From the rooms of Packard Performance Hall, Susan Grace, artist-in-residence and lecturer in music, is making waves. At CC, she’s known as Susan, director of the Summer Music Festival and talented professor of piano. Recently, though, she’s been receiving recognition for her work outside of the school as well. The London Sunday Times recently named her as a contributor to one of the top ten contemporary recordings of 2016 for her recording “Stefan Wolpe – Music for Violin and Piano,” and that’s just one in a long line of acknowledgments. To name a few formidable awards, she was nominated for a Grammy in 2005 and received the Spirit of the Springs award in 2014.
Grace, a pianist, has led a diverse career: she performs collaborative music, chamber music, in duos, and concertos. “I’m not stuck to one thing,” says Grace. While she loves the variety her career offers her, she acknowledges that it can be overwhelming. “I do a lot of recording,” she says. “It can be challenging to balance [my career and my teaching], but most of my students are pretty advanced and work hard.”
Grace is a mainstay in the CC Music Department. Beyond teaching classes, she directs the Summer Music Festival, an annual event that attracts advanced music students and faculty from all across the nation to participate in a month-long workshop. “I feel really fortunate to be a part of the community here,” Grace says. “The faculty development and possibilities are great.”
Her most recent accolade for the Stefan Wolpe was the fruit of a recording done in Packard Hall for Bridge Records. Her co-musicians on the recording were renowned violinists Movses Pogossian and Varty Manouelian. Her recording company had asked her to record Wolpe. “I had never even heard of Wolpe,” said Grace, “but I found the music really interesting.”
In addition to another Wolpe piece, she continues work with her piano duo, Quattro Mani. Grace is also preparing for an August recording of “Poul Ruders for Harpsichord and Piano,” a performance at famous venue National Sawdust in Brooklyn, N.Y., and a Quattro Mani performance at Bargemusic, also in Brooklyn.
By Montana Bass ’18
Part of the Cornerstone Arts Initiative, a 13-year-old program that emphasizes collaborative, interdisciplinary arts teaching linked by current and developing technologies, Cornerstone Arts Week is a series of talks, screenings, performances, and exhibits that celebrates artistic collaboration around an annual theme. The theme for 2016 is “Where Is Hollywood?” The week provides a broad spectrum of interdisciplinary events that address conceptions of Hollywood as a “cultural factory,” as a metaphor/mythology, and as a physical space.
Cornerstone Arts Week is sponsored by the Film and Media Studies Program, the Cultural Attractions Fund, the NEH Professorship, Innovation@CC, the IDEA Space, the History Department, the Economics Department, the English Department, Student Life, The Butler Center, the Office of Residential Life and Campus Activities, the Career Center, and the Rocky Mountain Women’s Film Institute.
MONDAY, Feb. 22
4:30 p.m. Coburn Gallery: Reception and Artist Talks. “Staged: Constructed Realities, Altered Worlds.”
Exhibit runs January 29-March 5, 2016
“Staged” explores the ways in which photographers — like filmmakers or authors — can create new worlds, construct different realities, or narrate alternative histories. Building carefully imagined scenes, the photographers featured in the exhibition variously take on the roles of director, stage and costume designer, make-up artist, and occasionally, of performer. Featured artists: Bill Adams, Carol Dass, Carol Golemboski, Heather Oelklaus, Emma Powell, and Sally Stockhold.
6:30 p.m. Cornerstone Screening Room: Screening and discussion: “The Last Picture Show” (1971), dir. Peter Bogdanovich. This classic of the “New Hollywood,” the second golden age of Hollywood cinema, won two Academy Awards and is preserved in the Library of Congress. Post-film discussion will be led by CC faculty.
TUESDAY, Feb. 23
4 p.m. Cornerstone Screening Room: “Directed by John Ford” (1971-2006), dir. Peter Bogdanovich. This documentary examines the life and work of Hollywood Golden Age artist John Ford.
6:30 p.m. Celeste Theatre: Keynote Address with Peter Bogdanovich – “Where is Hollywood?”
