![\"American](\"https:\/\/i0.wp.com\/sites.coloradocollege.edu\/atb\/files\/2015\/12\/AmericanFalls2.jpeg\")
<\/a>The time and effort needed to produce and exhibit a piece of art can be deceptive. Take \u201cAmerican Falls,\u201d for instance. Filmmaker Phil Solomon spent nearly a decade fulfilling his vision of creating an all-encompassing experience in American history. In addition, Jessica Hunter-Larsen, I.D.E.A. Space curator, worked with Solomon for two years arranging the exhibit at CC, and ITS: staff spent six months researching and preparing to assist with the film\u2019s installation.<\/p>\nIn the spring of 2015, Sean Roberts, smart spaces and AV manager, was asked to assist with the film\u2019s autumn installation. Roberts prepared by studying triptych film \u2014 in which different images are projected on three surfaces simultaneously. He contacted other venues that previously exhibited the film, reached out to LVW Electronics for crucial advice, communicated with Solomon about his preferences, and pre-staged three projectors to do a trial run. In addition, Roberts enlisted the expertise of fellow ITS: team members <\/b>Joe Hinson, Gerald Mondragon, Tulio Wolford, Joseph Sharman, Matt Gottfried, Linda Petro, and Vish Paradkar. \u201cThis was the largest, cross-department project I\u2019ve worked on outside of events. It took all of us,\u201d Roberts said.<\/p>\n
When it was time to finally install the \u201cAmerican Falls\u201d exhibit, Roberts worked closely with Briget Heidmous, I.D.E.A. Space\u2019s assistant to the curator. Heidmous and Roberts spent three days adjusting the film\u2019s resolution and manually positioning three projectors so the film had no visible edges. In order to give viewers the most meaningful experience, the film had to be projected with precision. Heidmous explained, \u201cPhil Solomon is an important person in the experimental film world. Having his film in Colorado Springs, displaying it this way, is unique.\u201d<\/p>\n
At one point, Heidmous and Roberts contacted Solomon via Skype, so he could see and hear the exhibit. \u201cHaving access to technology makes situations like these so much easier. At Colorado College, we really have experts in their fields; we don\u2019t have to look far for someone to help,\u201d Heidmous said. Without know-how from the ITS: team, the project could have cost three to four times more. The equipment purchased for the exhibit will be repurposed for other projects, saving campus resources.<\/p>\n
Technology is not only becoming increasingly prevalent in modern art, it also continues to evolve and permeate all areas of the academic world. As these changes occur, the ITS: division looks forward to collaborating with other departments to create a rich learning experience for CC\u2019s students and a stimulating environment for its faculty and staff.<\/p>\n","protected":false},"excerpt":{"rendered":"
Angie Bardsley, ITS: administrative assistant The time and effort needed to produce and exhibit a piece of art can be deceptive. Take \u201cAmerican Falls,\u201d for instance. Filmmaker Phil Solomon spent nearly a decade fulfilling his vision of creating an all-encompassing experience in American history. In addition, Jessica Hunter-Larsen, I.D.E.A. Space curator, worked with Solomon for … <\/p>\n