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The Importance of Physical Motion on Stage: Pina Bausch’s “…como el misguito en la piedra, ay si, si, si…”

Title: …como el misguito en la piedra, ay si, si, si… By: Pina Bausch Location: Tanztheater Wuppertal, St. Poelten, Austria Date: Oct 23, 2015 In Attendance: Soeren Walls Dance is often too abstract for me to grasp from a critical perspective. As an actor, when I watch a dance performance, I usually feel like a stargazing geologist. I don’t know a single technical thing about the entire field. All I can say is, “Wow, that’s beautiful.” This performance was different. Lucky for me, Pina Bausch transcends dance in the traditional sense by integrating a lot of theatrical techniques into her pieces. In particular, I want to talk about her use…

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Exploring Theatre’s Symbiotic Relationship with European History, Culture, and Politics, and its Potential for Global Change

Welcome! We two students at Colorado College, Anubrat Prasai ’17 and Soeren Walls ’17, have been graciously awarded a 2015 Keller Family Venture Grant after approval from the Dean’s Advisory Committee to conduct research with the goal of understanding the prevalence and influence of Theatre in modern society, from a European standpoint. This blog will…

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