New Dante editions

In the spring of 2017, Special Collections acquired five editions of Dante’s Commedia for use alongside the 1491, 1536, and 1822 editions (and others) already in our teaching collection.

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Above, images from a facsimile of the 14th century “Dante Gradenighiano,” named for Giacomo Gradenigo, the man who curated, copied, and commented on this version of Dante’s Commedia. Gradenigo’s name appears in an acrostic on the front pastedown of the book (not shown).


The 1568 edition, edited by Bernardino Daniello and published in Venice by Pietro da Fino, has an inverted wedding cake illustration of Hell prefiguring the one in our 1822 edition.


The 1575 edition, published in Lyon by Guglielmo Rouillio, has the commentary of Alessandro Vellutello.


The 1596 edition, published in Venice by Bernardo Sessa, is edited by Francesco Sansovino and contains two full commentaries: both Alessandro Vellutello’s and Christopher Landino’s.


The 1928 Nonesuch edition, published in London, was limited to 1475 copies and has text in Italian and English. It contains 42 illustrations after those of Sandro Botticelli (that is, the illustrations are based on Botticelli’s but are not perfect reproductions). 

Also available in both Special Collections and the general library collection: comic book versions by Hunt Emerson, Christos Gage, Seymour Chwast, and Stefan Petrucha.



Keep Calm and Amy On

Special Collections has moved from Tutt South to the newly renovated Tutt Main (soon to be just plain Tutt). We are currently open by appointment only, hoping to return to regular hours by August 1 or earlier.

It was quite an odyssey getting the books and other materials, including a huge heavy map case, from one building to the other.


Special Collections Coordinator Amy Brooks managed 90% of the move while Curator Jessy Randall was cleverly out of town on a long-planned vacation.

Huge thanks to Amy, Tutt South wranglers Lesley Mackie and Diane Westerfield, and book escorts Sarah Bogard, Chris Curcio, Julia Drescher, Nicole Gresham, Lisa Lister, Annette Magneys, Mike McEvers, Courtney Morgan, Jeremy Nelson, Daryll Stevens, Claire Trissel, and Pam Willock. We could not have done it without each and every one of you. Congratulations to these hard workers and the PSI book movers on a successful and safe move!

Images above show anonymous graffiti written during the move on walls in the soon-to-be-demolished Tutt South. Amy was too tired to even notice:

Pictures of our new digs to come when it’s a bit more photogenic than it is now. Our current view looks like this:

All photos by Tutt Library staff.

Chenoweth postcards at the Fine Arts Center

Colorado College Special Collections lent 27 postcard collages by Mary Chenoweth to the Colorado Springs Fine Arts Center this year.

The postcards were donated to CC by Peggy Marshall and Mike Duffy and dated 1980s-90s. They were on display at the FAC from February 18 – May 21, 2017.

The exhibition was fantastic! The postcards were hung from the ceiling and sandwiched inside plastic so that viewers could see both sides.

in celebration of International Women’s Day

In celebration of International Women’s Day, March 8, 2016, we uploaded our finding aids to the collections of the papers of three women:

Lillian de la Torre, 1960, courtesy CC Special Collections

Lillian de la Torre, 1960


Writer and Playwright
Lillian de la Torre (1902-1993)






Inez Johnson Lewis, undated, courtesy CC Special Collections

Inez Johnson Lewis, undated


Educator, Superintendent of Schools, and State Superintendent of Public Instruction
Inez Johnson Lewis (1875-1964)






Marianne Stoller 1977, courtesy CC Special Collections

Marianne Stoller, 1977


Colorado College Anthropology Professor Emerita
Marianne Stoller (1929-2015)

Charlie Jane Anders in our reading room


Last month, science fiction author and io9 founder Charlie Jane Anders visited Colorado College as part of our Visiting Writers series. Writers usually meet with students in CC fiction and poetry classes, and Anders was no exception. This time, though, we held the student session in Special Collections, so that we could look at rare and valuable science fiction publications with her.

It was a blast. I put out an 1869 edition of Mary Shelley’s Frankenstein, a first edition of George Orwell’s 1984, an Arion Press edition of H.G. Wells’s Tono-Bungay, issues of SF zines such as Lady Churchill’s Rosebud Wristlet and Pandora, pulp paperbacks of Slaughterhouse-Five and Doctor Who, a 17th century history of monsters, and more. We spent a happy hour or so talking about reading and writing science fiction, and as I said goodbye and gathered up the books from the tables I realized it was the first time I’d ever had all my department’s science fiction stuff in front of me at the same time. Glorious!


(Anders is standing in front of a humongous painting by Sandy Kinnee, on loan to the library for one year while we renovate.)

Aldrovandi’s illustrated monsters


In August of 2016, a generous anonymous donor provided CC Special Collections with $18,000 for this important text on monsters:

Ulysse Aldrovandi (1522-1605). Monstrorum Historia (Bologna: Typis Nicolai Tebaldini, 1642).

aldrovandibinding IMG_4156 IMG_4160 IMG_4173 IMG_4181 IMG_4184

We purchased the book from Paul Dowling’s Maryland bookshop, Liber Antiquus. After a telephone conversation invoking Liceti, Piso, and Pokemon, Paul sent us a couple of snapshots from the Aldrovandi Studio in Bologna, showing bones and woodblocks displayed together — a sort of 17th century Pokedex, if you will (those of you who are playing Pokemon Go probably will; the rest of you probably will not).

aldrovandi studio blocks aldrovandi studio bones

I told our anonymous donor that I couldn’t wait to show the book to students because it was going to blow their minds.

