Workshopping; The Best of Times, The Worst of Times

Thursday and Friday of this week were consumed by workshopping all ten drafts of our final audio essays. Both days were long, rewarding and difficult. It was my first experience workshopping anything, or being workshopped, and I think most of the class was a little nervous. A writing workshop environment is so intense because you …

Playing around with sounds (Audio Essay, Block 8)

Greetings from the Audio Essay! So, after reading an awesome article by Brendan Baker (here’s the link: http://transom.org/2014/using-music-brendan-baker/ ) our class spent the day split between peer editing our personal essay and a very fun, creative sound compilation exercise. I think the bigger sound nerds in our class got more from the Brendan Baker article than I …

Idris Goodwin’s Five Absolutes for Writing

After three days of performances in Armstrong Theater, we were all ready to start Spring Break. Idris dropped some wisdom on us before we went on our merry way, to encourage us to keep writing, revising, throw it in the air, and repeat. For those of us who are lucky enough to be in Old …

Coconut Coated

As I promised in an earlier post, here is a recording of Xander Fehsenfeld’s “Coconut Coated”. Sweet brilliance. When we hit the road and made our class debut at Atlas Prep Middle School, the 7th and 8th graders melted into the chocolatey goodness of Xander’s words, and Sunday night was no different. The crowd of …

Classy Class in Shove Chapel

  Today was a revealing day. We’re currently in the process of a major work of collaboration within our groups, and we performed 5-7 minutes of excerpts from what will soon be performed as 25-30 minute plays for our final productions. The public will be invited, so come one, come all! Here is the facebook …

Week two wasn’t too weak

‘Twas a productive week. It was a marathon of scenes, monologues, and choreopoem collaborations. We read many examples and excerpts from plays and poems and then spent the week writing and revising our own. The magic seeps through in the revisions, so we’ve been told. Idris tells us “The performance writer writes in real time. He/she …

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