Posts in: Kudos
From the rooms of Packard Performance Hall, Susan Grace, artist-in-residence and lecturer in music, is making waves. At CC, she’s known as Susan, director of the Summer Music Festival and talented professor of piano. Recently, though, she’s been receiving recognition for her work outside of the school as well. The London Sunday Times recently named her as a contributor to one of the top ten contemporary recordings of 2016 for her recording “Stefan Wolpe – Music for Violin and Piano,” and that’s just one in a long line of acknowledgments. To name a few formidable awards, she was nominated for a Grammy in 2005 and received the Spirit of the Springs award in 2014.
Grace, a pianist, has led a diverse career: she performs collaborative music, chamber music, in duos, and concertos. “I’m not stuck to one thing,” says Grace. While she loves the variety her career offers her, she acknowledges that it can be overwhelming. “I do a lot of recording,” she says. “It can be challenging to balance [my career and my teaching], but most of my students are pretty advanced and work hard.”
Grace is a mainstay in the CC Music Department. Beyond teaching classes, she directs the Summer Music Festival, an annual event that attracts advanced music students and faculty from all across the nation to participate in a month-long workshop. “I feel really fortunate to be a part of the community here,” Grace says. “The faculty development and possibilities are great.”
Her most recent accolade for the Stefan Wolpe was the fruit of a recording done in Packard Hall for Bridge Records. Her co-musicians on the recording were renowned violinists Movses Pogossian and Varty Manouelian. Her recording company had asked her to record Wolpe. “I had never even heard of Wolpe,” said Grace, “but I found the music really interesting.”
In addition to another Wolpe piece, she continues work with her piano duo, Quattro Mani. Grace is also preparing for an August recording of “Poul Ruders for Harpsichord and Piano,” a performance at famous venue National Sawdust in Brooklyn, N.Y., and a Quattro Mani performance at Bargemusic, also in Brooklyn.
Whether or not you’re in need of a new pair of jeans, take a look at the Levi Strauss and Company “Modern-Day Pioneers” webpage, which last month featured CC graduate Scott Bryan. Bryan, who graduated from CC as an economics major in 2001, is now the president of Imagine H20, a company that supports startups with promising solutions to current water challenges.
As he mentions in the article, Bryan’s interest in water was sparked during his years at CC. He cites professors Mark Smith and Walt Hecox as especially influential on his education. During Smith’s environmental economics class, Bryan visited the Glen Canyon Dam, where he studied the system of water delivery to farms in Colorado and New Mexico. In his classes with Hecox, Bryan says, “I spent a lot of time in the San Luis Valley learning about the conflict between ranchers and water developers.”
Taking advantage of the opportunity for interdisciplinary study that CC offers, Bryan took an environmental sociology course, which he remembers as pivotal in developing his later dedication to address the strain on water resources. That class also spent time in the San Luis Valley. Bryan explains, “that is where we learned about the acequia [or communal irrigation] systems and the potential threat from logging headwaters.”
Today, Bryan recognizes the great impact his CC education has had on his life. “At CC, thanks to the block program, I really learned the value of diving into an issue or topic. This has been critical in my professional career,” he says. “It’s been fun to work in the water innovation space and connect with other Tigers. Andrew Fahlund ’91 is a deputy director at the California Water Foundation, which supports Imagine H2O. Jim McDermott ’91 founded a very successful water tech business called NanoH2O.”
In his interview with Levi Strauss, Bryan delves into the mission behind Imagine H20, his personal involvement, and what he sees for the future. Check it out.
“I really want people to be able to see the power of music and of art, and the way it works in so many different people’s lives,” says Kendall Rock ’15 of her film “God’s in the Garage.” She’s sharing her work with the world, on the big screen at the 2016 Big Sky Documentary Film Festival in Montana Feb. 19-28.
