{"id":3955,"date":"2018-10-28T19:08:02","date_gmt":"2018-10-29T01:08:02","guid":{"rendered":"http:\/\/sites.coloradocollege.edu\/socc\/?p=3955"},"modified":"2018-10-28T19:10:35","modified_gmt":"2018-10-29T01:10:35","slug":"soccer-mommy-slow-hollows-concert-review","status":"publish","type":"post","link":"https:\/\/sites.coloradocollege.edu\/socc\/2018\/10\/28\/soccer-mommy-slow-hollows-concert-review\/","title":{"rendered":"Soccer Mommy & Slow Hollows Concert Review"},"content":{"rendered":"
\u00a0Recently I saw two shows for free, in exchange for reviewing them. The first show I took up on a whim, trying to convince myself that I liked this particular band, Slow Hollows, enough to drive up to Denver for an hour and watch them play to a sparsely filled out audience. Mostly, that was true \u2013\u2013 I was looking for an easy way to keep the few scraps of leftover summer spontaneity alive, in an attempt to offset the quickly settling CC-induced feeling of utter boredom.<\/div>\n
The second show, though, was Soccer Mommy\u2013\u2013someone I\u2019d already loved, with another favourite\u2013\u2013Sasami\u2013\u2013as the opener.<\/div>\n
<\/div>\n
Both Slow Hollows and Soccer Mommy consist of people that are about my (and probably yours\u2019) age, which, every time I think about it, induces in me a complicated feeling of awe, inadequacy and existential dread. Like a lot of other people nearing the end of their time in college, I have no fucking idea what I\u2019m doing. None of my most beloved pursuits inspire any confidence in their ability to provide for a simple roof and a (to be fair, not-so-simple) meal, and I spend at least a few minutes each day wallowing in this mind void. So, this confrontation with people who are actually doing what they love, is both sweet and ego-destroying, especially when they\u2019re successful.<\/div>\n
<\/div>\n
\u00a0 \u00a0 The success segment looks\u00a0different for the two bands. Slow Hollows, fronted by Austin Anderson, are on their first national tour; still, Anderson\u00a0is featured on both Tyler,\u00a0The Creator\u2019s\u00a0\u201cFlower Boy\u201d and Frank Ocean\u2019s\u00a0\u201cBlonde\u201d and\u00a0\u201cEndless.\u201d<\/div>\n
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Slow Hollows at Lost Lake<\/figcaption><\/figure>\n

 <\/p>\n<\/div>\n

Instrumentally, their set felt tight, if a little generic, soaring to its peak during the trumpet\u2019s occasional features. Lyrically, though, the\u00a0songs lived in the realm of the clich\u00e9, with rhymes like\u00a0\u201cyou\/glue\u201d and\u00a0\u201cleaving\/dreaming\u201d sticking so saccharinely they carved cavities in my auditory cortex. I wanted so badly to like them better than I did, so I heard myself using their ages as some sort of excuse or explanation for their relative mediocrity, employing that same\u00a0\u201cyou\u2019ll understand when you\u2019re older\u201d mentality I’ve felt so hurt and patronized by in the past. Mostly, I think, I wanted them to be better, because I projected this position of young-creative-new-and-improved American Dream (i.e. you can do anything if you just\u00a0believe&work rly hard) onto them. I wanted them to feel ageless, so that I could stop feeling hindered by my age too. Alas, I left that show confused, though a little more energised for having briefly left the bubble.<\/div>\n
<\/div>\n
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Soccer Mommy at Globe Hall<\/figcaption><\/figure>\n<\/div>\n
<\/div>\n
\u00a0 \u00a0 A few weeks later, I sped through dense, viscous tonkotsu-like fog on the I25 to Globe Hall, a BBQ place-stroke-venue in Denver. I got there just in time to catch the latter half of Sasami\u2019s set, which was\u00a0wonderful, although sometimes a little less full than I\u2019d expected, probably because of Globe Hall\u2019s funky acoustics.<\/div>\n
<\/div>\n
Then, after a short break, Soccer Mommy came on. Instantly, the room\u2019s attention tunnel-visioned onto the stage. Sophie [Allison, the\u00a0frontwoman]\u2019s voice sounded so clear and perfect that I kept having to ask my friends if it was autotuned. Each song took me through a new story, poignantly communicated in each sound and lyric. The songs felt self-aware; they seemed to know exactly what they were trying to say, and the most evocative way to say it.<\/div>\n
<\/div>\n
The fact that Allison and her bandmates are all college-aged did not present itself to me, until she told the audience that it was her bandmate, Graeme\u2019s, 22nd birthday. The lyrical content was only aware of its performer\u2019s age within references to school. The artistry of each piece, though, was outside of the youth that\u2019s synonymous with inexperience. Allison\u2019s work is as intricate, grounded and steeped in craft as any of those artists whose age we don\u2019t even seem to know.<\/div>\n
<\/div>\n
She towers above the \u201cyou\u2019ll understand when you\u2019re older\u201d mentality, showing us (or at the very least, me) that we can, and do, understand \u201cit\u201d now, even if the “it” looks differently today. Her success barely inspires any jealousy; instead, I drive home from the show inspired, bursting with energy, grinning, happy to be my age again.<\/div>\n","protected":false},"excerpt":{"rendered":"

\u00a0Recently I saw two shows for free, in exchange for reviewing them. The first show I took up on a whim, trying to convince myself that I liked this particular band, Slow Hollows, enough to drive up to Denver for an hour and watch them play to a sparsely filled out audience. Mostly, that was […]<\/p>\n","protected":false},"author":1149,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"enabled":false},"version":2}},"categories":[11,22,12,18],"tags":[],"class_list":["post-3955","post","type-post","status-publish","format-standard","hentry","category-local","category-local-show-previews","category-music","category-shows"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pa7fJU-11N","jetpack_likes_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/sites.coloradocollege.edu\/socc\/wp-json\/wp\/v2\/posts\/3955","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.coloradocollege.edu\/socc\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.coloradocollege.edu\/socc\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.coloradocollege.edu\/socc\/wp-json\/wp\/v2\/users\/1149"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.coloradocollege.edu\/socc\/wp-json\/wp\/v2\/comments?post=3955"}],"version-history":[{"count":3,"href":"https:\/\/sites.coloradocollege.edu\/socc\/wp-json\/wp\/v2\/posts\/3955\/revisions"}],"predecessor-version":[{"id":3960,"href":"https:\/\/sites.coloradocollege.edu\/socc\/wp-json\/wp\/v2\/posts\/3955\/revisions\/3960"}],"wp:attachment":[{"href":"https:\/\/sites.coloradocollege.edu\/socc\/wp-json\/wp\/v2\/media?parent=3955"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.coloradocollege.edu\/socc\/wp-json\/wp\/v2\/categories?post=3955"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.coloradocollege.edu\/socc\/wp-json\/wp\/v2\/tags?post=3955"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}