{"id":4421,"date":"2021-01-02T12:14:48","date_gmt":"2021-01-02T18:14:48","guid":{"rendered":"http:\/\/sites.coloradocollege.edu\/socc\/?p=4421"},"modified":"2025-09-09T17:53:07","modified_gmt":"2025-09-09T23:53:07","slug":"the-socc-djs-best-albums-of-2020","status":"publish","type":"post","link":"https:\/\/sites.coloradocollege.edu\/socc\/2021\/01\/02\/the-socc-djs-best-albums-of-2020\/","title":{"rendered":"The SoCC DJs’ Best Albums of 2020"},"content":{"rendered":"\n

Here are some of the SoCC DJs\u2019 favorite albums of 2020 year in no particular order: <\/p>\n\n\n\n

Dump YOD: Krutoy Edition- Your Old Droog<\/strong><\/p>\n\n\n\n

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I was introduced to Your Old Droog by a close friend of mine that often shares with me notable Jewish artists. YOD excels when it comes to storytelling, lyricism (especially in freestyle), and samples. Remaining completely independent, Your Old Droog tells his own story as a Soviet Ukrainian born Jew growing up in Brooklyn, which is undoubtedly unique. The samples on this album give a real soviet feel, utilizing staticky classical Russian samples and featuring instruments like the oboe or the accordion. He even raps some whole verses in Russian which is just so exciting to hear. This album was recorded starting in isolation back in March, and serves as another monument to YOD\u2019s storytelling of his unorthodox and marginalized upbringing. Any fans of New York classics like NAS or MF DOOM could easily get down with a record like this. My favorite tracks on the album would be \u201cMalchishka Krutoy\u201d and \u201cBabushka III\u201d. – Nic Santucci (Tucci)<\/p>\n\n\n\n

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Bonny Light Horseman- Bonny Light Horseman<\/strong><\/p>\n\n\n\n

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Practically every song on the album is a cover\/ reworking\/ uses a motif from folk songs ( mostly Celtic, Appalachian, and Gospels ). BLH is a trio- Ana\u00efs Mitchell, Eric Johnson(Fruit Bats), and Josh Kaufman. I really only listened to them for Ana\u00efs though… she performs most of the vocals for the album and sounds HEAVENLY n COOL. Fave song: \u201cThe Roving\u201d. Ana\u00efs takes this Celtic folk song and changes the lyrics a little and then suddenly it\u2019s my queer anthem of the year?? 2nd place: \u201cBonny Light Horseman\u201d bc of Napoleon. Basically this album is some good folk music. P.S. Ana\u00efs wrote a FOLK OPERA, \u201cHadestown\u201d. \ud83d\udc40\ud83d\udc40\ud83d\udc40 -Lauren<\/p>\n\n\n\n

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Punisher- Phoebe Bridgers<\/strong><\/p>\n\n\n\n

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Phoebe Bridgers\u2019 Punisher reminds me of a large, old, and most-likely haunted mansion perched on the edge of a cliff. Each room in the house is complete with its own ancient, hand-painted peeling wallpaper and skeletons in the closet to match. These rooms are the songs on Punisher\u2014 songs with hauntingly specific, but relatable, lyrics and mesmerizing, almost apocalyptic music. Bridgers blends musical and lyrical motifs alike together to paint a picture of an escapist and welcoming wasteland. The album and its journey through Bridgers\u2019 psyche left me disoriented in a way I kind of enjoyed. It made me want to cozy up, light a fire, and stay with Phoebe in her haunted house for a little longer. – Jane Harris (DJ Harris Bueller)<\/p>\n\n\n\n

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Galore- Oklou<\/strong><\/p>\n\n\n\n

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it\u2019s just soooOo delicious -Augie Voss<\/p>\n\n\n\n

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Miss Anthropocene- Grimes <\/strong><\/p>\n\n\n\n

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Miss Anthropocene – a double entendre on “misanthropy” and our ecological Anthropocene – is a self-produced concept album about a malevolent goddess who personifies climate change; each song is a different embodiment of human extinction. Picture a dark fairy with augmentations, and you have the Grimes vibe. Bubblegum princess meets Cyberpunk 2077. It’s pop, rock, and techno, in one sound; bold, brash, and reaaaaally gay. This album followed me everywhere. In March, staying up late at night swaddled in my high school sweats, 4\u00c6M teleported me back to rave nights in crowded queer spaces. September had me reflecting on revolutionaries. When it comes down to it, Grimes fits a handful of artists, by my criteria, who carry substantial enough weight in pop-culture by their wildly eccentric and otherworldly projects while actively rejecting conformist notions. These rebels have never asked for a space in influence; they make some for themselves. Miss Anthropocene’s concept cemented enough ideas, including pop music’s inevitable evolution into today’s “experimental,” to write an actual essay expanding on tomorrow’s role in art. Jonathan Lee, if you’re reading this, thanks for responding to eight pages on cyborgian feminist futurism. For all these reasons and more, Grimes completely captured my 2020. Her self-published Spotify biography states 2020 is the year of “her final earth album.” This might be a dramatized retirement announcement of quitting music to raise her and Elon’s child. I think the phrase is meant as a bold foreshadowing of her next level. As the reigning queen of the SpaceX – Tesla empire, Grimes very well could pioneer music in the cosmos. And I hope she does. Honorable Mention to Arca\u2019s \u201cKiCk i.\u201d <\/p>\n\n\n\n

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