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A View from the Monument Creek Restoration Project

By David Sachs ’20

The Monument Creek Restoration Project is a collaboration between the State of the Rockies Project and Innovation at Colorado College, with support from the Geology Department and the GIS Lab. Inspired by Colorado Springs’ founding principles and Colorado College’s strategic plan, the aim of the project is to create a model framework for the kilometer-long stretch of Monument Creek that forms the western border of campus.

The Good Idea: Monument Creek Restoration Project

In this phase of the project the team is using a method for research, planning, and design known as geodesign. Geodesign is a multifaceted approach that aims to account for the myriad of factors at play when revitalizing a given area. While traditional planning methods typically focus on research and data aggregation for a specific feature, geodesign relies on a more holistic set of information. This can range from environmental and socio-economic data, to feedback and input from community stakeholders.

This summer, I and a team of two other interns are conducting a pilot study in the stretch of Monument Creek running from the Uintah overpass to the Mesa Bridge a kilometer south. We have been tasked with collecting stream-bed topography at various points along the reach. In addition, we are building a catalog of various elements in the riparian landscape, gathering data on everything from vegetation to extended human presence. The project has provided us the opportunity to meet with various city planners, Colorado Springs Utilities, and other local creek patrons in order to build a deeper understanding of their concerns and more broadly, how Monument Creek is utilized in its present state. Going forward, the team will visualize our data in industry standard GIS software, which provides powerful analytic tools, enabling us to identify key areas for redesign.

Following the data collection and analysis phase, the other interns and I will shift the focus of our work to a GIS modeling software which allows designers to model buildings and vegetation in conjunction with preexisting conditions. The team will attempt to create a plan which can improve storm water quality, aide in flood mitigation, and restore degraded ecological systems. The plan will also seek to create a stronger connection between the creek and the Colorado College campus, enabling further education on hydrology and riparian landscapes in our own backyard. For me, this is one of the most compelling components of the project. By using detailed geospatial data as the framework for design creation, we have the opportunity to achieve a powerful synthesis of science and creativity which truly represents the potency of a liberal arts education. Knowing that down the line our work may help enable a positive change in our community is icing on the cake. Our project parallels ongoing work being done by the Fountain Creek Watershed District, Colorado Springs Parks and Recreation, and The Rocky Mountain Field Institute.

The models and data generated this summer will be used and refined by CC’s Introduction to Geodesign course, which is being offered in Block 8, 2019. Students in this class will have the opportunity to learn the geodesign method and continue conversations with community stakeholders in order to develop models which may be presented to decision makers both on campus, and within city government.

While the work being done here is local, the scope of the project is far greater. The Monument Creek Restoration Plan will be Colorado College’s flagship contribution to Changing our Global Infrastructure, a geodesign collaboration among academic institutions worldwide. Colorado College’s focus on digital liberal arts, and early adoption of the geodesign methodology has enabled CC to be the only four-year liberal arts college to participate. This international Geodesign consortium aims to create a diverse body of work, showcasing the capabilities of the new methodology. Areas of study range from urban centers to wilderness, and initial work will be presented at the International Geodesign Conference in February 2019. Our Geodesign at Colorado College project will also be presenting a poster in September at GIS in the Rockies, the premier geospatial conference of the Rocky Mountain west. Through these conferences we hope to hone our presentation skill as well as gain insight into other implementations of the informational technologies through which we work.

For more information please visit our website.

Student interns are:

• David Sachs, senior, Interdisciplinary Major
• Will Rundquist, senior, Geology Major
• Darryl Filmore, junior, Computer Science Major

Collaborators/mentors are:

• Christine Siddoway, Geology Professor
• Matt Cooney, GIS Technical Director
• Cyndy Hines, Program Coordinator, Innovation and SOTR, with expertise in stream ecology and hydrology

Human Anatomy Class Leverages Unique Resources for Lifelong Learning

by Laurie Laker ’12

The study of the human body at Colorado College is something of a unique opportunity for an undergraduate student body. CC is one of the very few colleges in the country, particularly among our liberal arts peer schools, where students can immerse themselves fully in the study of the human anatomy, applying their classroom theory with real-world practice.

“We’re extremely careful about how we present the anatomy lab, what we say about the lab, because we want to be as respectful as possible to the donors,” explains Professor Dan Miska of the Human Biology and Kinesiology Department.

‘Donors’ is the language of the department and all those who move through their classes, rooted in respect for the persons who’ve donated their bodies to scientific teaching and research. The class Introduction to Human Anatomy, running this Block A, lets students gain an understanding of the fundamental concepts of human anatomy, and includes the examination of skeletal, muscular, nervous, cardiovascular, and respiratory structures.

“I’d estimate that 90 percent of our students go on to some form of medical program,” Miska adds. “Anatomy has the reputation of being all about memorization, but what we try to teach here is the true applicability of the material — to the clinical work of a future career.”

“For example, with certain diagnoses we bring socioeconomic issues into our discussions as well. Cases like heart attacks, for example, often hinge upon diet and exercise, which in turn frequently hinge on the socioeconomic status of the patient,” adds Miska. “It’s a clinical class, but with applicable knowledge and social awareness woven throughout.”

The class is a combination of clinical study modules and laboratory sessions, and students work in small groups to diagnose a hypothetical injury or condition using the methodology of clinicians — asking questions, noting patients’ medical histories, and then offering a possible diagnosis.