The keynote speaker for 2016 is director, actor, and film historian Peter Bogdanovich. As the Oscar-nominated director of celebrated films including “The Last Picture Show” (1971), “What’s Up, Doc?” (1972), and “Paper Moon” (1973), Bogdanovich was a key figure in the 1970s American cinema renaissance known as the New Hollywood. His most recent film, “She’s Funny That Way” (2015), stars Jennifer Aniston and Owen Wilson and premiered at the Venice International Film Festival. Bogdanovich has written more than 12 books on film and filmmaking, among them “Who the Devil Made It” (1997), which features interviews with 16 legendary directors, including Alfred Hitchcock, Fritz Lang, George Cukor, and Howard Hawks; with Orson Welles, “This is Orson Welles” (1998), and his classic interview book “John Ford,” which has been continuously in print since its first edition in 1967. He is a frequent commentator for the Criterion Collection and other DVD releases. As an actor, Bogdanovich is perhaps best known for his recurring role as the “shrink” for Lorraine Bracco’s psychiatrist character, Dr. Melfi, on HBO’s groundbreaking series “The Sopranos.”
Bogdanovich’s talk will draw on his close relationships with many classical Hollywood auteurs, including John Ford, Alfred Hitchcock, and Orson Welles, whose legendary unfinished film, “The Other Side of the Wind,” Bogdanovich is currently completing. He will also discuss his thoughts about the current state of Hollywood cinema.
WEDNESDAY, Feb. 24
3:30 p.m. Cornerstone Screening Room: Faculty Panel. “Fault Lines: Social History, Culture, and Geography of Hollywood”
In this presentation, an interdisciplinary panel of CC faculty examines the landscape, culture, and social history of Hollywood/Los Angeles.
6:30 p.m. Celeste Theatre: Cari Beauchamp and Sone Quartet – “Without Lying Down: The Powerful Women of Early Hollywood”
Film historian Cari Beauchamp is the author of numerous books about Hollywood, including “Without Lying Down: Frances Marion; The Powerful Women of Early Hollywood;” and “Joseph P. Kennedy Presents: His Hollywood Years.” Her books have been selected for “Best of the Year” lists by the New York Times, the Los Angeles Times, and Amazon.com. Beauchamp was nominated for a Writers Guild Award for the documentary film “Without Lying Down: The Power of Women in Early Hollywood,” which she wrote and co-produced for Turner Classic Movies. She has twice been named the Academy of Motion Picture Arts and Sciences Film Scholar and is resident scholar of the Mary Pickford Foundation. Beauchamp’s talk will include screenings of several early Hollywood short silent films directed by, written by, and starring women. Acclaimed Denver quartet Sone will improvise live musical scores to accompany the films.
THURSDAY, Feb. 25
5 p.m. Cornerstone Screening Room: F.W. Gooding and Faculty Panel – “Diversity and Representation in Hollywood”
One “space,” broadly speaking, rare in Hollywood is one that includes diverse roles for and positive representation of people of color and members of marginalized communities – not to mention jobs for same. This presentation by scholar F.W. Gooding, assistant professor of ethnic studies at Northern Arizona University and author of “You Mean There’s Race in My Movie?: The Complete Guide to Understanding Race in Mainstream Hollywood,” critiques matters of diversity and representation in Hollywood cinema and will include a panel discussion with CC faculty.
7:30 p.m. Cornerstone Screening Room: Ted Miller – “Economics of Hollywood Television”
Ted Miller ’86 is a partner and co-head of television at Creative Artists Agency (CAA), a worldwide talent and literary agency based in Los Angeles. Miller represents many of the world’s leading television producers, writers, directors, and showrunners, including Noah Hawley (“Fargo”), Alex Kurtzman (“Star Trek,” “Hawaii 5-0,” “Scorpion,” “Limitless”) Damon Lindelof (creator of “Lost” and “The Leftovers”), Clyde Phillips (executive producer of “Dexter” and “Nurse Jackie”), Matthew Weiner (creator of “Mad Men”), and Marc Webb (director and executive producer of “Limitless” and “Crazy Ex-Girlfriend”). Prior to CAA, Miller was an investment banker in New York. Miller will discuss the evolution of television, the creative renaissance in television series and argue that the “where” of Hollywood has moved to the small-ish screen.
