November at Red Rocks Amphitheater is sometimes a gamble with the changing seasons, but I had no hesitation when given the opportunity to attend another 3 hour marathon concert from King Gizzard & The Lizard Wizard’s North American Tour. When I went to their first Red Rocks show in early October many of the fans held these tickets since their 2020 tour that was canceled due to COVID. The November date was a surprise, as the final show was tacked onto their tour promising the same feel-good giz energy as the first marathon show at Red Rocks. My friend flew into Denver with some film cameras after hearing the news and we eagerly waited in the longest line I have seen at Red Rocks- undisturbed by the cold in my gizzard-themed crocodile onesie.
Note: I was encountered by multiple “die-hard” Gizzard male fans who had a lot to say about the difference between a crocodile and an alligator, proceeded to mansplain the symbology of King Gizzard and their Giz-verse related to the crocodile, all of which I am aware of. If you are a girl going to a Gizzard concert, avoid this conversation at all costs. But DO wear a crocodile onesie because it is warm and Giz fans are cultish so you’ll get creds. If anyone asks, say: “crocodiles are from Australia… just like them” and leave at once.
First and foremost, I will say that King Gizzard has an absurd amount of albums, with three albums released last month alone! and although I know many of their songs, I do not know all of their songs. But some people there did. When I was chatting in the photo pit with another photographer, she showed me the zoomed-in set list on her camera with the opening song entitled “Digital Black-” I was not sure what albums nor energies King Gizzard was bringing to the night. I was ready for everything reminiscent of their themes in their recent album: Ice, Death, Planets, Lungs, Mushrooms, and Lava- with an emphasis on lava.
A funky set from The Murlocs and the ethereal sounds of Leah Senior set the scene of deception for King Gizzard. We went down to the pit to prepare for the show to start. The band was as playful as ever, with Joey trying to banter amongst the crowd while the staff were tweaking Lucas’ guitar settings. After a few minutes everything was ready to go and (surprise, surprise) they started with “Digital Black” in Stu’s satanic cadence and blaring guitar riffs. Everyone instantly went into a frenzy despite being confined to the tiered seats (although some people above did mosh/fall onto our row!). Throughout the night, King Gizzard dedicated a third of their set to playing songs from their 2017 album Murder of the Universe and selected the vast majority of their marathon set to more metal-oriented songs that strayed from their dreamy synthesizer hits. This meant a lot of head banging and an entrance into the Rats’ Nest, arguably the hardest album that they played from. They drew from a variety of albums along the way including “Cutthroat Boogie” from their 2012 album 12 Bar Bruise, one of my favorite songs of the night that featured some amazing harmonica solos and fit comfortably among the Colorado landscape. King Gizzard continued their tasteful guitar thrashing from various albums including some favorites like “Hot Wax” and a jammed up version of “Her and I (Slow Jam 2)” and concluded with a more relaxed outro of “The Fourth Colour.’ The intermission offered a quiet countdown for fifteen minutes until their second set. A marathon indeed!
The second half of the show astonishingly kept up the same energy as the previous, jokingly playing the American National Anthem before jumping straight into “Head On/Pill” while lacing in “Hot Water” and teasing their recent release of “Hypertension” throughout their lengthened song. This was an especially impressive song for their ability to transition between three (basically four) songs in one, and definitely sent the message that they were not planning on slowing down. After about their 10 minute version of that song, they revisited the album I’m In Your Mind, Fuzz, a personal favorite of mine, while still sticking to a high energy set by playing “Am I In Heaven?” The transitions between songs were seamless, usually recognizable motifs across all their albums, causing the crowd to stir with anticipation. Stu returned to Infest the Rats’ Nest to keep the pace up as the wind started to blow up the slope of the amphitheater. It was truly an epic scene: a showdown between King Gizzard and the elements, and they prevailed with hair flying. After a few metal songs, they switched up the vibe to something more lighthearted with Ambrose howling into the mic during “Let Me Mend The Past.” Shortly after Leah Senior came on to do an amazing narration of “Alter Me III” and “Altered Beast IV” also from Murder of the Universe. Leah Senior brought the eerie cadence like the Ronald Dahl-esque introduction of “Dark Fantasy” by Kanye West. King Gizzard slowed down for the final song, “Float Along-Fill Your Lungs,” playing an ensemble of dreamy guitar chords clashing against each other. The ending was drawn out like the studio version, but I’d like to think it was also a moment of savoring the last moments of their long-awaited North American tour.
The stamina and chemistry of the band is something that is rare amongst jam bands, and King Gizzard & the Lizard Wizard put everything out in that three hour marathon set. Even if many of the songs were not ones I was familiar with, the songs were sharp and fast- perfect for hypnotic dancing and head banging. Their interaction with the crowd made it even more of a special experience, after spending so much time apart from their American fans it felt more like a reunion. Although their tour is finally over, their music continues. I know I will be trying to play catch-up as they keep cranking out more and more albums this year, and for many years to come.