{"id":4140,"date":"2019-09-25T21:00:43","date_gmt":"2019-09-26T03:00:43","guid":{"rendered":"http:\/\/sites.coloradocollege.edu\/socc\/?p=4140"},"modified":"2019-10-02T17:10:52","modified_gmt":"2019-10-02T23:10:52","slug":"the-lumineerss-iii","status":"publish","type":"post","link":"https:\/\/sites.coloradocollege.edu\/socc\/2019\/09\/25\/the-lumineerss-iii\/","title":{"rendered":"The Lumineers\u2019s III is an X\/X"},"content":{"rendered":"

by Annie Knight<\/p>\n

\"\"
The Sparks family from left to right: (Front row) Junior, Jimmy, and Bonnie (Jimmy\u2019s Wife). (Back row) Gloria\u2019s husband, Gloria, Donna, and Donna\u2019s husband.<\/figcaption><\/figure>\n

When Wesley Shultz and Jeremiah Friates set out to write The Lumineers\u2019 latest album III<\/i>, they knew it wasn\u2019t going to be conventional. Because of the serious subject matter Shultz (lead singer) and Fraites (drummer) choose to write about, alcoholism and its familial consequences, Shultz thought \u201cit felt unfair to just name names,\u201d he said in an interview with KFOG<\/a>. \u201cIt felt more appropriate to me to tell a story around this. If you tell the truth within a story, I think it has a ripple effect.\u201d Thus, the cinematic musical experience that is III <\/i>was born.<\/p>\n

On September 13, III<\/i> was released in its entirety, but the group had been releasing portions of the album since May in three chapters containing three songs each, each song accompanied by a video. All of the videos were then compiled into the short film III <\/i>directed by Kevin Phillips, which debuted at the Toronto International Film Festival in early September. The album follows the fictional Sparks family through three generations beginning with the matriarch Gloria, followed by her grandson Junior, and ending with his father Jimmy. Each chapter focuses on how addiction and alcoholism follows the family across time, and its adverse effects.<\/p>\n

III <\/i>has brought about innovations for the group including their first short film to debut in a film festival, an uncharacteristically moodier sound in comparison to jaunty, boot stepping toons off their first two albums The Lumineers<\/i> and Cleopatra<\/i>, and a new relationship between music and film. The distinct music and video styles of each chapter characterize the members of the Sparks family and compare and contrast their individual relationship to substance abuse amidst these evolutionary changes for the folk rock band.<\/p>\n

The videos for III<\/i> are set in a run down, yellow house against an overcast sky. The color of the house and the name of the family, the Sparks, become ironic when compared with the somber content of III<\/i>. The familial name brings to mind lost sparks, or potential, that was never actualized because of their dependency on alcohol.<\/p>\n

The first member of the Sparks family we meet is Gloria (Anna Cordell), in \u201cChapter I: Gloria Sparks.\u201d The songs of this chapter are characterized by lilting piano tunes like the soft, scales in \u201cDonna,\u201d and percussion heavy songs like \u201cGloria.\u201d The bold percussion of \u201cGloria\u201d distinctly mark Gloria as the matriarch of the family and the catalyst for the alcoholism we see affect future Sparks.<\/p>\n

While the lyrics detailing Gloria\u2019s descent into alcoholism are somber, the music backing these lyrics, major chord heavy that is generally connotated with positivity in mainstream music, provide an interesting juxtaposition. \u201cGloria\u201d is perhaps the song off III<\/i> that sounds most similar to The Lumineers\u2019s earlier work. The fast paced, positive sounding music, however, has been traded as a whole on this album for darker, rawer lyrics. This results in a more touching, emotional album, certainly not something their earlier work lacked entirely, but an aspect more prevalent in III.\u00a0<\/i><\/p>\n

Perhaps the darkness has come from the band choosing to source their most recent work from personal suffering. The inspiration for the album has, in part, come from drummer Jeremiah Fraites\u2019s older brother\u2019s death in 2001 from a heroin overdose at age 19. Fraites\u2019s brother, Joshua<\/a>, was also a close friend of Shultz.<\/p>\n

Editing is also used in chapter I to separate Gloria from the Sparks family members that are to follow. The songs off of \u201cI,\u201d especially \u201cGloria\u201d<\/a> are cut quickly and rhythmically, meaning the shots are cut to the beat of the song. This is most noticeable in key moments of the video highlighting Gloria\u2019s alcoholism like when she unscrews the vodka bottle at the beginning of the video and when the same bottle is seen bouncing between the logs behind the Sparks\u2019 house after she discards it empty. \u201cI\u201d is also heavily reliant on close ups. Some of the most haunting are again from \u201cGloria\u201d when she throws a vodka bottle at her husband, and the tense close ups between Gloria and a stranger in a bar in \u201cLife in the City.\u201d<\/p>\n

\"\"
Close up of Gloria in “Gloria.”<\/figcaption><\/figure>\n

This sound and filming style is intensely contrasted with \u201cChapter II: Junior Sparks.\u201d Junior\u2019s (Charlie Tahan) songs have a languid feel to them and use almost exclusively guitar. The omission of other instruments, especially piano, are interesting when considering Junior\u2019s role as the only Sparks that rejects the legacy of substance abuse. The Lumineers choose to highlight this through the omission of the piano that was characteristic of \u201cI\u201d and Gloria herself who we see play piano in \u201cDonna.\u201d<\/p>\n