FRIDAY, Feb. 26
1 p.m. Cornerstone Screening Room: Andrew Goldstein and Robyn Tong Gray – “Empathy, Entrepreneurship, and Virtual Worldmaking”
Andrew Goldstein ’09 and Robyn Tong Gray are co-founders of Otherworld Interactive, one of the most highly sought virtual reality development studios in the growing industry. Their projects, such as “Spacewalk” and “Café Âme,” have been featured at festivals and conferences throughout the country, from the Game Developers Conference to the Interactive Playground at the Tribeca Film Festival’s Innovation Week. Their project “Sisters” was accepted to the New Frontiers section of the 2016 Sundance Film Festival. Goldstein will discuss virtual worldmaking – specifically, the emergence of virtual and alternate reality technologies and their potential impact on the Hollywood entertainment industry – and Gray will discuss the role of empathy in designing interactive stories.
After the talk, participants will be able to view Otherworld’s mobile virtual reality apps and experience their Sundance-selected project, “Sisters,” in Cornerstone Studio B.
Whether or not you’re in need of a new pair of jeans, take a look at the Levi Strauss and Company “Modern-Day Pioneers” webpage, which last month featured CC graduate Scott Bryan. Bryan, who graduated from CC as an economics major in 2001, is now the president of Imagine H20, a company that supports startups with promising solutions to current water challenges.
As he mentions in the article, Bryan’s interest in water was sparked during his years at CC. He cites professors Mark Smith and Walt Hecox as especially influential on his education. During Smith’s environmental economics class, Bryan visited the Glen Canyon Dam, where he studied the system of water delivery to farms in Colorado and New Mexico. In his classes with Hecox, Bryan says, “I spent a lot of time in the San Luis Valley learning about the conflict between ranchers and water developers.”
Taking advantage of the opportunity for interdisciplinary study that CC offers, Bryan took an environmental sociology course, which he remembers as pivotal in developing his later dedication to address the strain on water resources. That class also spent time in the San Luis Valley. Bryan explains, “that is where we learned about the acequia [or communal irrigation] systems and the potential threat from logging headwaters.”
Today, Bryan recognizes the great impact his CC education has had on his life. “At CC, thanks to the block program, I really learned the value of diving into an issue or topic. This has been critical in my professional career,” he says. “It’s been fun to work in the water innovation space and connect with other Tigers. Andrew Fahlund ’91 is a deputy director at the California Water Foundation, which supports Imagine H2O. Jim McDermott ’91 founded a very successful water tech business called NanoH2O.”
In his interview with Levi Strauss, Bryan delves into the mission behind Imagine H20, his personal involvement, and what he sees for the future. Check it out.
Montana Bass ’18
When I walk in to Sacred Grounds, a student-run tea house inside Shove Memorial Chapel, Vanessa Voller ’16 immediately shows me to an assortment of teas, puts on water, and makes sure I’m comfortable. In less than a minute, she has already impressed me with her obvious kindness and the comforting sense of calm she carries with her.
She is a sociology major and an avid hiker from St. Paul, Minnesota. Next block, she will facilitate an inaugural three-day event series during National Eating Disorder Awareness Week to raise awareness about disordered eating and eating disorders on college campuses. Events will include keynote lectures and book signings by Jenni Schaefer and Anita Johnston, two prominent scholars and activists in the field; a documentary screening and discussion about eating disorders in diverse communities; trainings and workshops for Athletics Department and residential life staff; and free assessments and referrals by specialists from the Eating Disorder Center of Colorado Springs.
“I was diagnosed with an eating disorder in 2005, when I was just 11 years old,” says Voller. “I was physically and mentally ill for nearly a decade, losing my early and late adolescence to my mental illness.” We are sitting on colorful, plush cushions when I ask what motivated her to dedicate so much time and effort to this cause. She began her answer very simply.
