Upcoming Events Focusing on Social Justice and the Humanities
Cornerstone Arts Center, Colorado College, June 15 & 16
As a recipient of the Mellon Foundation’s “Humanities For All Times” Grant, Colorado College is hosting several exciting events that will explore the role of poetry, dance, and visual art for social justice work. These events are free and open to everyone! You can find more information about the artists below and at www.HumanitiesForOurTimesCC.org.
Thursday, June 15: Artist Talk by Caroline Randall Williams
Cornerstone Arts Center at Colorado College (Screening Room)
3:00-5:00
Film screening of Nashville Ballet’s recent performance of Lucy Negro Redux, based on the 2019 collection of poetry Lucy Negro, Redux: The Bard, a Book, and a Ballet by Caroline Randall Williams.
7:00-8:30
Artist talk by Caroline Randall Williams, an award-winning poet, young adult novelist, and cookbook author as well as an activist, public intellectual, performance artist, and scholar. Book signing will follow.
Friday, June 16: Keynote Conversation with Jordan Casteel
Cornerstone Arts Center at Colorado College (Screening Room)
7:00-8:30
Keynote conversation with Jordan Casteel, painter and MacArthur “Genius” Grant recipient whose painting God Bless the Child was recently featured on the cover of Time magazine. The MacArthur Foundation wrote this about her work: “Jordan Casteel is a painter capturing moments of proximity with people and environments she has encountered on the streets of Harlem, within the New York subway, in her classrooms, and in the spaces occupied by those closest to her. Her paintings depict, in luminous hues and nearly life-size proportions, people of color and landscapes that convey relationships of mutual respect and care that extend beyond the canvas… [Casteel’s works] expand upon [her] commitment to broadening whose likenesses appear in museum and gallery spaces. By honoring the surroundings and people that she sees day-to-day, Casteel prompts viewers to meet the gaze of others and to recognize our shared humanity.”
Jordan Casteel
Jordan Casteel (b. 1989, Denver, CO) received her BA from Agnes Scott College, Decatur, GA for Studio Art (2011) and her MFA in Painting and Printmaking from Yale School of Art, New Haven, CT (2014). In 2020, Casteel presented a solo exhibition titled Within Reach at the New Museum, New York, in conjunction with a fully illustrated catalogue published by the institution. Other recent museum solo exhibitions include Jordan Casteel: Returning the Gaze, presented at both the Denver Art Museum, CO (2019), and the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, CA (2019–20). In recent years, Casteel has participated in group and permanent collection exhibitions at institutional venues such as Metropolitan Museum of Art, New York, NY (2021 and 2022); Museum of Modern Art, New York, NY (2022); The Modern, Fort Worth, TX (2022); Institute of Contemporary Art, Boston, MA (2022); Pérez Art Museum Miami, FL (2022); Los Angeles County Museum of Art, CA (2021); San Francisco Museum of Modern Art, CA (2021); Art Institute of Chicago, IL (2021); Crystal Bridges, Bentonville, AR (2021); Museum of Contemporary Art, Chicago, IL (2020); Kunsthal KAdE, Amersfoort, Netherlands (2020); Baltimore Museum of Art, MD (2019); MoCA Los Angeles, CA (2018); Studio Museum in Harlem, NY (2017 and 2016); and MASS MoCA, North Adams, MA (2017). Most recently, Casteel presented a solo exhibition entitled In bloom at Casey Kaplan, New York. Casteel is the recipient of a MacArthur Foundation Fellowship (2021).
Caroline Randall Williams
Born and raised in Nashville Tennessee, Harvard graduate Caroline Randall Williams is an award-winning poet, young adult novelist, and cookbook author as well as an activist, public intellectual, performance artist, and scholar. She joins the faculty of Vanderbilt University in the Fall of 2019 as a Writer-in-Residence in Medicine, Health, and Society while she continues to work and speak to the places where art, business, and scholarship intersect, moving people closer to their best lives and corporations closer to their ideal identities.
She has spoken in twenty states: Alabama, Arkansas, California, Florida, Georgia, Louisiana, Maryland, Massachusetts, Michigan, Minnesota, Mississippi, Nevada, New Hampshire, New York, Oregon, Pennsylvania, Tennessee, Texas, Washington and West Virginia, in venues that range from as small as a classroom in a neighborhood school to as large as the Superdome mainstage during Essence Fest. To every speaking engagement Caroline brings a fierce intelligence, disarming charm, a touch of glamour, and a depth of lived experience that belies her thirty-one years. She has taught in two of the poorest states in the union — Mississippi and West Virginia — and she has been educated at two of the richest universities on the globe — Harvard and Oxford. She is an accomplished artist on the page and on the stage, and she is a successful entrepreneur with an exceptionally diverse investment portfolio that includes ownership stake in a nationally acclaimed restaurant and Facebook stock purchased so early it is still profitable.
You may have seen her on Morning Joe, or Dr. Oz, or The Last Word with Lawrence O’Donnell. More likely you’ve read her. Caroline’s first book, The Diary of B.B. Bright, Possible Princess (co-authored with Alice Randall) won the Harlem Book Fair’s Phillis Wheatley Prize and was a finalist for the NAACP Image Award. Her second co-authored volume, Soul Food Love won the NAACP Image Award and got her invited to speak at The Smithsonian. In 2017 the New York Times published an op-ed she wrote and it went viral. Her book of poetry, Lucy Negro Redux, earned rave reviews and got optioned to become a ballet. In 2019 the ballet debuted to more rave reviews with the New York Times review concluding that Lucy Negro Redux was “something wildly original, something so unlike anything else that all description falls short of its otherworldly reality. A place where, when the curtain drops, the very city cries out: “Brava! Brava! Oh, brava!” Another reviewer wrote, “All this is to say that Attitude: Lucy Negro Redux is not just original, but revolutionary — marking a seismic shift in the art form not just in Nashville, but in dance the world-over.” No wonder she was chosen in 2015 by Southern Living as one of “50 People Changing the South” for her work around food justice, and in 2016 as a national Neiman Marcus “Face of Beauty” because she personifies “beauty, brains, and passion.”
After graduating from Harvard University, where her undergraduate thesis received Magna Cum Laude honors, Caroline moved to Mississippi where she taught public school on a dirt road in Sunflower County for two years. In Mississippi, Caroline lived in an America many Americans are hardly aware of any longer, an America as rich in culture as it is wretched in poverty, towns still split into white and black by train tracks and bridges. During her second year, she taught 9th grade English to 86 kids who didn’t have a book to take home. She got that job by tutoring eight kids who the state of Mississippi said couldn’t pass the English exit exam—eight for eight, her kids passed.
Caroline is a catalyst. She makes change possible by bringing art and joy into the room in such a way that the grit of real challenge and limits may become eclipsed by analysis, innovation, and skill.