The documentary short explores the interactions and conflicts between faith and music. Featuring Seattle artists Allen Stone, Zach Fleury, Noah Gundersen, and Galen Disston (Pickwick), the film also follows Colorado musician Brian Wight as he chooses between his artistry and the prospects of a comfortable lifestyle guaranteed by a church job.
“I was raised in the church in Seattle, but had a lot of issues with it as I got older and went to college. I started paying attention to the type of music I was listening to and realized that a lot of the artists I liked had a similar Christian background,” Rock says of her inspiration for the film. “Struggles with faith was a theme in their music, and I wanted to know more about how they processed that struggle through their art. For a lot of these musicians, music was their religion or their higher power, and I was really interested in learning about that.”
“God’s in the Garage” was Rock’s thesis film as a film and new media studies major at CC. After debuting the film on campus last May, Rock was contacted by Doug Hawes-Davis, who was on campus as a visiting professor. He invited her to show the film at the Big Sky Festival in Missoula, Montana. Since then, she’s had to keep the film under wraps until the screening at Big Sky in February.
While Rock says it’s scary to share such a personal and sensitive project with the masses, she’s thrilled to be included in such a major festival. “I’ll get to go to see films and attend the filmmaker parties. I’ll be mingling with real filmmakers; I’m excited. Then I can finally put it online, and move on.”
Rock has several other projects already in the works, including a film she shot over the summer while working with a conservation group in Alaska. That will be released soon on Rock’s blog. And, she has plenty of ideas to pursue. “I want to do more with music, the best part of this film was working with other creative people and talking with them about the way they process their lives through their art. At the same time I was making my art, going through my own process, so I want to do more of that.”
Monica Black ’19
In his most recent play, “17 Border Crossings,” which debuted in Manitou Springs, Colorado a few years ago and is now playing at the Blue Room Theatre in Perth, Thaddeus Phillips ’94 fills up the stage, and plays everyone, everywhere in 17 true stories of migration and separation. Backed by his own narration, Phillips transforms himself from a Hungarian border control agent – with shirttail protruding from his fly – into a smuggler. The standing microphone, table, chair, and a light bar are flipped and repurposed 17 times to become a trans-Euro train, a beach, a customs check, a motorcycle.
Eileen Blumenthal, professor of theatre at Rutgers University and a critic of the arts in New York City, recently featured Phillips’ work in American Theatre. He has developed, Blumenthal writes, his “own brand of theatre,” evidenced by his unique use of space and repurposing of common objects to create different universes. His diverse body of work ranges from one-man Shakespeare (“King Lear;” “Hamlet”) to more traditional plays that take on contemporary issues, from “Narcos” to onstage telenovela “¡El Conquistador!” about Colombian soap operas.
His unique and formidable career in the arts began with his studies in the Theatre Department at Colorado College, where he encountered, via theatre professors at CC, cutting-edge ideas about onstage space adapted from Peter Brooks. He also worked with puppetmaster Encho Avramov (who has continued to teach and direct at CC as a visitor) and saw the renowned work of Robert LePage during the course of his studies.
Phillips now runs theatre company Lucidity Suitcase International, which produces much of his work. Read the full story.
“It’s a global story about a people who are cutting away from their roots and moving away from a traditional livelihood, and I’m trying to convey some of that emotion of loss, and force people to think about that process as it applies to other cultures,” says Breton Schwarzenbach ’15 his photography exhibit “The Generation of Uncertainty.” The solo exhibit is currently on display at Naropa University’s Lounge Gallery in Boulder, Colorado.
The show of large-scale photographs is the product of Schwarzenbach’s extensive time spent living with the Changpa nomads along the Indo-Tibetan border. His work presents the contemporary story of nomads confronting climate change, economics, and geo-politics in the Himalayas.
“In this new body of work, I was really diligent in selecting the images, and portraits specifically, that convey emotion to help people try and grasp that something is happening in this area that doesn’t fit with an expectation of what you might think,” he says.
