All posts by Kaitlyn

Millennial Media Madness

Today, we had the honor of meeting the west coast editor of Vanity Fair, Krista Smith. She was extremely personable, intelligent and very transparent with us about the obstacles she believes we will face as millennials entering the workforce.

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She talked about the common perception of millennials as entitled, whiny and lazy, and how we can counteract that perception by minding our manners, showing gratitude and working hard. Of course, this reminder to treat people with respect was simply a reiteration of what we’re always hearing from our gracious professors, Dylan and Clay. Looking around my room of peers, I saw no one who fit the millennial stereotype, a humbling reminder that my friends in Film and Media Studies at CC are and will continue to be some of my greatest role models.

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Krista also talked about the media we consume, asking us about the weight of “click bait” versus long-form journalism. Our generation’s reputation tells us we’re obsessed with instant gratification, unwilling to consume media that will require any sustained thought. We are uninformed, mindlessly scrolling through the countless headlines that comprise our news feeds. To an extent, this is true; I do find myself mindlessly scrolling through my news feed sometimes, in an effort to sift out what is worth versus not worth spending time on. And yet, I don’t quite buy that we want instant gratification. I don’t want to read three sentences summarizing the world’s news and call it good.

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What we actually want, I believe, is connection. We want to feel connected to the people in our lives, informed about what the people around us know, and invested in current events. I believe we actually would like to read articles and watch videos that explore issues in depth. In fact, I believe that the reason we click so quickly from story to story is because we want to stay informed. It’s nearly impossible to know what’s worth reading, when choosing–not between the day’s newspaper headlines–but between the hundreds upon hundreds of articles released each day on (probably at least) four social media channels! Why the appeal of click bait then? Why are we willing to spend the full 3 minutes and 52 seconds watching some bad lip reading mocking the presidential campaign rather than reading about the presidential campaign? We watch videos with millions of views because we want to understand the cultural references being made by the people around us. It’s as simple as that.

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I’m a sucker for old-school journalism, and our meeting with Krista Smith reminded me of how much I love the art form of weaving a great interview into a great story. In print. On a page. As our forms of communication evolve, as visual media continues to rise and take precedent in our clicks, I retain confidence that written words will remain. What people in Hollywood, young and old, have in common, is a love for good stories. Now, with a  plethora of accessible resources through which to communicate our stories, the battle is not between old and new, but between this and those-other-five-hundred-things-I-could-be-reading. If a good story belongs in print, I believe its value is as high as it ever was, if not higher. The challenge faced by a naive millennial entering the workforce as a story-teller, then, is to figure out how to distinguish a good story from the rest.

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In other news, check out highlights from tonight’s Conan O’Brien. We were lucky enough to be in the audience. See if you can spot special appearances from Georgia and Caitlin!

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Making It

3,928,864 people. There are 3.9 million people in the city of Los Angeles. The vast majority of these people are not working for, nor do they want to be working for, the entertainment industry. And yet, there is an energy of urgency in this city. The trope that everyone comes to L.A. to try to “make it” may be false, but the infamy of the trope in itself holds weight, at least in the minds of 10 young people who are weighing whether or not they can and would want to “make it” in the film industry here. Sometimes, it feels like everyone in this industry is trying to meet the right person to get to the next job to meet the next right person, and it’s hard to say how many and which connections are genuine — where the altruism is. Everyone seems to be climbing and no one feels like they’ve reached the top.

This makes sense to me because there is simply so much in L.A. 3.9 million people. Cars. Industries. Jobs. Food. Families. Rejections. Successes. We’ve been studying movies and the body of content overwhelms me. There are archives upon archives of old films, new films, television shows, short films, long films, home movies, etc., etc. How is it possible to make anything original?

Photo by Georgia Griffis
Photo by Georgia Griffis

Today, we visited the Margaret Herrick Library, filled with collections of scripts, photographs, periodicals, and books about movies. We were able to read fan mail addressed to early Hollywood stars, see a shooting plan for “North by Northwest,” and look at Alfred Hitchcock’s casting notes. We were also able to hold an Oscar for the second time in three days.

Something tells me this is not the frequency with which I would be holding Oscars if I actually moved to and worked in L.A. after college. Photo by Georgia Griffis
Something tells me this is not the frequency with which I would be holding Oscars if I actually moved to and worked in L.A. after college. Photo by Georgia Griffis

The history of Hollywood is rich, vast and deep. Perusing the shelves and databases of the Margaret Herrick Library made this clear. Despite my immediate understanding that I would never know it all — never watch every movie, read every book, hear every story — seeing hand-written notes in the margins of successful scripts filled me with a sense of peace. I write notes in the margins of my scripts, too.

Often, I hear a loud, persistent voice in my head. It shouts, “Who are you to be here? Who are you to create something that will change how anyone feels about anything?” This voice has been silenced this week in moments that we’ve been able to dig into the archives of history and remember that history is made by people.

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Lois Weber, June 13, 1879 – November 13, 1939. Producer, Director, Screenwriter, Actress.

I find myself reading a script, or a line from a book about a funny production mishap, and I think about how, before these movies were influential, they weren’t. Nobody really talks about the self-doubt that plagued Mary Pickford and Douglas Fairbanks and Lois Weber and, well, Steven Spielberg, but I’m 99% sure they were/are human, too.

I remember this fundamental humanness, and I hear another voice, a quieter, less-assured voice, but a voice, nonetheless, asking, “Who are you not to create something that will change the world?” And I look around at my peers — playing with cameras and taking notes and listening attentively and laughing hysterically — the friends I often joke (half-joke) about starting a production company with, and I’m filled with so much confidence.

3.9 million people. There are 3.9 million people in the city of Los Angeles. And I find myself lucky enough to be surrounded by the people in this van.

Sometimes, as I watch a line of whirring headlights on the freeway or walk through a crowded street to get food or take in the sprawl of buildings beyond buildings beyond buildings, I pause. I remember that I’m here, too. And sure, not all of us, here in L.A., will reach the pinnacle of what we deem “success,” but we made it this far. And I don’t know, in this ocean of people, what it is exactly that we’re making, but we’re making it.

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