I was right. Listen to the reaction of the first students at CC to see the book, a new student tour on August 10, 2016:

Interest in monsters goes back a long way and shows no sign of stopping. See Allison Meier’s A Visual History of Society’s Monsters for a nice overview. Her article includes a marvelous animated gif of the Aldrovandi monsters made by Kurosh ValaNejad, a film student at the University of Southern California (low-res version below, better version at Meier link):


Unfortunately, no English translation of this text exists. A project for CC Latin students and faculty, perhaps? It would probably only take about twenty years to complete…



CC acquires its 8th incunable

modern-day binding on 1494 Ovid

modern-day binding on 1494 Ovid

"Yummy!" -- 18th century bookworms

“Yummy!” — 18th century bookworms

"Look here!" -- fancily-sleeved pointy finger

“Look here!” — fancily-sleeved pointy finger







It’s not often that an affordable, teachable incunable comes available on the antiquarian book market, so we snapped this one up!

Ovid. De arte amandi et de remedio amoris cum comento [Ars Amatoria]. Venice : Johannes Tacuinus, de Tridino, 1494.

Ovid’s erotic love poems are sure to be a hit with CC’s Latin classes, and this particular copy, with its annotations and bookworm damage, will be of interest to book studies scholars.

Here’s a free online English translation of the text and a list of all of CC’s incunabula and early printed books.


Sandy Kinnee paintings on loan at Tutt Library

Most of the library renovation work happening in Tutt Library is noisy, messy, dusty, and not much fun for the people in the building. But here’s a brilliantly shining silver lining to the project: artist Sandy Kinnee has loaned two of enormous, gorgeous abstract paintings for the duration of the renovation.

Special Collections has had many incarnations over the years. The space shown here:

TuttSpecialCollectionsca1990now looks like this (photographed with a wide-angle lens by the artist):

kinneeThe paintings are numbers 2285 and 2290 from his Stepping Stones Perhaps series of March 2016 (images courtesy of the artist):


Each painting in the series is about 14 feet long and 8 feet high, with some variation.

Where are all the books, you ask? Where are the cabinets and shelves? The books and files have been moved to non-browsable areas of Special Collections, mostly the “cage” across from the curator’s office. The college donated the cabinets and shelves to Queen Palmer Elementary School, where the students have become quite fond of them already as stand-up desks. We hope the Woman’s Educational Society will be pleased that the furniture they donated in 1977 is having a second life in a new kind of educational setting.

image1 standing image3

Starting this summer, the Sandy Kinnee Room (so dubbed by curator Jessy Randall) will be open for general study whenever the library is open. Special Collections researchers will work in the curator’s office, which now seats eight. We will use the Kinnee Room when we have more than eight researchers at a time and whenever we perform class instructions (about once a week during the school year).

Addendum, July 18, 2016: the Pokemon Go craze has come to Colorado College, and the creatures are everywhere. A visitor snapped this photo of a Diglett in in front of Kinnee’s work:


announcing a $75,000 gift!

In December of 2015, just before we left for winter break, the Buddy Taub Foundation (Dennis and Jill Roach, directors) donated $75,000 to Colorado College Special Collections. The foundation slated the money for a particular purchase: a small collection of extremely rare Bauhaus materials.

bauhaus1The collection is made up of a handful of rather amazing items. First, the three-page Programm des Staatlichen Bauhauses in Weimar, German architect Walter Gropius’s 1919 manifesto for the Bauhaus movement. It is illustrated with the famous “Kathedrale” woodcut by Lyonel Feininger (image at right). This particular copy was a gift from Gropius to his student and colleague Chester Nagel. Fewer than ten copies of this fragile document are known to have survived.

Second, a test print of the “Kathedrale” woodcut, somewhat smaller than the print used for the cover of the Programm. This, too, was a gift from Gropius to Nagel. There’s a similar test print at the Museum of Modern Art.

bauhaus4Third, a copy of Satzungen Staatliches Bauhaus in Weimar, the 1922 handbook for Weimar Bauhaus school, printed soon after the school’s adoption of Gropius’s maxim “Kunst und Technik – eine neue Einheit” (“Art and technology, a new unity”). One of only three known copies in the world.

Fourth, a pair of original Gropius designs in pencil. One is the name of his daughter, “Manon Gropius,” in shaded block letters; the other is a series of architectural sketches.

(Side note: printer of the Press at Colorado College Aaron Cohick tells us of an interesting Colorado/Bauhaus connection: Bauhaus artist Herbert Bayer moved to Aspen after he left Germany; he had solo shows at the Colorado Springs Fine Arts Center in 1947 and 1962.)

The Buddy Taub Foundation’s mission is to make funds available to museums and research libraries for the purchase of desirable materials they would not otherwise be able to afford. The Foundation hand-picks the institutions and items for purchase. Past recipients include the Pierpont Morgan, Huntington, and Lilly libraries, among others. Colorado College is thrilled to be in such illustrious company!