“I was fortunate enough to have access to help at the Emily Program in St. Paul, one of the best centers for eating disorders in the country. There, I attended intensive out-patient therapy, group therapy, and family therapy sessions.”
Though at a more stable weight, Voller admits that her mental health continued to suffer throughout her first three years at CC. Now during her last semester, she is determined to spread awareness about this deadly mental illness. “The most important thing for me for people to know is that healing and recovery is possible. I think if someone had said that to me when I was 11 or even a first-year at CC it wouldn’t have taken a decade to ultimately be freed from my own mental illness,” she pauses, waiting for me to look up, “make sure you get that down,” she adds taking a long sip of her chamomile tea.
The three-day NEDA week event series, says Voller, is the culmination of her own recovery process. It is also her senior capstone project for the Community Engaged Leadership Certificate program, supervised by David Harker, director of the Collaborative for Community Engagement and an extension of her recent Venture Grant supervised by Associate Professor of Sociology Kathy Giuffre. Voller received a Venture Grant to spend her winter break hiking the Na’Pali coast in Kaua’i and interviewing Hawaiian cultural experts and medical staff at Hawaii’s only residential eating disorder clinic, Ai’Pono.
The Kalalau Trail she hiked is one of the “Top Ten Most Dangerous in the U.S.” according to National Geographic. Despite various setbacks, including a flash flood, Voller ultimately completed the 22-mile trek, during which she said she was reminded of her own recovery journey. “At mile two on the hike, at the Hanakap’ai Stream, I faced incredibly dangerous, chest deep waters. A local park ranger told me that I had to turn around and wait out the flash flood because crossing could be deadly. I immediately thought of my childhood therapist, holding my 11-year-old hand saying, ‘Vanessa, if you continue with this behavior you could die.’”
“I began the hike alone,” she says, “thinking that I didn’t need anyone or any help. But honestly, it was quite bold to think I didn’t need anyone.” She sets her mug down, “After the flash floods I befriended three other hikers and we traversed the rest of the coastline together.” She adds, “You know, almost everyone I met during my travels was healing from something: a failed marriage, an addiction, the loss of a loved one.”
After her hike, Voller traveled to the Ai’Pono clinic in Maui. “I read ‘Eating by the Light of the Moon’ by Anita Johnston when I was in treatment and it profoundly impacted me,” she says. Voller speaks of Johnston with intense admiration. “Anita is a remarkable woman; a true healer. An inspiration. She will do wonders for our community and I am honored that she is taking time to visit us.”
This block, Voller is in an independent study with Giuffre focused on writing an auto-ethnographic memoir chronicling her recovery journey through the lens of her backpacking trip. “I’m not sure what will happen with the manuscript when the block is over,” she says, “but for right now, I’m just focused on exploring my own creative writing process and crafting a new narrative of hope and of healing.”
More information on NEDA week, which will be Tuesday, Feb. 23, to Thursday, Feb. 25, is coming soon.
“I really want people to be able to see the power of music and of art, and the way it works in so many different people’s lives,” says Kendall Rock ’15 of her film “God’s in the Garage.” She’s sharing her work with the world, on the big screen at the 2016 Big Sky Documentary Film Festival in Montana Feb. 19-28.
The documentary short explores the interactions and conflicts between faith and music. Featuring Seattle artists Allen Stone, Zach Fleury, Noah Gundersen, and Galen Disston (Pickwick), the film also follows Colorado musician Brian Wight as he chooses between his artistry and the prospects of a comfortable lifestyle guaranteed by a church job.
“I was raised in the church in Seattle, but had a lot of issues with it as I got older and went to college. I started paying attention to the type of music I was listening to and realized that a lot of the artists I liked had a similar Christian background,” Rock says of her inspiration for the film. “Struggles with faith was a theme in their music, and I wanted to know more about how they processed that struggle through their art. For a lot of these musicians, music was their religion or their higher power, and I was really interested in learning about that.”
“God’s in the Garage” was Rock’s thesis film as a film and new media studies major at CC. After debuting the film on campus last May, Rock was contacted by Doug Hawes-Davis, who was on campus as a visiting professor. He invited her to show the film at the Big Sky Festival in Missoula, Montana. Since then, she’s had to keep the film under wraps until the screening at Big Sky in February.
