By Grace Hale ’20
“Thorne Miniatures” is a collection of six miniature piano compositions each inspired by one of Narcissa Thorne’s miniature rooms found in the basement of the Art Institute of Chicago. Thorne’s miniature rooms are best described as model rooms of mostly European and American interiors built during the 1930s and 1940s. One of the most peculiar characteristics of Thorne’s miniature rooms is the absence of any human figures. Instead, she hints at human existence with small inanimate objects like a soccer ball or books. This is the role of the “Thorne Miniatures” — to supply the musical scenes in such a way that fills this lifeless void. The “Thorne Miniatures” is an ode to childhood and imagination as explored in the museum collection.
During my four years at Colorado College, I had the privilege of studying composition very closely under Professor Ofer Ben-Amots and piano performance under Sue Grace. It was only appropriate that I would construct my thesis as a culmination of the two disciplines and the time spent with these mentors. I thank them both for giving me a new love of music and a drive to always create more. It is to them that I dedicate my “Thorne Miniatures.”
When CC moved to digital learning for the rest of the 2020 Spring Semester, I found myself in need of a piano for practice. With the help of Ofer and Sue, I was connected with a man named Phil Erklen who offered his studio as a place for me to practice near where I was living this spring. Little did I know that much more would come of this connection. In my time there, I signed a contract with Phil to publish my “Thorne Miniatures”through the CCC Music Company. With the publication, we created this video as a reference tool for those who purchase the music.
Nice statement, and honor, Grace
Congratulations, Grace. I love this work. We are going to miss you!
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