The filming style of chapter \u201cII\u201d also contrasts that of the previous chapter. It\u2019s full of long takes of Junior smoking cigarettes on the porch, and long shots, the most dramatic of which is Junior burning the piano in front of the Sparks\u2019 family home. The piano bonfire becomes Junior\u2019s most overt rebellion against his family legacy. He burns a symbol of Gloria and\u00a0 replaces her vodka bottle with a match. The is showcased in parallel shots of Gloria throwing a vodka bottle at her husband in \u201cGloria,\u201d and Junior throwing a match in \u201cLeft for Denver.\u201d The alcoholism Junior could have inherited instead becomes replaced with rage.<\/p>\n

\"\"
Gloria throwing her vodka bottle in “Gloria.”<\/figcaption><\/figure>\n
\"\"
Junior throwing his match in \u201cLeft for Denver.\u201d<\/figcaption><\/figure>\n

Junior captivating the focus \u201cII\u201d is a striking choice since Jimmy Sparks (Nick Stahal) comes after Gloria generationally. However, placing Junior\u2019s chapter between Gloria and Jimmy\u2019s, is reflective of Junior being compressed by the inevitability of his family\u2019s habits, until he rejects them.<\/p>\n

This theme continues with the music distinguishing \u201cChapter III: Jimmy Sparks.\u201d The songs of \u201cIII,\u201d especially \u201cJimmy Sparks,\u201d use predominantly minor chords, a sound that is associated with negative emotions in popular music. The choice to make this the sound of Jimmy suggests the antagonistic role he plays in his son\u2019s life because of his alcohol abuse, leading to parties at their house and even a physical fight in \u201cLeader of the Landslide.\u201d The languid guitar of \u201cMy Cell,\u201d similar to that of \u201cLeader of the Landslide\u201d from \u201cII,\u201d connect Jimmy with his son as an influencer. Jimmy\u2019s sound is also, however, reminiscent of Gloria because of the piano that makes a re-appearance in \u201cIII.\u201d Thus, Jimmy becomes a link in the chain that passes on alcoholism to future generations in the Sparks family.<\/p>\n

The filming style of \u201cIII\u201d is also reminiscent of previous chapters in the album and short film. Extreme close ups in \u201cMy Cell\u201d of Jimmy\u2019s girlfriend and the debt collector echo the editing style in the videos about Gloria. Long shots of Jimmy smoking a cigarette in \u201cJimmy Sparks\u201d recall the filming style of the videos about his son. Jimmy then becomes a mixture between the past and present generations of his family and a representation of alcoholism at its worst.<\/p>\n

\"\"
Close ups of the debt collector in \u201cMy Cell.\u201d<\/figcaption><\/figure>\n

The Lumineers forge a new relationship between cinema and music in III. <\/i>In cinema, music is traditionally used to influence the audience\u2019s emotions in response to the visuals on the screen. However, in this case, the relationship is reversed and the visuals are supporting the music. III <\/i>challenges the viewer to pay close attention to the lyrics and how the visuals provide clues to deeper meaning. This creates a more intense emotional experience and a highly effective way to translate the themes that The Lumineers want us to glean from their album.<\/p>\n

Parallel scenes of one family member carrying another out of the deceptively positive colored yellow house let us know that across sound and generation family members can\u2019t resist taking care of one another, even if it isn\u2019t in their best interest. However, this incessant need to care for others that will not care for themselves because of their disease, can lead to loneliness and the rage that characters like Junior feel. Like the lyrics of \u201cMy Cell\u201d that close to shots of each Sparks family member alone in the frame, the substance abusers and the ones that love them can tragically end up in this cycle \u201call alone, all alone, all alone, all alone.\u201d<\/p>\n

\n

Listen to the album<\/a> & watch the videos\u00a0<\/a>here.<\/p>\n","protected":false},"excerpt":{"rendered":"

by Annie Knight When Wesley Shultz and Jeremiah Friates set out to write The Lumineers\u2019 latest album III, they knew it wasn\u2019t going to be conventional. Because of the serious subject matter Shultz (lead singer) and Fraites (drummer) choose to write about, alcoholism and its familial consequences, Shultz thought \u201cit felt unfair to just name […]<\/p>\n","protected":false},"author":1359,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"enabled":false},"version":2}},"categories":[155],"tags":[],"class_list":["post-4140","post","type-post","status-publish","format-standard","hentry","category-album-reviews"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pa7fJU-14M","jetpack_likes_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/sites.coloradocollege.edu\/socc\/wp-json\/wp\/v2\/posts\/4140","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.coloradocollege.edu\/socc\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.coloradocollege.edu\/socc\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.coloradocollege.edu\/socc\/wp-json\/wp\/v2\/users\/1359"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.coloradocollege.edu\/socc\/wp-json\/wp\/v2\/comments?post=4140"}],"version-history":[{"count":8,"href":"https:\/\/sites.coloradocollege.edu\/socc\/wp-json\/wp\/v2\/posts\/4140\/revisions"}],"predecessor-version":[{"id":4171,"href":"https:\/\/sites.coloradocollege.edu\/socc\/wp-json\/wp\/v2\/posts\/4140\/revisions\/4171"}],"wp:attachment":[{"href":"https:\/\/sites.coloradocollege.edu\/socc\/wp-json\/wp\/v2\/media?parent=4140"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.coloradocollege.edu\/socc\/wp-json\/wp\/v2\/categories?post=4140"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.coloradocollege.edu\/socc\/wp-json\/wp\/v2\/tags?post=4140"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}