While Rock says it’s scary to share such a personal and sensitive project with the masses, she’s thrilled to be included in such a major festival. “I’ll get to go to see films and attend the filmmaker parties. I’ll be mingling with real filmmakers; I’m excited. Then I can finally put it online, and move on.”
Rock has several other projects already in the works, including a film she shot over the summer while working with a conservation group in Alaska. That will be released soon on Rock’s blog. And, she has plenty of ideas to pursue. “I want to do more with music, the best part of this film was working with other creative people and talking with them about the way they process their lives through their art. At the same time I was making my art, going through my own process, so I want to do more of that.”
Monica Black ’19
In his most recent play, “17 Border Crossings,” which debuted in Manitou Springs, Colorado a few years ago and is now playing at the Blue Room Theatre in Perth, Thaddeus Phillips ’94 fills up the stage, and plays everyone, everywhere in 17 true stories of migration and separation. Backed by his own narration, Phillips transforms himself from a Hungarian border control agent – with shirttail protruding from his fly – into a smuggler. The standing microphone, table, chair, and a light bar are flipped and repurposed 17 times to become a trans-Euro train, a beach, a customs check, a motorcycle.
Eileen Blumenthal, professor of theatre at Rutgers University and a critic of the arts in New York City, recently featured Phillips’ work in American Theatre. He has developed, Blumenthal writes, his “own brand of theatre,” evidenced by his unique use of space and repurposing of common objects to create different universes. His diverse body of work ranges from one-man Shakespeare (“King Lear;” “Hamlet”) to more traditional plays that take on contemporary issues, from “Narcos” to onstage telenovela “¡El Conquistador!” about Colombian soap operas.
His unique and formidable career in the arts began with his studies in the Theatre Department at Colorado College, where he encountered, via theatre professors at CC, cutting-edge ideas about onstage space adapted from Peter Brooks. He also worked with puppetmaster Encho Avramov (who has continued to teach and direct at CC as a visitor) and saw the renowned work of Robert LePage during the course of his studies.
Phillips now runs theatre company Lucidity Suitcase International, which produces much of his work. Read the full story.
Monica Black ’19
CC students looking to gain meaningful work experience and to deepen their understanding of a certain career field should consider applying for a PIFP fellowship. Colorado College’s Public Interest Fellowship Program (PIFP) matches CC students with non-profits around Colorado for summer and yearlong paid fellowships. PIFP partners with non-profits ranging from the health sector to law, to the environment, and beyond. Some of these organizations include the ACLU of Colorado, ARC of the Pikes Peak Region, Bell Policy Center, Catamount Institute, Palmer Land Trust, TESSA, Colorado Health Institute, and many, many others.
Fellows participate in a full-time summer-long or yearlong fellowship, earning, respectively, stipends of $3,500 and $26,500. They also gain valuable experience, the kind that’s usually unavailable to students and recent graduates. It’s an opportunity that leads many fellows to careers both within and outside of the non-profit sector. “I’ve realized that I want to be part of an organization that is committed to helping people,” says Duy Pham ’15 of his current PIFP experience at Bell Policy Center.
Alex Drew ’15, who is currently carrying out her fellowship at the arts-driven community advocacy group Concrete Couch, describes herself as one of two full-time employees. “I wear many hats,” she says. “Some days I write grants, teach fifth graders, work with at-risk high school students at welding, fundraise, coordinate volunteers, send emails, represent Couch at events, fundraisers, and even on TV.”
Even at the larger, national PIFP partner organizations, fellows experience similar amounts of responsibility. ACLU of Colorado summer fellow Jane Finocharo ’16 revamped the curriculum of the ACLU’s Bill of Rights for an educational program at a Denver elementary school. It also afforded her opportunities to become proximate to issues she had only previously read about, like attending the closing arguments on a case in which a bakery refused to make a wedding cake for a same-sex couple on the basis of their sexual orientation. “I learned that even seemingly small violations of an individual’s civil liberties are significant and should be challenged,” says Finocharo. “I learned how many of our rights only exist because of the tireless work of organizations like the ACLU.”
