Tuesday, March 28

Local Shows: Previews & Reviews

Previews of can’t-miss local shows.

When House Shows Go Right: The Keeps
Campus Events, Local Shows: Previews & Reviews, Shows

When House Shows Go Right: The Keeps

Written By: Caleb Hering All photos by Ethan Rothschild What might possess? So far as to be enraptured, possibly even obsessed? There may be many answers. Few we will know and far more that will never light our minds. But it will always remain a question we grapple with as we meet our first love, a favorite food, or decide only a few moments into the first song of a band you did not expect much of—albeit from ignorance—that you must write about them—interview, even, if possible. And so, I did, on a cardboard box with some random pen: impromptu possessed. Of late, many house shows have been detrimentally fun. Waking the same morning you had gone to sleep, a few hours earlier shooting-the-shit with Brandon—a wiry, long-haired baller who works the register at the beloved E Cache 7-E...
Local Shows: Previews & Reviews

Black Midi Commit (sonic) Arson in Denver

My head is a flaming 1998 computer with fans whirring and every time I hear a noise I want to catch those jagged soundwaves and catapult them away to Andromeda. I just got back from the doctor, and I did get a concussion after colliding heads with somebody at the Black Midi concert. This is not me looking for sympathy, but my concussion - as well as the destruction of my friend’s seemingly indestructible Doc Martens - just goes to show what a septic tank the pit at the Black Midi show was.  Black Midi is a chaotic band of many pretentious dashed genres: brutal-prog, jazz-rock, post-punk. My dad would probably call them ‘weird for the sake of being weird,’ and I would’ve agreed a year ago. Over time their arsonist approach to music warmed up to me with its redeeming qualities in ma...
Artist Spotlight, Local Shows: Previews & Reviews, Reviews, Shows

CONCERT REVIEW: The Front Bottoms at Mission Ballroom 10/11/21

By Henry Hodde The Front Bottoms’ performance at Mission Ballroom last Monday was a reminder that punk rock and roll is not dead. The genre is alive and well alright. It may not look the same as the days in which The Clash and The Ramones reigned supreme, nor does it sound like Metallica, or even Green Day. Nevertheless, fans of noise first and foremost ought not despair.  The Front Bottoms at Mission Ballroom The Front Bottoms are not a new band. Guitarist Brain Sella and childhood buddy Mathew Uychich began to write music together in 2007, adding Uychich’s brother Brian to complete the original lineup. Sella and Mathew Uychich still form the heart of the New Jersey band, but on Thursday, the founding duo were complemented by Erik Kase Romero and Natalie Newbold. The next ...
Local Shows: Previews & Reviews, Reviews, Shows, Uncategorized

Devendra Banhart Plays at Boulder Theater

Clad in the sleekest of all black getups down to the polished Prada oxfords, cleanly-pressed Devendra Banhart sashayed on stage and silently announced to that he indeed was a fancy man. The stage was set with a giant tapestry that displayed Devendra’s hand painted ginormous flowers that mirrored the floral design on the cover of Ma, his newest album. Ma is multilingual and multicolored, splattered with primary colors and songs that salute Carole King and John Lennon. He released three singles as a prelude to the complete album, each one wildly fun and widely different- “Kantori Ongaku." “Abre Las Manos," and “Taking a Page." With each coveted single release though, my understanding of Devendra’s vision grew- this wasn’t about a cohesive musical aesthetic but rather, a cohesive conce...
Interview, Local Shows: Previews & Reviews, Uncategorized

Interview with Chastity Belt’s Julia Shapiro

By Emily Faulks I reached out to Julia Shapiro, indie rock singer and songwriter, as she prepares for Chastity Belt’s American Tour for their self titled album released in September. Shapiro is most known for her solo album she recently released as well as her lead vocals and guitar for all-girl garage bands Chastity Belt, Childbirth, and Who is She? After Chastity Belt cancelled their tour last April due to “health concerns,” Shapiro ventured into introspective songwriting and mixing that resulted in her first solo album titled Perfect Version that captures Shapiro’s discontent with personal imaging and searching for self growth through musings of change and stagnation simultaneously. She then continued working with Chastity Belt and the band later released their self titled album on ...
Superstar boyband Brockhampton brings rising stars 100 gecs and slowthai to Denver
Local Shows: Previews & Reviews, Reviews, Shows