“I’m taking this partly for my major, partly because it’s super interesting,” says Nabeel Elabdeia ’20, who majors in Organismal Biology and Ecology.

“It’s so different from the textbook type of class, a lot more messy — just like real life medical practice.”

“This kind of work — particularly with the donors — it makes me think about real doctors, how difficult it is to diagnose real people. I was a bit nervous at first, but you soon learn to dissociate from the personal and treat it as a learning experience.” Elabdeia, who plans to head to dental school after CC, adds.

“It’s not just checking a box,” Miska details, expanding more on the longer-term goals of the class.

“Students take this because it’s going to follow you in life, to set you up for what you’re doing for a career — these are practical life skills for impactful careers, and that we can offer the practical skills of body diagnosis at the undergrad level is incredible. It gives our students such a head start when they head to med school after CC.”

Nerves are commonplace among students before heading to the lab for the first time — understandably so, given the nature of the material. But it’s no deterrent — the clinical experience of examining a human body and all its systems is often the chief attraction for students taking the class.

“I was anxious but excited for the lab before we went in,” explains undeclared major Julia Moore ’20, who is on the Molecular Biology track and minoring in Human Biology and Kinesiology. “To be honest, it was very much a ‘let’s get this first one over with’ scenario. We get to see this, to do this, from the first day of class, and that’s amazing.”

“It’s a very, very respectful space, aware of the donors and their wishes, and having access to this sort of facility is quite unique for an undergraduate experience,” she says.

“I actually visited the lab as a prospective student, and it’s one of the reasons I came to CC — it’s a special thing that undergrads don’t always get to do,” adds Moore’s lab group partner, Rianna Reimers ’19, a Molecular Biology major who’ll be interning with a genetics lab in her home state of California after the class finishes.

“The way Dan presents the class, and especially the interactions we have with the donors, it’s amazing — respect is the utmost important thing. He even said, on day one, ‘These (meaning the donors) are the four best anatomy teachers you’ll ever have’ — that’s really stuck with me.”

Dan Miska’s Block A Human Anatomy class discusses a case study and views a carpal tunnel surgery online to learn more about the mechanics of a hand to better diagnose treatment.

Hairstreak Butterfly, CC’s New Online Literary Journal

Hairstreak Butterfly Review,named after the official Colorado state insect, embraces CC’s aspiration to invite innovation and possibility into our understanding of the world. Launched by the Department of English, the online literary journal’s editors describe their mission as offering “a space for writing that stirs the senses and invokes things wild, sacred, daring, and visionary. We are as excited about feeling out the limits of genre, language, perspective, and narratives as we are about the careful rendering of that which makes humans human and keeps time waxing and waning.” Take a look at Issue 1.

Assistant Professor of English Natanya Pulley is the journal’s managing editor. She says that when imagining a literary journal for CC, she asked herself two things: Does the world need yet another literary journal? and What can it offer our students that they aren’t already experiencing in student-run publications, through our Visiting Writer Series’ events and class talks, or through discussion (in-class and one-on-one) about contemporary literary publishing?

“I’ve been editing literary journals for the last 10 or so years and find it is an essential part of being a contemporary writer. One can read the trends before they hit the bookstores and find emerging and marginalized voices that may not find a publisher for some time.” Pulley also says that reading submissions for the journal means encountering not only a wide spectrum of styles, perspectives, and content, but also reading underdeveloped work or writing that feels so close — but not enough — to complete.

“It means confronting writing that is clumsy, hollow, amateurish, offensive, unimaginative, or worse: average,” she says. “This exposure ultimately helps a writer identify their own weaknesses and limitations, and even face their fear of failing while also finding their strengths and readership.”

There are a multitude of writing programs with nationwide literary journals that build the student editorial experience with exactly these areas in mind, says Pulley. “My goal has always been to provide such an opportunity for our students, but I returned often to that first question as I began planning a ‘Literary Publishing Practicum’ adjunct and in my discussions with students and visitors about literary journal publishing,” Pulley says of getting this project started. “Our students are innovative, hardworking, and inquisitive people. Many love writing and reading; they read to escape, be challenged, learn, and see themselves reflected in the words of others. But they also want to build spaces for change and growth — they want to be a part of something important that is inclusive and supportive of marginalized people.”

While the journal increases the number of publications in the literary world as well as at CC, Pulley says her vision for it has been not only to deepen students’ connection with the literary industry and their own role as writers within that industry, but also to deepen work in diversity and inclusion by asking what it takes behind the scenes for marginalized voices to be seen and heard.

“How do we build such an infrastructure?  What are we looking for when we read submissions? What do we see or look for when reading published work and what does this say about how we conceive of the world?” Pulley says of the questions she asks throughout the process of putting the journal together. “What does our understanding of ‘good writing’ rely on and how did it come to be? How can we be proactive about inviting and honoring work by writers of color, LGBTQ writers, and writers with disabilities? And most importantly, how do we interrogate our own choices in building this space and structure? What questions of about our own positions and views must we embrace — not once, but every moment we read submissions and edit, communicate with, publish, and promote our contributors?”

The literary journal, and the Lit Pub Practicum Pulley teaches, offer students an opportunity to tackle these questions and toward a specific purpose. “We work to put something out there that we hope speaks to and teaches others as it has us,” she says. “This is why the world needs literary journals — thousands of different kinds: we must always ask ourselves which narratives, voices, perspectives, and images do we find essential to understanding our world today? And at CC we must ask how do we best amplify them?” Spend some time with Hairstreak Butterfly Review.