The success stories are not one-sided. The organizations’ trust in Colorado College students grows, based on numerous positive experiences. The Catamount Institute, an outdoor education organization, has accepted PIFP applicants since 2009, and say they appreciate CC students because they are qualified and tend to stay connected to the organization for years. “Physics majors can become teachers. The experience is career-changing for many students,” says Tracy Jackson, the education director at Catamount.
Applications for the 2016-2017 cycle of fellowships are due Wednesday, Jan. 27. PIFP’s partner organizations look for smart, passionate people who are good communicators and want to make the world a better place. Beyond that, specific qualifications (like an ability to conduct quantitative research) for certain fellowships are listed on the PIFP website. That being said, most organizations are looking for an interest and/or background in related fields, as well as an aptitude for learning quickly. All years are encouraged to apply.
“It’s a global story about a people who are cutting away from their roots and moving away from a traditional livelihood, and I’m trying to convey some of that emotion of loss, and force people to think about that process as it applies to other cultures,” says Breton Schwarzenbach ’15 his photography exhibit “The Generation of Uncertainty.” The solo exhibit is currently on display at Naropa University’s Lounge Gallery in Boulder, Colorado.
The show of large-scale photographs is the product of Schwarzenbach’s extensive time spent living with the Changpa nomads along the Indo-Tibetan border. His work presents the contemporary story of nomads confronting climate change, economics, and geo-politics in the Himalayas.
“In this new body of work, I was really diligent in selecting the images, and portraits specifically, that convey emotion to help people try and grasp that something is happening in this area that doesn’t fit with an expectation of what you might think,” he says.
For centuries, the Changpa have herded yak and Pashmina goats in the Changthang, a pristine high grassland spanning the border between Tibet and Ladakh, India. Today, the younger generation is leaving and pastoralism is dying out. “The Generation of Uncertainty” pays homage to the traditional livelihood in transition.
It raises questions about how all cultures experience and embrace change. Portraits are juxtaposed against landscape and images of human impact. The work is powerful, urging reflection about humanity’s role in a time of immense global transformation.
Now 23, Schwarzenbach began working with the Changpa six years ago. With support from a Keller Venture Grant, the Edith Gaylord Prize in Asian studies, and CC Career Center funding, he lived in the nomad camps and was able to bear witness with pen and camera. Naropa is housing the first scheduled exhibition of this work.
The show is on display from January 14 through February 26. The Lounge Gallery is located inside Naropa’s Nalanda Campus at 6287 Arapahoe Avenue in Boulder and the opening reception runs 5:30- 7:30 pm., Friday, Jan. 22. Regular gallery hours are 10 a.m. to 5 p.m., Monday-Friday.
Schwarzenbach lives and works between Putney, Vermont and Colorado. In September, Schwarzenbach spoke and showed work as part of the Tibetan Children Education Foundation’s 25th Anniversary events at the Holter Museum in Helena, Montana. Last month he was featured in a solo exhibit for TOCA SHOES on New York City’s Lower East Side. Schwarzenbach received a BA from Colorado College. More at: www.bretonschwarzenbach.com
Montana Bass ’17
In order to continue the conversation regarding racial tension on campus sparked by painful, inappropriate YikYak comments and started officially at the all-campus meeting on the first Monday of this block, The Butler Center has held multiple open-dialogue circles. These dialogues were meant to give CC community members a place to reflect, heal, and reimagine an inclusive campus community.
Pearl Leonard-Rock, The Butler Center’s new assistant director, said these dialogues were truly helpful to the campus community, and exhibited the willingness of students to connect over these issues when given the opportunity. “Being new to CC, I really didn’t expect that students would heed the call. I have been pleasantly surprised by the number of faculty, staff, and students who have been present. There have been white-identifying students as well as students of color who have come to share this space with us. Many of the attendees have been unknown to me and they have been very open and vulnerable while in the circle. It has been very affirming to know that all students are seeing our genuine outreach to all community members.”
