottom of the title and the top of the tempo marking. Flush with the left margin of the printing area, never aligned with the indented first staff. | Different type than the tempo marking. |
Rehearsal Signs | Above and slightly after the barlines they apply to. Should be closer to the staff below than the staff above, and should not interfere with notes, ties or slurs.. | – |
Measure Numbers | – | Helvetica 10 |
Page Numbers | – | – |
Segno | Slightly before the first beat in the measure, or slightly after the barline. | Different type than the tempo marking. |
To Coda | Same placement as a rehearsal sign, but goes before the barline. | Often the words To Coda are left out, since they are not necessary with the sign. |
Coda | There is no standard placement of the coda sign. Place it somewhere where it doesn’t collide with the music and can be seen easily. | – |
Copyright Notice | Centered at the bottom of the page. . | Helvetica 9 |
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