Superstar boyband Brockhampton brings rising stars 100 gecs and slowthai to Denver

By Auguste Voss DENVER—On a Monday night, the line to get into the brand-spankin’ new Mission Ballroom spanned the length of the 60,000 square-foot building, doubled back on itself twice, and wrapped around the front corner. Fans planning for a sweaty moshpit stood in shorts and t-shirts in crisp 30-degree air, huddling together for warmth. Once the doors opened, however, it was a matter of minutes before the whole line was inside and de-frosting. Situated in Denver’s River North art district, the Mission Ballroom opened just months ago in August with a 4,000 person capacity and a concert calendar stacked with major national acts.  The venue already operates like a well-oiled machine—several entrances allow for speedy security checks, and once inside the building, conscious effort...
Local, Local Shows: Previews & Reviews, Reviews, Shows

Bedroom-pop heartthrob ROLE MODEL brings “Far From Perfect” tour to Denver

By Auguste Voss DENVER —Just blocks from Coors Field in downtown Denver, the Marquis Theater is a low-key hotspot for local gigs and up-and-coming national acts. Tucker Pillsbury, aka ROLE MODEL, stopped by in November on his inaugural “Far From Perfect” tour. The night began with Denver grunge-pop outfit Oxeye Daisy. Flamboyant, brightly-colored animal print attire added to an already energetic stage presence. While many garage-rock groups might find their sound muddled at a smaller venue like the Marquis, Oxeye Daisy’s music felt crisp and refreshing in a wonderful, grungy sort of way. Nineteen-year-old songwriter Mills. was next, gracing the stage with a solo set. His voice, smooth as butter, sounded like a bouncier Lewis Capaldi. A wide-brimmed hat was the cherry-on-top of...
CONCERT REVIEW: Wilco at The Mission Ballroom in Denver
In Case You Missed it, Local Shows: Previews & Reviews, Music, Reviews, Shows, Uncategorized

CONCERT REVIEW: Wilco at The Mission Ballroom in Denver

Wilco won’t let you down. Over the course of twenty-five years and eleven albums, they’ve established a fervent fanbase. Their live performances have a solid reputation; they’re known to play at least two-hour sets at every show, and they always include some fan favorites along with the songs from whatever album they’re promoting. In fact, they even have a spot on their website to enter song requests for different shows. When I saw them on Nov. 19, frontman Jeff Tweedy announced that it had been twenty-five years and two days, to be exact, since their first show. When he said this, I was applauding just like everyone else, but I found myself regretting that it was only my first time seeing them. I went to the show on my own, and the two hours I spent alone in the front of the crowd ...
Concert Preview: Gus Dapperton at The Bluebird Theatre on Oct. 6
Local Shows: Previews & Reviews, Music, Reviews, Shows

Concert Preview: Gus Dapperton at The Bluebird Theatre on Oct. 6

by Augie Voss "You will leave this earth for a while." This promise can be found on the websites of nearly every theater and music hall to be visited by indie “dream pop” sensation Gus Dapperton on his upcoming Polly People tour.  Born in Warwick, New York in 1997, Brendan Rice began writing music in his teens - and is largely self-taught. After a brief stint at Drexel University reinforced his propensity for individualistic learning, he returned home, where he continued to develop the Gus Dapperton persona. His music is dreamy, ethereal, and raw; Dapperton often eschews the growing popularity of electronic production by sticking mostly to analog instruments. If a song sounds too clean or sterile he’ll filter it through a radio, and the resulting feel is reminiscent of the 80s...
CONCERT REVIEW: Noname at the Ogden Theatre 3/6
Local Shows: Previews & Reviews, Music, Reviews, Shows

CONCERT REVIEW: Noname at the Ogden Theatre 3/6

In his long printed cardigan and sweats, Noname’s opener Elton Aura emanated a calm confidence that set the tone for a night of powerful lyricism. He knew exactly how to excite the young audience as he lit a joint on stage and passed it down (to be immediately intercepted by the stage security) after taking a few puffs himself. Elton concluded his set how he began it, having us repeat after him “Elton! How it do!” and then exited the stage to loud cheers. The audience hummed with energy as we began the wait for the person who had brought us all to the Ogden Theatre this Wednesday night. As Noname's band slowly set up their instruments I was struck with how vulnerable they were in that moment. Only feet of distance between us at the front of the crowd and the band members shuffling equi...
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