{"id":5157,"date":"2012-04-20T12:47:45","date_gmt":"2012-04-20T18:47:45","guid":{"rendered":"http:\/\/blog.coloradocollege.edu\/bulletin\/?p=5157"},"modified":"2012-04-20T12:47:45","modified_gmt":"2012-04-20T18:47:45","slug":"creative-license-the-law-and-culture-of-digital-sampling","status":"publish","type":"post","link":"https:\/\/sites.coloradocollege.edu\/bulletin\/2012\/04\/creative-license-the-law-and-culture-of-digital-sampling\/","title":{"rendered":"Creative License: The Law and Culture of Digital Sampling"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5120\" data-permalink=\"https:\/\/sites.coloradocollege.edu\/bulletin\/creative\/\" data-orig-file=\"https:\/\/sites.coloradocollege.edu\/bulletin\/files\/2012\/04\/Creative.jpg\" data-orig-size=\"700,968\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"Creative\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/sites.coloradocollege.edu\/bulletin\/files\/2012\/04\/Creative-216x300.jpg\" data-large-file=\"https:\/\/sites.coloradocollege.edu\/bulletin\/files\/2012\/04\/Creative.jpg\" class=\"alignleft size-medium wp-image-5120\" src=\"https:\/\/sites.coloradocollege.edu\/bulletin\/wp-content\/blogs.dir\/281\/files\/2012\/04\/Creative-216x300.jpg\" alt=\"Creative License: The Law and Culture of Digital Sampling cover\" width=\"216\" height=\"300\" srcset=\"https:\/\/sites.coloradocollege.edu\/bulletin\/files\/2012\/04\/Creative-216x300.jpg 216w, https:\/\/sites.coloradocollege.edu\/bulletin\/files\/2012\/04\/Creative.jpg 700w\" sizes=\"auto, (max-width: 216px) 100vw, 216px\" \/>by Kembrew McLeod and Peter DiCola, with <strong>Kristin Thomson \u201989<\/strong> contributing<\/p>\n<p>How did the Depression-era folk-song collector Alan Lomax end up with a songwriting credit on Jay-Z\u2019s song \u201cTakeover\u201d? Why doesn\u2019t Clyde Stubblefield, the primary drummer on James Brown recordings from the late 1960s such as \u201cFunky Drummer\u201d and \u201cCold Sweat,\u201d get paid for other musicians\u2019 frequent use of the beats he performed on those songs? The music industry\u2019s approach to digital sampling \u2014 the act of incorporating snippets of existing recordings into new ones \u2014 holds the answers.<\/p>\n<p><em>ISBN-13: 978-0822348757. Published by Duke University Press (March 2011).<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>by Kembrew McLeod and Peter DiCola, with Kristin Thomson \u201989 contributing How did the Depression-era folk-song collector Alan Lomax end up with a songwriting credit on Jay-Z\u2019s song \u201cTakeover\u201d? Why doesn\u2019t Clyde Stubblefield, the primary drummer on James Brown recordings from the late 1960s such as \u201cFunky Drummer\u201d and \u201cCold Sweat,\u201d get paid for other&hellip;<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[30],"class_list":["post-5157","post","type-post","status-publish","format-standard","hentry","category-april-2012","tag-on-the-bookshelf"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/sites.coloradocollege.edu\/bulletin\/wp-json\/wp\/v2\/posts\/5157","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.coloradocollege.edu\/bulletin\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.coloradocollege.edu\/bulletin\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.coloradocollege.edu\/bulletin\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.coloradocollege.edu\/bulletin\/wp-json\/wp\/v2\/comments?post=5157"}],"version-history":[{"count":0,"href":"https:\/\/sites.coloradocollege.edu\/bulletin\/wp-json\/wp\/v2\/posts\/5157\/revisions"}],"wp:attachment":[{"href":"https:\/\/sites.coloradocollege.edu\/bulletin\/wp-json\/wp\/v2\/media?parent=5157"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.coloradocollege.edu\/bulletin\/wp-json\/wp\/v2\/categories?post=5157"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.coloradocollege.edu\/bulletin\/wp-json\/wp\/v2\/tags?post=5157"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}