DENVER – Bedroom-pop sensation Gus Dapperton made a stop at the Gothic Theater earlier this month, accompanied by Spencer., and blew us away with soaring, emphatic vocals and dancing so spicy that it should have been a fire hazard.
Starting the night off with groovy neo-soul and hip-hop-infused jamming, up-and-coming R&B artist Spencer. had our hips swaying in no time. Spencer. hails from Rochester, New York and – at only 19 – is far beyond his years. His rich, deep voice takes center stage in much of his music, and – paired with lively guitar riffs and nifty basslines – Spencer. cooks up a delicious lo-fi aesthetic that feels intentional without trying too hard. As the band jammed and Spencer. sang from behind pink, retro shields, I couldn’t help but dance along.
After a set break that felt like forever (as they always do), Gus Dapperton sauntered onstage with a big grin and his own pair of tinted sunglasses. Donning his trademark baggy pants and a (presumably thrifted) sweater, he wasted no time, jumping right into “Verdigris” – the first on his most recent album Where Polly People Go to Read.
Gus Dapperton, steadily picking up steam since the success of his 2017 single “I’m Only Snacking” and its endearing music video, has created an eccentric and captivating character. His music provides an intimate and emotional catharsis, with raw, seductive melodies and bouncy synth grooves that practically make you get up and dance along.
He kept the room dancing all night, occasionally pausing his songs to give the crowd an ear-to-ear smile, playfully tease his guitarist Yendawg, and chat with the audience in a sly, puckish tone that was the cherry on top of an already masterful persona.
Where Polly People Go to Read is a chronological, revolving account of love and heartbreak, and the intensity was evident onstage as Dapperton belted out ballads like “My Favorite Fish” and “Coax & Botany.”
Dapperton’s performance was a perfect mix of the raw, heartwrenching bellows characteristic of his most recent album and the goofy, endearing antics that populate his music videos.
His performance was engaging, energetic, and chaotic in the most satisfying of ways, leaving the audience clapping for more – and myself with sore calves from so much dancing.