Category Archives: new acquisitions

People from 100 years ago … they’re just like us!

We recently acquired a photograph album showing a large farming and ranching family in Estes Park, Colorado, ca. 1905-1915. We know the names of three brothers: Stuart, Gordon, and Charles Mace. Also pictured in the album are the wives and children of the Maces.

People from 100 years ago … they’re just like us!

They go for horsey rides!

 

They like cute bunnies!

 

When they take a bath in a bucket, they get their picture taken!

 

They … oh, no. Don’t do THAT…

 

Hat tip to Us Magazine’s Stars: They’re Just Like Us

Mini-Exhibition: Feminist Lesbian Science Fiction

We invite you to enjoy a new mini-exhibition in the display case in the garden level of Tutt Library: Ten Great Reads from the Feminist Lesbian Sci-Fi Boom of the 1970s: Sandra Gail Lambert Picks Her Favorites from an Unsung Genre.

Read Lambert’s article here: https://lithub.com/10-great-reads-from-the-feminist-lesbian-sci-fi-boom-of-the-1970s/

The Colorado College library now has every book mentioned in this article. Some have truly fantastic pulp paperback covers. Here’s an example:

LGBT Oral History Project

The Colorado College LGBT Oral History Project is now up and running in Digital CC!

The project includes audio recordings of interviews with lesbian, gay, bisexual, trans, and allied Colorado College faculty, staff, and alumni, along with Colorado Springs community participants. The interviews were done between January 2011 and May 2012. The founding director of the project was Andrew Wallace, CC class of 2012.

Participants in the project include, in alphabetical order, Rob Adkisson (CC class of 1992), Nate Bower (CC Chemistry faculty 1977-2017), Bruce Coriell (CC Chaplain 1988-2016), Mike Edmonds (CC Dean of Students 1991-present), Heinz Geppert (CC German faculty 1991-2013, Karl Jeffries (CC class of 1991), Bruce Loeffler (CC Geology faculty 1977-1999), Eva McGeehan (co-founder of the Colorado Springs chapter of PFLAG), Ginger Morgan (CC staff 1987-2012), and Frank Mosher (CC class of 1969; CC staff 1987-present).

Subjects including: coming out, Out and About (this Colorado College organization, founded 1985, became the LGBT Alliance), Amendment 2, homophobia, discrimination, HIV and AIDS, gay rights, same-sex marriage, and the 1991 founding of the Colorado Springs chapter of PFLAG (Parents, Families, and Friends of Lesbians and Gays).

We hope eventually to offer transcriptions of the interviews. Please contact Jessy Randall (jrandall@coloradocollege.edu) if you’d like to volunteer to transcribe.

Homecoming gifts

Every year at Homecoming, Special Collections holds an open house. This year our open house yielded not one but two amazing photograph donations.

Melinda Eager Poole (CC class of 1978) donated a scrapbook belonging to her grandfather, Leonard Prentice Eager. The scrapbook covers his freshman and sophomore years at CC, 1912-1914. It’s full of photographs of CC students in outdoor areas around Colorado Springs, including this one showing a dozen or so people perched on a railroad bridge, possibly the Pikes Peak Cog Rail.

David Ford (CC class of 1972) was a photographer for the Nugget during his senior year. He donated about a hundred photos from that period, including many portraits and campus scenes. Here are just two fantastic shots from his donation:

Thank you, Melinda and David — you make my job easy and fun!

never before seen photo: trail to Helen Hunt Jackson’s grave

We are fairly certain this is the first online appearance of a photograph labeled “Trail to H.H. Grave,” numbered 642, Hook Photo. The date is likely 1890.

Writer and activist Helen Hunt Jackson (known in her lifetime as H.H., Helen Hunt, or Helen Jackson) died in 1885. She was buried in South Cheyenne Canyon, but so many people visited the site that her grave was moved to Evergreen Cemetery in 1891. The address for W.E. Hook on the back of photo is 509 N Tejon, Colorado Springs, Colorado, an address first used in 1890.

The photograph is a recent gift of Alan Campbell, former Colorado College Psychology faculty. As far as we can tell, no other institution holds a print of this image.

Citation: Colorado Room Photo File for Helen Hunt Jackson, Colorado College Special Collections.

New Dante editions

In the spring of 2017, Special Collections acquired five editions of Dante’s Commedia for use alongside the 1491, 1536, and 1822 editions (and others) already in our teaching collection.

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Above, images from a facsimile of the 14th century “Dante Gradenighiano,” named for Giacomo Gradenigo, the man who curated, copied, and commented on this version of Dante’s Commedia. Gradenigo’s name appears in an acrostic on the front pastedown of the book (not shown).

  

The 1568 edition, edited by Bernardino Daniello and published in Venice by Pietro da Fino, has an inverted wedding cake illustration of Hell prefiguring the one in our 1822 edition.

  

The 1575 edition, published in Lyon by Guglielmo Rouillio, has the commentary of Alessandro Vellutello.

 

The 1596 edition, published in Venice by Bernardo Sessa, is edited by Francesco Sansovino and contains two full commentaries: both Alessandro Vellutello’s and Christopher Landino’s.

 

The 1928 Nonesuch edition, published in London, was limited to 1475 copies and has text in Italian and English. It contains 42 illustrations after those of Sandro Botticelli (that is, the illustrations are based on Botticelli’s but are not perfect reproductions). 

Also available in both Special Collections and the general library collection: comic book versions by Hunt Emerson, Christos Gage, Seymour Chwast, and Stefan Petrucha.