For centuries, the Changpa have herded yak and Pashmina goats in the Changthang, a pristine high grassland spanning the border between Tibet and Ladakh, India. Today, the younger generation is leaving and pastoralism is dying out. “The Generation of Uncertainty” pays homage to the traditional livelihood in transition.
It raises questions about how all cultures experience and embrace change. Portraits are juxtaposed against landscape and images of human impact. The work is powerful, urging reflection about humanity’s role in a time of immense global transformation.
Now 23, Schwarzenbach began working with the Changpa six years ago. With support from a Keller Venture Grant, the Edith Gaylord Prize in Asian studies, and CC Career Center funding, he lived in the nomad camps and was able to bear witness with pen and camera. Naropa is housing the first scheduled exhibition of this work.
The show is on display from January 14 through February 26. The Lounge Gallery is located inside Naropa’s Nalanda Campus at 6287 Arapahoe Avenue in Boulder and the opening reception runs 5:30- 7:30 pm., Friday, Jan. 22. Regular gallery hours are 10 a.m. to 5 p.m., Monday-Friday.
Schwarzenbach lives and works between Putney, Vermont and Colorado. In September, Schwarzenbach spoke and showed work as part of the Tibetan Children Education Foundation’s 25th Anniversary events at the Holter Museum in Helena, Montana. Last month he was featured in a solo exhibit for TOCA SHOES on New York City’s Lower East Side. Schwarzenbach received a BA from Colorado College. More at: www.bretonschwarzenbach.com
Angie Bardsley, ITS: administrative assistant
The time and effort needed to produce and exhibit a piece of art can be deceptive. Take “American Falls,” for instance. Filmmaker Phil Solomon spent nearly a decade fulfilling his vision of creating an all-encompassing experience in American history. In addition, Jessica Hunter-Larsen, I.D.E.A. Space curator, worked with Solomon for two years arranging the exhibit at CC, and ITS: staff spent six months researching and preparing to assist with the film’s installation.
In the spring of 2015, Sean Roberts, smart spaces and AV manager, was asked to assist with the film’s autumn installation. Roberts prepared by studying triptych film — in which different images are projected on three surfaces simultaneously. He contacted other venues that previously exhibited the film, reached out to LVW Electronics for crucial advice, communicated with Solomon about his preferences, and pre-staged three projectors to do a trial run. In addition, Roberts enlisted the expertise of fellow ITS: team members Joe Hinson, Gerald Mondragon, Tulio Wolford, Joseph Sharman, Matt Gottfried, Linda Petro, and Vish Paradkar. “This was the largest, cross-department project I’ve worked on outside of events. It took all of us,” Roberts said.
When it was time to finally install the “American Falls” exhibit, Roberts worked closely with Briget Heidmous, I.D.E.A. Space’s assistant to the curator. Heidmous and Roberts spent three days adjusting the film’s resolution and manually positioning three projectors so the film had no visible edges. In order to give viewers the most meaningful experience, the film had to be projected with precision. Heidmous explained, “Phil Solomon is an important person in the experimental film world. Having his film in Colorado Springs, displaying it this way, is unique.”
At one point, Heidmous and Roberts contacted Solomon via Skype, so he could see and hear the exhibit. “Having access to technology makes situations like these so much easier. At Colorado College, we really have experts in their fields; we don’t have to look far for someone to help,” Heidmous said. Without know-how from the ITS: team, the project could have cost three to four times more. The equipment purchased for the exhibit will be repurposed for other projects, saving campus resources.
Technology is not only becoming increasingly prevalent in modern art, it also continues to evolve and permeate all areas of the academic world. As these changes occur, the ITS: division looks forward to collaborating with other departments to create a rich learning experience for CC’s students and a stimulating environment for its faculty and staff.
By Linda Petro
What do solar winds, raspberry pie, and network access have in common? A creative ITS: solution uses the first two to determine an online user’s experience with the third, providing crucial data to improve the overall experience. Better online access through pie — who doesn’t like the sound of that?