So that they could fully focus on this clearly pressing topic, The Butler Center cancelled all other Block 4 programming. “The Butler Center staff agreed that suspending regular programming in Block 4 would be a great idea to make time for individual and group support of community members,” said Leonard-Rock. “It became apparent that taking intentional and focused time for reflection, healing, and re-imagining a truly inclusive community could benefit us all greatly.”
The dialogues were unstructured except for a theme — newly created and presented each week — that was meant to drive discussion. Leonard-Rock noted that discussion leaders had to be flexible with themes in order to meet the needs of students.
Students joined together to discuss their own experiences with race, often focusing on their bewilderment about what defined “community,” in general and on campus. “Most students have talked about this time being the first time in their college experience they have felt compelled to have a dialogue about race,” Leonard-Rock said.
Students who have not had the opportunity to join one of these dialogue sessions are encouraged to do so, as they will continue next semester. Additionally, a two-day social justice training event, as well as other learning opportunities will be offered beginning in January.
The Butler Center will host Becky Martinez from the Social Justice Training Institute the weekend before the start of Block 5. Leonard-Rock described these trainings as is a unique and exciting opportunity to engage deeply in social justice education and a chance to dig deeper on topics of race and other salient identities for a full day and a half.
Please save the dates: Thursday, Jan. 14, Friday, Jan. 15, and Saturday, Jan. 16, 2016.
A session for faculty and staff will take place Thursday, Jan. 14, 9 a.m.-noon.
Sessions for students run Thursday, Jan. 14-Saturday, Jan. 16
Please email Pearl Leonard-Rock (email@example.com) to secure your spot in this on-campus experience.
Space is limited. There is a cap on the number of students who can attend and The Butler Center will work to create visible diversity in the session in an effort to enrich the dialogues.
Angie Bardsley, ITS: administrative assistant
The time and effort needed to produce and exhibit a piece of art can be deceptive. Take “American Falls,” for instance. Filmmaker Phil Solomon spent nearly a decade fulfilling his vision of creating an all-encompassing experience in American history. In addition, Jessica Hunter-Larsen, I.D.E.A. Space curator, worked with Solomon for two years arranging the exhibit at CC, and ITS: staff spent six months researching and preparing to assist with the film’s installation.
In the spring of 2015, Sean Roberts, smart spaces and AV manager, was asked to assist with the film’s autumn installation. Roberts prepared by studying triptych film — in which different images are projected on three surfaces simultaneously. He contacted other venues that previously exhibited the film, reached out to LVW Electronics for crucial advice, communicated with Solomon about his preferences, and pre-staged three projectors to do a trial run. In addition, Roberts enlisted the expertise of fellow ITS: team members Joe Hinson, Gerald Mondragon, Tulio Wolford, Joseph Sharman, Matt Gottfried, Linda Petro, and Vish Paradkar. “This was the largest, cross-department project I’ve worked on outside of events. It took all of us,” Roberts said.
When it was time to finally install the “American Falls” exhibit, Roberts worked closely with Briget Heidmous, I.D.E.A. Space’s assistant to the curator. Heidmous and Roberts spent three days adjusting the film’s resolution and manually positioning three projectors so the film had no visible edges. In order to give viewers the most meaningful experience, the film had to be projected with precision. Heidmous explained, “Phil Solomon is an important person in the experimental film world. Having his film in Colorado Springs, displaying it this way, is unique.”
At one point, Heidmous and Roberts contacted Solomon via Skype, so he could see and hear the exhibit. “Having access to technology makes situations like these so much easier. At Colorado College, we really have experts in their fields; we don’t have to look far for someone to help,” Heidmous said. Without know-how from the ITS: team, the project could have cost three to four times more. The equipment purchased for the exhibit will be repurposed for other projects, saving campus resources.
Technology is not only becoming increasingly prevalent in modern art, it also continues to evolve and permeate all areas of the academic world. As these changes occur, the ITS: division looks forward to collaborating with other departments to create a rich learning experience for CC’s students and a stimulating environment for its faculty and staff.