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    Some reflection upon notation and proportion in Monteverdi’s mass and vespers.

 

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    Proportional notation in the music of Schutz and his contemporaries in the 17th Century.

 

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    Music notation and the poetic foot.

 

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    The seeds of notation and music paleography.

 

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  • Treitler, Leo.1992. The Journal of Musicology v10, n2, Spring, p131(61)
    The “unwritten” and “written transmission” of medieval chant and the start-up of musical notation.
    Notational practice developed in medieval music to address the written tradition for chant which interacted with the unwritten vocal tradition…

 

  • West, M.L.1994.Music & Letters v75, n2, May, p161(19)
    The Babylonian musical notation and the Hurrian melodic texts.
    A new way of deciphering the ancient Babylonian musical notation…