Here’s how it all comes together: The ITS: Division’s Enterprise Technology Team uses software called SolarWinds to record and report statistics about network access across campus and provide alerts for buildings that are offline. Unfortunately, it does not provide data about a user’s actual experience. Access may be available, but a user could be upset because a website is taking more than a minute to load. This user might express that frustration to friends about their network experience, but ITS: wouldn’t always hear about it to be able to fix it.
Those days will soon be history. A small group of ITS: Enterprise Technology teammates, including David Ziemba, Keith Conger, Dan Raney, and Manuel Rendon, got together to brainstorm and find a system to help identify these “slow spots.” One of them suggested they use a computer to monitor the network in each building. As it was cost-prohibitive to place standard machines everywhere, they focused on using the ultra-low cost Raspberry Pi computer, no bigger than a standard computer mouse, instead (pictured center). The idea was to take the tiny computer and program it to access websites as the average user would do when surfing the internet, then attach it to the SolarWinds software to record how long it was taking, making the information viewable and actionable through reports and alerts.
After some trial and error, the team started to receive data from the test Pis and was able to see how the network was performing. When a website took longer than a fraction of a second to load, the team researched why and implemented a fix. The idea was working.
Because the preliminary information was helpful, the idea expanded further. Pis were placed in nearly every campus building, with additional Pis positioned in high-need spots. Each Pi was programmed to access a list of websites every minute and send back data to SolarWinds and the team. When the team cannot monitor the software face-to-face, alerts are sent to their email addresses so they can respond quickly.
“This system is the only one I have seen anywhere that attempts to recreate the user experience, and we are all about a better experience for everyone,” said David Ziemba, senior network engineer. “We still need to come up with a cool name for it,” Ziemba expressed with a smile.
As the network upgrade continues into phase two, ITS: continues to look for ways to make a better network experience for all who live, study, and work here. And a better experience is worth celebrating. Raspberry Pi, anyone?
Montana Bass ’17
Powerful photographs by Kendall Rock ’15, a film and media studies major, have been featured in a Huffington Post article titled “The Truth About Refugees From a U.S. Student Abroad,” written by Jackie Montalvo, a student at Northwestern University.
Since graduation, Rock has worked as a freelance photographer. “I’ve never really contemplated my passion for photography,” she said. “I just have a passion for people, and like photographing them. I’m an observer, and I’m really lucky to have the skills to make a career out of capturing people’s moments and stories.”
In this most recent project, Rock’s photos accompany Montalvo’s article addressing the detached mindset often applied to the Syrian refugee crisis. By explaining her experience working with non-governmental organizations in Turkey and Greece, and juxtaposing a Grecian willingness to provide refuge with growing American suspicion toward refugees, the author encourages Americans to see the individuality and humanity of the people making up the masses.
To drive her point home, Montalvo includes Rock’s heartwarming pictures of refugees, mostly children, taken during Rock’s time in Greece with Lisa Hughes, adjunct associate professor of English, for the course Romantic Comedy and the Blue World. Realizing the opportunity for the class to contribute to crisis relief, Rock began working with the Salvation Army in Athens’ Victoria Square. Eventually, she worked with Hughes to coordinate efforts with the Salvation Army in the context of class discussions. They also organized a drive to collect funds from the CC community to contribute to the Salvation Army’s efforts.
It was during this time that Rock snapped the shots included in Montalvo’s article. “In Victoria Square, I kept my head on a swivel for moments, but I made sure that I always asked permission before I snapped a photo of someone, especially when I was photographing children. Hardly anyone spoke English, so I would hold up my camera and gesture to their child and ask, ‘OK?’ Some people said no, and some kids and young men came running toward me and posed, and then asked to see the photos and posed again and again,” she explained.
Rock has a knack for capturing photos that express the individuality of her subjects. From the refugees featured in the article to clients featured on her website, http://www.kendall-rock.com, personalities jump from the screen. “I rarely enter a photo situation looking for something specific (not really even when I photograph weddings), I instead just observe and have my camera ready all the time,” she said.
