Creative License: The Law and Culture of Digital Sampling
by Kembrew McLeod and Peter DiCola, with Kristin Thomson ’89 contributing How did the Depression-era folk-song collector Alan Lomax end up with a songwriting credit on Jay-Z’s song “Takeover”? Why doesn’t Clyde Stubblefield, the primary drummer on James Brown recordings from the late 1960s such as “Funky Drummer” and “Cold Sweat,” get paid for other…
Issue: April 2012 • Tags: On the Bookshelf