  

 

Aldrovandi’s illustrated monsters

 

In August of 2016, a generous anonymous donor provided CC Special Collections with $18,000 for this important text on monsters:

Ulysse Aldrovandi (1522-1605). Monstrorum Historia (Bologna: Typis Nicolai Tebaldini, 1642).

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We purchased the book from Paul Dowling’s Maryland bookshop, Liber Antiquus. After a telephone conversation invoking Liceti, Piso, and Pokemon, Paul sent us a couple of snapshots from the Aldrovandi Studio in Bologna, showing bones and woodblocks displayed together — a sort of 17th century Pokedex, if you will (those of you who are playing Pokemon Go probably will; the rest of you probably will not).

aldrovandi studio blocks aldrovandi studio bones

I told our anonymous donor that I couldn’t wait to show the book to students because it was going to blow their minds.

I was right. Listen to the reaction of the first students at CC to see the book, a new student tour on August 10, 2016:

Interest in monsters goes back a long way and shows no sign of stopping. See Allison Meier’s A Visual History of Society’s Monsters for a nice overview. Her article includes a marvelous animated gif of the Aldrovandi monsters made by Kurosh ValaNejad, a film student at the University of Southern California (low-res version below, better version at Meier link):

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Unfortunately, no English translation of this text exists. A project for CC Latin students and faculty, perhaps? It would probably only take about twenty years to complete…

 

 

Émilie du Châtelet Institutions de Physique

After spending the incredible $10,000 gift from the Woman’s Educational Society, we here at Special Collections decided we weren’t quite finished acquiring important books related to women’s history.

ChateletfullMembers of the faculty of CC’s Feminist and Gender Studies program had directed us to Duke University’s Project Vox, which in turn called our attention to Gabrielle Émilie Le Tonnelier de Breteuil, marquise du Châtelet (1706-1749), an important and influential scientist. We were able to purchase two editions of Émilie du Châtelet’s Institutions de Physique: the first edition, in French, from 1740, which was published anonymously; and an Italian translation, with attribution, published in 1743.

If you’re not fluent in French or Italian but you’d like to know more about du Châtelet, you might try David Bodanis’s 2006 book Passionate Minds, which is subtitled “the great love affair of the Enlightenment, featuring the scientist Emilie Du Châtelet, the poet Voltaire, sword fights, book burnings, assorted kings, seditious verse, and the birth of the modern world.” It’s available at the CC library.

W.E.S. gift (part 5)

This is the fifth and final report on how we spent the $10,000 gift we received from the Woman’s Educational Society:

beadle_35009_cvr1lIrwin P. Beadle.  Beadle’s Dime Book of Etiquette: A Practical Guide to Good Breeding. New York: Beadle & Adams, [ca. 1890]. Revised and enlarged edition. A manual for behaving properly in society, useful for understanding the history of gender. We learn that “some men have a mania for Greek and Latin quotations; this is a peculiarity to be avoided. Nothing is more wearisome than pedantry.” Ladies, on the other hand, should “always maintain a dignity of character, and never condescend to trifle” in conversation.

robinson_820_1lRobinson, William Davis. Memoirs of the Mexican Revolution: Including a Narrative of the Expedition of General Xavier Mina. Philadelphia: Lydia R. Bailey, 1820. First edition, edges untrimmed. Lydia R. Bailey (1779-1869) was the first woman printer in Philadelphia, inheriting her husband’s floundering press in 1808. (She was followed soon after by Jane Aitken (1810) and Ann Cochran (1812). Under Bailey’s management, the press thrived for five decades. At its peak, it employed forty workers and was one of the largest printing establishments in the city. (For more information, see Loena M. Hudak’s Early American Women Printers and Publishers, Scarecrow Press, 1978.)

gilmanCharlotte Perkins Gilman. Concerning Children. Boston: Small, Maynard, 1900. This is the fourth book by Gilman, best known for her short story “The Yellow Wallpaper” and her novel Herland. In it, she argues that mothers and children would both benefit from group childcare centers. The decorative binding, signed “MLP,” is by Marion Louise Peabody.

THANK YOU, W.E.S.!!!

 

W.E.S. gift (part 4)

We continue our report on how we spent the $10,000 gift we received from the Woman’s Educational Society, celebrating several more works of literature by women authors.

alcottLouisa May Alcott. Jo’s Boys. Boston: Roberts Brothers, 1886. First edition, first state (text block measures 1 1/16 inches), in brown cloth. Following up on Little Women and Little Men, this is Alcott’s final book featuring Jo March.austen_33732_spn1l

Jane Austen. Persuasion. Westport, Connecticut: The Limited Editions Club, 1977. With an introduction by Louis Auchincloss and illustrations by Tony Buonpastore. Designed by Robert L. Dothard and printed at the Stinehour Press. Copy 1009 of 1600 signed by the artist.

dickinsonEmily Dickinson. Poems: Second Series. Boston: Roberts Brothers, 1892. First Edition, early printing. (Special Collections owns the preeminent collection of the papers of Dickinson’s childhood friend, the writer Helen Hunt Jackson. Until now, however, we have never owned any 19th century editions of Dickinson’s collections of poetry.)

wharton_30719_cvr1lEdith Wharton. The Age of Innocence. Avon, Connecticut: The Limited Editions Club, 1973. With an introduction by R.W.B. Lewis and illustrations by Lawrence Beall Smith.  Designed by Philip Grushkin and printed at the Press of the Archer. Copy 389 of 2000 signed by the artist.

wilder

Laura Ingalls Wilder. On the Banks of Plum Creek. Illustrated by Helen Sewell and Mildred Boyle. New York: Harper & Brothers, c. 1937. Ninth edition, in dust jacket.