In May 2015, Rock’s filmmaking was recognized with the Richard A. Lewis Memorial Film Award, selected by an interdisciplinary panel of faculty to honor the best student film of the year. Her thesis film, “God’s in the Garage,” premiered at the JP2 Interfaith Film Festival in Miami, where it was also honored with a nomination for Best Documentary Short. Currently, Rock lives in Copenhagen and is editing a documentary about Alaska she filmed this past summer. She will return to the United States in the near future where she said she’ll continue with her work in photography and videography.
The Woman’s Educational Society of Colorado College Co-President Ann Burek presented $10,000 this fall to CC Special Collections curator and archivist Jessy Randall. The gift is for the purpose of enhancing the college curriculum by acquiring significant books and documents that focus on women’s history and contributions to society.
WES has a long history of support for Special Collections (also known as the Colorado College Room) at Tutt Library, including purchasing a case for rare documents in Tutt Library in 1969 and providing the Colorado College Room with furnishings in 1974.
Special Collections includes: documents, papers, publications, and photographs chronicling CC history; books by CC professors and alumni; important book collections; rare books and other valuable items (such as a page from a Gutenberg Bible or the contents of CC’s time capsule opened in the year 2000); electronic files; and access to some of the above via the internet (yearbooks, student newspapers, and time capsule contents).
CC Special Collections is open to everyone. Its main purpose is to serve CC students, but people visit from all over the world to use the rare and unique materials preserved there, including medieval manuscripts, printed books from the Gutenberg era, and the papers of 19th century writer and Indian rights activist Helen Hunt Jackson.
In the past decade, Special Collections has become much more focused on students. In 2001, it saw about 600 visitors. Since 2009, Special Collections has had about 1,600 visitors each year. The majority of these researchers are CC students, though visitors come from all over the world. Special Collections used to get a dozen class visits a year, and now it sees about 50. This means CC classes are visiting almost once a week. Many of these classes do block-long projects using the historic materials. Some examples from the last academic year include a medieval history class looking at manuscripts and early printed books; a Southwest studies class using primary sources of diaries and letters; and an architecture class studying the development of the CC campus using photographs and files.
Part of the library’s mission is to capture CC’s history, and to provide students with access to books and documents of the sort maintained by Special Collections. The Woman’s Educational Society said this gift allows the organization to make a proud contribution to this mission.
Monica Black ‘19
Many CC students, faculty, and staff know that campus is a great place to be a bike enthusiast, but now CC has finally received formal recognition: Colorado College has been named a “Bicycle Friendly University” by the League of American Bicyclists. Factors such as CC’s 1:1 bike rack to student ratio, a student-run bike co-op, and the bike rental program all played into the decision. The ranking also included a space for testimonials from students on the friendliness of the campus bike culture.
Although CC received praise for its current biking culture, unique challenges remain for those who get around on two wheels. Most of the throughways around campus are city streets, so CC’s ability to make an impact on crossings and bike lanes is minimal. Additionally, the campus is isolated from many of the business centers in sprawling Colorado Springs because many busy municipal roads lack bike lanes.
But, Ian Johnson, director of the Office of Sustainability, who submitted CC for bike-friendly campus recognition, said he’s looking eagerly toward the future. “As CC is a major part of the downtown biking culture, we’ve embarked on a feasibility study with [the city of Colorado Springs] and other key stakeholders to develop a bike share program that suits both the city and our campus, to help tie us more closely to the community,” said Johnson. This program aims to help connect the college to Old Colorado City, Manitou Springs, and University Village, and encourages the culture of biking among a student body, which sometimes claims “you need a car in the Springs.”
Students, staff, and faculty will play the biggest role in further adopting bike culture into campus life. “The biggest thing that people can do is to bike to work and class regularly, and let us know what sorts of challenges they’re facing,” said Johnson. “It’s not for the sake of a designation, but for the benefit of the real users on our campus.”